Marilyn Hotchkiss' Ballroom Dancing & Charm School

John Goodman is wonderful here. Even though his character is seriously injured and near death, Steve just keeps on telling his story and his mind seems clear, despite all that is going on. Steve even cares about Frank, as bad a shape as he's in! Of course, when he is narrating and we see something else, he sounds perfectly normal. He tells the story two different times, though, and the other time we see at the very beginning of the movie. We just don't get to see that much.

I know Robert Carlyle mainly is a crafty and sometimes gleeful villain, and I'm quite used to seeing him go back and forth between the present day and an earlier life, which is what this movie does a lot. Here, there is one scene that hints at his future, but mostly he is a kind and caring man who also shows he hasn't gotten over his late wife. It's a different side of him, certainly, though he had not played the villain yet.

The scenes with kids are fun and just edgy enough, with the humorous attempts to be "proper".

I've seen Mary Steenburgen in so many great roles. She's kind of flat here a lot of the time, trying so hard to be proper, but she gets an attitude change later. It's still a good performance because that's just how the character is. And she is a wonderful dancer.

Marisa Tomei is quite likable and someone I can support as a potential romantic interest, quite a contrast somehow to a role of hers I saw earlier.

I'm not familiar with Donnie Wahlberg though I've heard of him. He's mostly your typical bully but has a vulnerable side.

A couple of other actors have only a few lines, but they are well known and do quite well. Danny DeVito was Steve's cellmate in prison.

And Octavia Spencer has one line. But she does it so well it's clear she will go on to be highly regarded.

The best thing about the movie for me was the music. No, they're not the original versions of the songs in most case, but the sound of the big band era is back, baby! This movie swings!

But of course not everything here is positive. Not everything will work out the way we would hope and yet some endings are happy.

I had a good time. Mostly.

Frank (Robert Carlyle) is a widowed baker, trying to recover from his wife's sudden death. As he is driving the highway, one day, he comes across a serious auto accident involving a single driver, Steve (John Goodman). Told to keep the man conscious through conversation, Frank learns that Steve was on his way to a dance class appointment he made, 40 years ago, with a young girl he had a crush on! He begs Frank, when he can, to go to the Marilyn Hotchkiss Dance and Charm School, find Lisa and tell her why he couldn't make it. Frank does so, reluctantly, much to the surprise of his widowers support group. Once at the school, however, now operated by Marilyn's daughter, Mary Ann (Mary Steenburgen), and featuring a beautiful lady, Meredith (Marisa Tomei), Frank is intrigued. Failing to find Lisa, the baker, nevertheless, goes back the following week, even though Meredith's troubled stepbrother (Donnie Wahlberg) warns him to keep away from his sister. Before long, Frank and all of the widowers are learning to "live again" with the healing power of ballroom dance. But, will Steve remain alive and will Lisa ever be found? This lovely film is easy to recommend to fans of romantic drama and, indeed, all those who admire quality film-making. The story is wonderful, after a slow opening, with some memorable lines and situations. Also, the setting is fantastic, an old but beautiful ballroom, with Mary Ann parting the stage curtains at each class' beginning and following a pattern of etiquette that recalls a different era. As for the cast, Carlyle, Steenburgen, the always lovely Tomei, Goodman, Sean Astin, Paymer, and especially Wahlberg, are made-to-order great. Naturally, the costumes, photography and inventive direction are also strong assets. Want to put a spring in your step and smile on your face? Dance out the door and secure a view soon.

The film's use of two voices relaying three narrative threads, artfully woven without confusion while maintaining audience interest and focus, could be used as a textbook for compound story structure. If the story hadn't been expanded from a short film thereby requiring this approach, I'd be heaping superlative praise on its inventiveness as well.

Entertaining, well-cast with excellent performances by its ensemble of seasoned character actors, and just quirky enough to offset its sometimes saccharin character, I think this will grow a deserved following when it airs on cable. A solid illustration of the possibility of 'charm' in contemporary cinema, it presented little violence beyond its illustration of an automobile accident site and the language of adolescent boys, and managed a passionate but never prurient love scene under cover of a liberal dusting of flour.

Enchanting!

Watched this on Amazon prime. A movie about love, loss, promises and a bit of dancing. A fantastic cast led by Robert Carlyle and Marisa Tomei and a great script, this is a wonderful little movie, both happy and sad. A big thumbs up from me.

It took a while before i felt involved with the film and the characters. However, once more characters started joining the dance class i started to look forward to every scene in the ballroom. Robert Carlyle was obviously the lead role but Mary Steenburgen was fabulous. She was funny but serious and assertive, and her wardrobe throughout the movie evolved along with her character. A nice, subtle touch. As was the gentleman who starts and stops the music for her during the film, i think his name was Freeway? I started looking forward to every time he hit play on that tiny boom box and hearing the music boom through the theater sound. Overall i really enjoyed the film even though it started a little slow.