Watchmen: Die Wächter

Christopher Nolan was right. This movie indeed came out too early.

This movie not only shows us the pictures. But also the people behind them. What I love about Watchmen is that it's mature and basic study of how our society is structured. There's so many quotes that can be used in todays world. And with Zack Snyders visuals. It really blends well.

I gotta say. People calling this movie "boring" are the ones watching 4 movies a year. And they're all action heavy blockbusters.

The graphic novel source material is a masterpiece, bold, uncompromising, subtle, witty, imaginative with very unique characters and an immersive world. Albeit one that is near-unfilmable, with the themes, the huge amount of content and the amount of depth needed, a three hour film sounded nowhere near enough on paper. Plus Zack Snyder is nowhere near close to being a favourite of mine, but saw 'Watchmen' anyway because of my love for the source material, that it looked fantastic and because the cast are very talented.

'Watchmen' really is well worth your time. More the director's cut though than the theatrical release, though both versions have the exact same brilliant qualities. Of which there are many in 'Watchmen'. It is a prime example of how to transcribe a graphic novel to film, while not being as good and not having everything there, and still be near-great on its own terms. It is by far Snyder's best film in my view, as well as being his most mature and ambitious, being the only one to be above good and be more than style over substance. His other films left me mixed to indifferent.

Is 'Watchmen' perfect? No. It does feature one of the most uncomfortable-feeling and pointless love scenes on film, and Leonard Cohen (well certainly for the song in question, it is a great song that is not well used) has never been used more awkwardly in visual media in my view (partly because in my opinion it doesn't fit with the context of the scene).

Matthew Goode is also a bit too stiff and subdued as Ozymandias. Actually do prefer Jeremy Irons' more eccentric and all out portrayal in the recent series, despite the character being a lot less puzzling here. So it is easy to see why 'Watchmen' is a divisive film, though more for its heavy, polarising themes, the huge length (that sounds overlong on paper), that figuring out what's going on admittedly is not easy for anybody who is not familiar with the graphic novel and it seems that the ending has left people divided (the ending in the source material sparks much debate as well).

For all of the flaws mentioned, so much works in 'Watchmen's' favour. It looks amazing for one thing. Very stylish and imaginative with some incredible special effects, there is nowhere near as much gratuitous slow-motion here than seen in some of Snyder's other work. The opening sequence is absolutely amazing in as jaw-dropping a way as you can get, what a way to start a film. The music is nostalgic and atmospheric, with mostly inspired use of great songs. Only the Cohen song in the scene in question is questionable. Snyder's direction is some of his most ambitious and doesn't try to do too much to the same extent as his other films.

Moreover, the script compels, flows naturally and raises interesting ideas that provokes thought, managing not to trivialise its difficult content. A good deal of talk but not too exposition-heavy, even when focused on Dr Manhattan in the middle act. There is not much subtlety here, Snyder and subtlety never belonged in the same sentence, but the ironic wit translates well to film from the graphic novel as does the maturity. The length is a long one, but the source material is massive so the film really needed to be long. If anything, in terms of adapting it would be better a mini-series. The story makes the most of getting one immersed in an authentically rendered world, and thematically it is bold and executed in an unforgivably uncompromising approach as ought. The violence shocks but didn't come over as gratuitous and the action thrills. Didn't have much of a problem with the ending, but can see why others would, the climax is thrillingly staged at least.

A good job is done with the characters, though Adrian Veidt/Ozymandias is underused and a bit underdeveloped. Night Owl and in particular Rorschach being the standouts, though The Comedian is also a difficult role to pull off. Apart from reservations with Goode, the performances are strong. Jackie Earle Haley is perfect casting as Rorschach, and have no qualms with Billy Crudup, Patrick Wilson and Jeffrey Dean Morgan either. The most difficult roles, pulled off beautifully.

Overall, very good and nearly great, with a lot done extremely well with a couple of misgivings. The polarisation is understandable but the appeal is even more so. The recent adaptation, despite getting a lot of over the top hate very prematurely into its run is also worth seeing. It is a slow starter and ends anti-climactically but there is so much brilliant about it, and if one sticks with it if put off by the first couple of episodes it to me and others got a lot better. 8/10

A complex movie with some of the most human characters that i have ever seen and a villain that is also the hero.

Tones a bit dark, almost realistic for a superhero movie but it works.

Before anyone sees this film, Zach Snyder should be given a pat on the back. He did what a dozen directors struggled to do for twenty years: he made a Watchmen movie. It seems unthinkable that anyone could properly put the greatest graphic novel of all time on the screen. But Snyder has done pretty much that.

While it is not Alan Moore's Watchmen, it is the closest thing that anyone else could have put on the screen. Snyder approached the material with enough reverence that fans of the comic will appreciate the film. As Snyder has openly declared, the final act does include significant changes, but the alterations that take place fit better on the big screen than the original ending would have. It works because it cuts down on a lot of the necessary back story which Snyder could not include.

Even though many pages of the book were not included, Snyder did take the time to try and preserve other information by including short "historical" sequences in the fantastic opening title sequence. By this point, viewers will also have had a chance to appreciate the stellar, and time appropriate, soundtrack. Unlike the hard rock recordings the Snyder chose for the background of 300, Watchmen's background fits the tone and mood of most of the scenes. The only questionable choice was the selection of Leonard Cohen's "Hallelujah," not because of the recording, but rather its awkward placement. Some may also question Snyder's inclusion of gore not present in the book. While the comic does include it's share of violence, Snyder did overtly change several scenes to be more violent. These changes, while flashy on film, may disturb squeamish moviegoers. However, changes aside, Snyder has captured the essence of the book and packaged it in a beautiful 2 hour and 40 minute delight. Overall, it is a satisfying film experience for someone familiar with the source material.

But this might be a different experience for anyone who does not know the book. There is a lot to digest, and the overwhelming visuals may distract some moviegoers from the bigger picture. The interaction of these unique characters remains an integral point to understanding this film, and when the book was pared down for the movie, the relationships of the masked adventures became a bit more forced. The best part of the comic was the glimpse of what is "beneath the hood," and we have less of that in Snyder's adaptation. Additionally, the ending, while simplified, is still a bit convoluted.

Fans and those previously unfamiliar with Watchmen should go in with an open mind. Snyder has performed what Doctor Manhattan might deem a miracle, so it may take more than one viewing to truly appreciate this unique adaptation.

The times did change. After so many super hero movies this one has become the best one of them.