Poseidon

It all starts off so well too. The opening shot of Wolfgang Petersen's Poseidon is beautiful. A single take that begins beneath the surface of the ocean that swings up and out of it as the underside of the ship slices through the waves, before pivoting round the colossal cruise liner and zeroing in on Josh Lucas running on the deck. With the sun setting in the distance and the immense size of the vessel itself contrasted with the deep blue of the water, this is a visually astounding entrance to a movie that is unfortunately very shallow indeed.

A remake of the classic disaster movie The Poseidon Adventure, this tells much the same story with a small group of passengers trying to escape a doomed ocean liner after it capsizes due to a freak wave. Given the beloved status of the original, besting it was going to be tricky from the start so how to do it? Bestow the characters with as much depth and humanity as possible, arrange it so that you don't want any of them to die just as the original film did? No. That isn't the 21st Century Studio Approach to blockbusters at all, the trick is explosions! Lots of explosions! And dangerous stunts that happen in very quick succession with no set up whatsoever.

As a result, things happen very quickly. We've hardly got to know anyone on the ship before the wave strikes and sends their world tumbling upside down in a hail of glass and debris. Trapped beneath the waves, there is no debate on the best means of survival but instead a bull headed rush to escape as soon as possible and before you know it, barely any time has elapsed before we have our luckless nobodies dangling from lift shafts, diving through burning oil slicks or scrambling up air vents rapidly filling with water. This could all be very entertaining if it wasn't so empty and if only they'd eased back on the throttle a little bit, we could have had a much more successful film.

Kurt Russell for instance is wasted. As an ex firefighter and former Mayor of New York with a failed marriage behind him, they could have crafted the image of a troubled man going through a midlife crisis who finds himself tested beyond his limits. Instead, the only hints at any characterisation are him protesting his daughter's cleavage bearing dress to leave no doubt that theirs is a strained relationship. Then there is Richard Dreyfuss (who has finally found a bigger boat), whose character might as well be listed in the credits as "depressed, elderly gay man." Everyone else is just as vacuous and while Josh Lucas is certainly a charismatic focal point, it cannot make up for the two dimensional stereotypes of Kevin Dillon's gambler Lucky Larry or Mike Vogel's performance as Christian, the fiancée of Russell's daughter who manages to put in perhaps the worst attempt at acting you will see in a blockbuster this year.

It does have a few commendable points though. One death scene involving a lift shaft, jagged metal spikes and an explosion is an adrenaline pumping crowd pleaser and the aforementioned scramble through the flooding ventilation shaft is really quite tense, the ensemble cast squeezed together in a claustrophobic nightmare as the water bubbles up around them. Ultimately though, it is not enough to save it. Poseidon may make for a diverting hour and a half but Hollywood needs to learn a valuable lesson about plotting: bigger explosions and insane stunts are nowhere near as impressive if we don't care about the people involved. The original version made an entire generation terrified of getting on a boat with Ernest Borgnine, this is just laughable.

In 'Poseidon' Josh Lucas plays Dylan Johns, a professional gambler. When a freak 'rogue wave' incident causes the Poseidon cruise ship to capsize, Dylan has gamble for his life. Deciding not to listen to the captain (Andre Braugher), Dylan tries leads a group of passengers (Kurt Russell, Richard Dreyfuss, Emmy Rossum, etc.) to safety.

This is a modern remake of the 1972 'The Poseidon Adventure'. I do not remember the original, but I think this one live up to its name. It is like 'Titanic' meets 'The Towering Inferno'. There is a lot of intense action that keeps one on the edge of their seat.

There is not much drama and I do not think it will add too much to the original story. I also noticed that the movie is just over an hour and a half, it is not very long. However, I think audiences will enjoy the intensity of this film.

I didn't know what to expect of Poseiden. It wasn't too bad of a movie. I expected, and got, some fine special effects that the original Poseiden Adventure lacked. Come to think of it that guy falling through the skylight in the original is still pretty doggone impressive even if it was the result of old technology. I liked Kurt Russell as the ex mayor.

In his finest performance since "What About Bob?" Richard Dreyfus is convincing as a suicidal guy who seems to prefer inside-the-ship drowning to the traditional jumping off the rail.

Its hard not to compare the old with the new version of this film.

If you are like me and have a short attention span you will appreciate the absence of lengthy, why are we here?, if a tree falls in the forest..what is the meaning of life?,reflective, dialogue that was so much a part of the Posieden Adventure.

This film ranks right up there with The Fugitive for non stop action. But having said that I missed the innocence and quaintness of the Poseiden Adventure. I missed the intensity of Gene Hackman passionately preaching that if they will only believe he will lead them to the sign that reads "Capsize Emergency Exit". I missed Shelly Winters heroic New York City swimming championship sequence. I missed ex cop Ernest Borgnine...and who can ever forget the presence of mind of Captain Leslie Neilson in wishing everyone on the bridge Happy New Year with the wave bearing down on them...also the climbing up the Christmas tree to get to the bottom of things. I even missed Red Buttons vitamin supplements.

All in all Poseiden was good entertainment and I was not disappointed with the movie.

This version isn't that bad but it's nothing if you compare it to The Poseidon Adventure (1972) - which is a far superior film. But this 2006 is still worth a watch if you want a pretty decent remake.

The stars Kurt Russell, Richard Dreyfuss, Andre Braugher, and Kevin Dillon are in this - and as always they shine on screen. The rest of the actors aren't bad either.

Lots of visual eye-candy, good cinematography, good acting helps this mediocre script.

If you want a super good version of the book then watch the 1972 film, but you won't go to wrong watching this 2006 remake - just don't expect it to be great.

6/10.

Whilst not holding a candle to the far superior original in terms of script, plot and acting, this remake of the classic 1972 'The Poseidon Adventure' is at least watchable which is more than can be said for a lot of the seemingly endless tide of remakes hitting cinemas these days.

The characters (for want of a better word) are a bit thin and cardboard and the plot really is just a long string of reasonably predictable set pieces but at least it entertains. The best bit is the special effects which are absolutely top drawer. For some reason Hollywood can do some really good FX and CGI when it comes to boats and the CGI rendition of the Poseidon itself in the opening scene is incredibly well done.

Top marks also to the Producers for making sure the Poseidon is a proper British flagged Southampton registered ship and not some Americanised tub.

Much like its predecessor though I fully expect this version to become stable Bank Holiday afternoon television filler material for the next twenty years. Just a pity a remake of 'Beyond the Poseidon Adventure' can't be done from this.