Die fetten Jahre sind vorbei

I have to issue a few words of warning first:

Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards.

You will notice this for about 10 seconds.

Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ...

This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days.

I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and...

To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding.

Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation.

This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year.

This is what cinema should be like.

I went to this film expecting a comedy in the mold of "Sonnenallee" or "Good Bye Lenin", and I wasn't disappointed. The characters became very real to me, even Hardenberg, the kidnapped businessman, who was a bit wooden at the beginning. For me, the best part of the film was watching the relationships build between all 4 of the main characters, both before and after the kidnapping. There is really very little action in the film: it's more about watching the characters develop personally and in their dealings with each other. Lest this sound too dry, I found the film quite humorous at times, exciting and emotionally intense. The conclusion is left open to interpretation--but you'll have to watch the film quite carefully to have the data you need to make your own interpretation! Highly recommended!

Die Fetten Jahre sind vorbei (The Edukators) is the first German film in competition at the 2004 Cannes Film Festival since Wim Wender's In weiter Ferne, so nah! (Faraway, So Close!) in 1993. The film's protagonists, Jan, Peter and Jule, dream of changing society. They form "The Edukators," a group that warns the rich and disturbs their material comfort with non-violent actions. In "the Edukators" Hans Weingartner raises the question: "What happened to the revolutionary generation of the sixties? Where are all the anarchists, hippies and idealists that wanted to change the world? I loved the movie, it is condemning and inspiring at the same time, depressing and uplifting and as a viewer you are forced to decide if you feel sympathy for the idealistic young people or the successful materialistic businessman. Or both?!

I went to see the film completely unprepared, and I left the theatre rather euphoric. I liked the film because of the amiable story, the roughly-sketched but believable characters (even if we don't learn too much about their backgrounds) and the funny, witty dialog. And last but not least the surprise in the end -- until three minutes to the end I wouldn't have had an idea how to end a story like this.

The four main characters were cast exceptionally well, and the dialog -- whew! Yes, the kidnappers seem very naive (so does the manager, btw, in another way), and the words they use are heavy with cliché, but it's not a message of any kind that's new and interesting. It's what happens beyond words: I've rarely seen people in a movie talk and talk so much about convictions and ideology, but all the really important things happen inside them and without words.

So go and watch this film but don't jump on the political statements. Things might have some more layers here.

The cast is impressive. Daniel Bruhl once again shows that he can act. The plot attracts your entire attention as you live the experiences of these three kids in Berlin, and their quest to denounce the evils of capitalism. There's romance, jokes, great scenery and good music. At first it seemed to me this movie was the continuation of Good Bye Lenin (probably because of Daniel in Berlin?) Eitherway, It made me want to travel around Europe some more, learn German, and also think about my obsession with shopping and TV. Very inspiring. In a few words, this movie questions our understanding of happiness and success in a very entertaining way.