Marilyn Hotchkiss' Ballroom Dancing & Charm School

John Goodman is wonderful here. Even though his character is seriously injured and near death, Steve just keeps on telling his story and his mind seems clear, despite all that is going on. Steve even cares about Frank, as bad a shape as he's in! Of course, when he is narrating and we see something else, he sounds perfectly normal. He tells the story two different times, though, and the other time we see at the very beginning of the movie. We just don't get to see that much.

I know Robert Carlyle mainly is a crafty and sometimes gleeful villain, and I'm quite used to seeing him go back and forth between the present day and an earlier life, which is what this movie does a lot. Here, there is one scene that hints at his future, but mostly he is a kind and caring man who also shows he hasn't gotten over his late wife. It's a different side of him, certainly, though he had not played the villain yet.

The scenes with kids are fun and just edgy enough, with the humorous attempts to be "proper".

I've seen Mary Steenburgen in so many great roles. She's kind of flat here a lot of the time, trying so hard to be proper, but she gets an attitude change later. It's still a good performance because that's just how the character is. And she is a wonderful dancer.

Marisa Tomei is quite likable and someone I can support as a potential romantic interest, quite a contrast somehow to a role of hers I saw earlier.

I'm not familiar with Donnie Wahlberg though I've heard of him. He's mostly your typical bully but has a vulnerable side.

A couple of other actors have only a few lines, but they are well known and do quite well. Danny DeVito was Steve's cellmate in prison.

And Octavia Spencer has one line. But she does it so well it's clear she will go on to be highly regarded.

The best thing about the movie for me was the music. No, they're not the original versions of the songs in most case, but the sound of the big band era is back, baby! This movie swings!

But of course not everything here is positive. Not everything will work out the way we would hope and yet some endings are happy.

I had a good time. Mostly.

saw it last nite at a complimentary screening. it was well worth seeing if only for robert carlyle's performance alone! he was absolutely extraordinary! i found mary steenburgen very affected, though, & was consciously aware that she was acting! i can't understand all the positive comments about her performance in this movie, though i absolutely adore her in other things (she was so great in joan of arcadia on TV, for example). i liked the interweaving of past & present & the way story lines played out & were connected eventually. it was well told. it integrated pathos with humor & had many unexpected touches. some of the acting was like caricature - e.g., donny wahlberg's, & i did not enjoy that type of aspect whenever it occurred. but on the whole i felt this was a well crafted film of value and substance. i'm glad i saw it.

I caught this film at the Waterfront Film Festival in Saugatuck Michigan. Directed by Randall Miller and a star filled cast, this film was the best of the festival, and may be one of my favorites of the year. The film begins with baker Robert Carlyle driving down a deserted highway. He comes upon a stranger in a car wreck, played by John Goodman, and the two talk with each other, waiting for the ambulance to arrive. Goodman tells Carlyle of his planned reunion with his childhood love at the place mentioned in the title.

This beautiful film is wonderfully acted, with such stars as Marisa Tomei, Mary Steenburgen, Sean Astin, Donnie Wahlberg, David Paymer, and Ernie Hudson. I loved the story, I didn't realize you could do so much with such a simple outline. I loved the structure of the film, the way it was edited and shot. There were some very funny moments, very touching moments, and overall it's just a great experience. Some of the filmmakers showed up for the festival and had some great stories to tell. The movie was originally made 15 years ago as a short film of the same title, and a lot of the scenes from the short film are used in the feature as flashback scenes (I knew I saw Donkeylips from Salute Your Shorts).

I think with such an all-star cast and such a good story, this film will at least get release in major cities. So if you get the chance, check this movie out.

I'm ripping off another reviewer's title for "Lisbon Story" (the original "good for the soul" movie), but I can't think of a better description for "Marilyn Hotchkiss' Ballroom Dancing & Charm School."

I won't even get into the plot except to say that it's at times surprisingly dark, surprisingly uplifting, surprisingly tense, and just overall surprising. It deals with themes of devastating loss, rediscovery, pain, anger, violence, and confusion but in a way that gets your toes tapping to the Lindy Hop. Watch the movie, and that'll make sense.

If you've gotten past the supercilious title, which doubtlessly scares off anyone in the mood for Saw VIII, and you've gotten as far as the 3rd paragraph of this review which includes supercilious words like "supercilious", then I think you'll get it. This is a movie which explores the veneer of charm which we often use to cloak a deeper ugliness in our lives. But it doesn't do it sarcastically; it actually points out how an occasional ballroom dance may, occasionally, be the cure for the horrors that we experience.

It's no surprise that the filmmakers managed to snare an all star cast, because this is the kind of movie that actors (who aren't solely obsessed with money) would eagerly jump into. Award winning talent like John Goodman, Marisa Tomei, Mary Steenburgen, and some of my personal favorites like Ernie Hudson (The Crow, Ghostbusters) and Donnie Wahlberg (the aforementioned Saw movies) as well as a cameo by Danny Devito really bring this story to life. And of course there's the main character played by Robert Carlyle, an actor whom I'm not familiar with but I'll forever remember his performance here.

As for the dancing itself, no, it's not really a showcase of fancy footwork (for that, you should check out the awesome Aussie flick "Strictly Ballroom") although Donnie Wahlberg does some impressive moves as the hilarious cheeseball Baryshnikov wannabee who needs to button his shirt back above his navel. This is really a human story with elements of romcom, elements of tragedy, elements of suspense, and regardless of how it turns out "good for the soul."

It took a while before i felt involved with the film and the characters. However, once more characters started joining the dance class i started to look forward to every scene in the ballroom. Robert Carlyle was obviously the lead role but Mary Steenburgen was fabulous. She was funny but serious and assertive, and her wardrobe throughout the movie evolved along with her character. A nice, subtle touch. As was the gentleman who starts and stops the music for her during the film, i think his name was Freeway? I started looking forward to every time he hit play on that tiny boom box and hearing the music boom through the theater sound. Overall i really enjoyed the film even though it started a little slow.