Füge eine Handlung in deiner Sprache hinzuDesperate to replace the relationship he had with his recently-relocated godson, a young artist (Peter Paige) is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the co... Alles lesenDesperate to replace the relationship he had with his recently-relocated godson, a young artist (Peter Paige) is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the community.Desperate to replace the relationship he had with his recently-relocated godson, a young artist (Peter Paige) is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the community.
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A gay man with a love for children gets accused of pedophilia. There's a couple of problems here. One is that if Peter Paige (writer/director/star) is trying to make a point, he's doing a poor job of it. The message is rather unclear. At one point he seems to be saying that parents shouldn't be so uptight about letting men play with their kids, and later seems to be emphasizing that it's gay men in particular who are demonized, and then he compounds the issue by making the protagonist unbearably stupid and naive (adding hints of mental disturbance didn't help one bit). He tries to mitigate it by saying "I know I made some mistakes" at the end, but that only ends up confusing the message more. I did appreciate that there was some complexity to it, but it was just too muddled. Also, the second act involves a lot of repeating the same points over and over again and feels sluggish. I think the largest problem is the Kathy Najimy character. Paige paints her (this is an extremely clever pun if you've seen the movie) with a very broad brush: she has knee-jerk reactions, blows things way out of proportion, tells lies to whip up hysteria, has mechanical sex with her husband, isn't a very good parent. This is a character who belongs in a much more satirical comedy, something like CITIZEN RUTH. She doesn't match the quieter (and not terribly funny) humor of the rest of the film. However, it's not all bad. Despite a low-budget production (right here in Portland) it feels pretty professional, and the performances are good, even when the characters aren't very well written. The film is somewhat pleasant to watch, despite the subject matter. And I really did enjoy the complexity and that it wasn't as broad as it could have been, if only the Najimy character had been toned down. Overall, though, it's a near miss.
This film is about a gay man who likes interacting with children, and hence being mistaken for a paedophile.
I find this film very impressive. The cinematography is excellent, the set designs are very well composed and visually attractive. The most important thing is that the plot is outstanding.
It deals with many social issues. It looks at how one person jumping into conclusions can cause so much bias and distorted viewpoints. It looks at how one vocal and persuasive person can influence the crowd, creating a herd effect not dissimilar to what Hitler was able to do. It examines how people are protective of children in such a way that they would rather accuse the good than to miss one bad guy. It also looks at how gay men are robbed of their rights to adopt, or to be near children because of the mistaken idea of "homosexuals have to be paedophiles".
I am immensely impressed by this film. It touches me and I am sure it will touch you too.
I find this film very impressive. The cinematography is excellent, the set designs are very well composed and visually attractive. The most important thing is that the plot is outstanding.
It deals with many social issues. It looks at how one person jumping into conclusions can cause so much bias and distorted viewpoints. It looks at how one vocal and persuasive person can influence the crowd, creating a herd effect not dissimilar to what Hitler was able to do. It examines how people are protective of children in such a way that they would rather accuse the good than to miss one bad guy. It also looks at how gay men are robbed of their rights to adopt, or to be near children because of the mistaken idea of "homosexuals have to be paedophiles".
I am immensely impressed by this film. It touches me and I am sure it will touch you too.
10ksherida
i don't know where this guy got the balls to do something like this. to tackle suburbia, fear, profiling, gays, children - in a comedy. i love how they never tell you what to think or how to feel. everybody's screwed up, just like in real life. there's not one bad performance in it. kathy najimy is awesome - totally different than the way you think of her. peter paige is great - sad and funny and weird. and gabrielle union and anthony clark are great, too. oh, and melanie lynskey is freakin' hilarious. it's worth taking a chance on - seriously. it won't be everybody's thing, but if you're tired of movies where everybody's perfect and you already know how it's going to end, check this out. i loved it.
Re: Peter's movie debut This is a wonderful film about a horrific subject , ( eerily topical at the time of screening at the Los Angeles Outfest film festival. ) and one that very few would dare to tackle.. Peter Paige takes on that challenge and in doing so creates a moving and stunning film.
In his first feature, Peter as the writer, director and lead actor, takes us on a kaleidoscopic ride with a young gay man who by attempting to process grief crawls into denial and reverts to the safety and innocence of childhood. And in his naiveté unknowingly generates false accusations of pedophilia.
It would seem impossible to find comedic elements in such a film but Peter manages to do it masterfully and with great finesse while still voicing a profound statement of his own.
Kathy Najimi provides much of the vehicle for that humor in the unlikely role of a homophobic housewife and does it skillfully as if by second nature. The rest of the cast with each of their own unique talents create credibility to a film that beats with wildly with emotion, pathos and ultimate triumph.
In his first feature, Peter as the writer, director and lead actor, takes us on a kaleidoscopic ride with a young gay man who by attempting to process grief crawls into denial and reverts to the safety and innocence of childhood. And in his naiveté unknowingly generates false accusations of pedophilia.
It would seem impossible to find comedic elements in such a film but Peter manages to do it masterfully and with great finesse while still voicing a profound statement of his own.
Kathy Najimi provides much of the vehicle for that humor in the unlikely role of a homophobic housewife and does it skillfully as if by second nature. The rest of the cast with each of their own unique talents create credibility to a film that beats with wildly with emotion, pathos and ultimate triumph.
I just saw the the world premiere of "Say Uncle" last night at LA's Outfest. Peter Paige, Kathy Najimy, and other cast members were there. A couple of QAF cast were also present to support Peter, including Scott Lowell and Robert Gant.
The response by the audience seemed very positive. The movie was well done. Paige demonstrates his chops not only as an actor, but as a writer/director. "Say Uncle" is a smart movie that explores the idea of alienation on a number of levels in our society. Paige effectively blends humor with the contemplation of serious issues (as exhibited by both laughter and tears of the audience).
Paige's character (Paul) functions with the naive perceptions of a child among adults. Najimy's character shows her own naivity when she forms different assumptions about Paul during the course of the movie and subsequently targets him. Najimy portrays an sympathetic antagonist. It was easy to laugh at her character, become disgusted, and yet feel sorry for her, because she embodied what we often see in society.
This is one of those movies that had me thinking about it long after I left the theater. I found myself contemplating my own thoughts and feelings regarding the issues presented and societal expectations. I do hope that Paige is able to find a distributor for this film so that it may be seen and recognized by a larger audience.
The response by the audience seemed very positive. The movie was well done. Paige demonstrates his chops not only as an actor, but as a writer/director. "Say Uncle" is a smart movie that explores the idea of alienation on a number of levels in our society. Paige effectively blends humor with the contemplation of serious issues (as exhibited by both laughter and tears of the audience).
Paige's character (Paul) functions with the naive perceptions of a child among adults. Najimy's character shows her own naivity when she forms different assumptions about Paul during the course of the movie and subsequently targets him. Najimy portrays an sympathetic antagonist. It was easy to laugh at her character, become disgusted, and yet feel sorry for her, because she embodied what we often see in society.
This is one of those movies that had me thinking about it long after I left the theater. I found myself contemplating my own thoughts and feelings regarding the issues presented and societal expectations. I do hope that Paige is able to find a distributor for this film so that it may be seen and recognized by a larger audience.
Wusstest du schon
- WissenswertesKathy Najimy's daughter appears in the movie. When the adults have given up chasing Paul down the street and return to their kids at the park, she is the redheaded girl in a denim-blue shirt next to Susan.
- VerbindungenReferences Unwahrscheinliche Geschichten (1959)
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Details
Box Office
- Budget
- 650.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.361 $
- Eröffnungswochenende in den USA und in Kanada
- 2.485 $
- 25. Juni 2006
- Weltweiter Bruttoertrag
- 5.361 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
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