Die Bären sind los

Unskilled, belligerent group of young boys on a losing Little League baseball team get an alcoholic coach who eventually cleans up their act--and his own. Any film-buff well acquainted with the 1976 Michael Ritchie film "The Bad News Bears" will watch this remake in a perpetual state of deprivation. For every new ingredient added (a kid in a wheelchair, Hooters waitresses on the sidelines, a skateband interlude), there's a classic sequence dropped, funny lines omitted, a bracing sense of importance missing, and uncharismatic, non-plussed child actors who walk through their roles colorlessly. Of course, Billy Bob Thornton is a terrific substitute for Walter Matthau, but Matthau didn't carry the original film all by himself, and Thornton isn't fully in-character anyway (he's just breezing through). The whole early morning feel of Southern California Little League is missing, and the urgency of the original is gone, too (those kids had something riding on these games). Director Richard Linklater obviously was fond of the 1976 version, but he knows the notes without hearing the music; he supplies updated comedic touches without seeing the relevancy, and his tone and narrative are doggedly straightforward (except for the strange opening sequence, which immediately gets the picture off on the wrong foot). A sad botch. *1/2 from ****

I love Billy Bob Thornton in Bad Santa and the Bad News Bears remake to 2005 after a 29 years since the original film. The film has changed to modify today's world where computers rule the world which I said at 10 years old to an skeptical neighbor and where even a handicapped wheelchair-bound boy can play baseball. Thornton plays Buttermaker, the major league baseball player who turns coach rather than get a jail sentence. The mother of one his players is played by the divine Marcia Gay Harden. I think the kid from Bad Santa also has a role as does Greg Kinnear who plays a competitive coach. I love watching the kids learn the sport by killing insects since Buttermaker is an exterminator and they sponsored by a strip club. They start getting better in the beginning. They are lovable losers who face ridicule and humiliation every day at school. Suddenly, they get help with a girl pitcher and a guy who's a rebel.

First, let me say that it's been years since I saw the original and not being a baseball/softball player myself, I couldn't remember a thing about it. I thought this movie was funny and had some good messages promoting "team concepts", even though it was hidden sometimes under crude language, sexual innuendo and other subjects not appropriate for very young children. I am a Billy Bob Thorton fan and I thought he played the part well and was exactly the guy for the role. You generally wouldn't expect to see him in a PG-rated movie anyway. I just want families with young children to keep this in mind when choosing a film for all to see. A few families walked out after the first few minutes that contained some language not appropriate for their young children. The child actors in the movie are great and make the picture enjoyable to watch. The other benefit to this film, again for the appropriate aged audience is that it is about two hours long so you feel like you get your money's worth!

Since I finally remembered to rent The Bad News Bears at Hollywood Video, I decided to rent the remake instead of the sequels first, to see what the remake was all about and I thought that actually Billy Bob Thorton was a great choice for Buttermaker, so I was kinda looking forward to it. Of course, I watched the original first, so after almost dying of laughter from The Bad News Bears, this film had a lot to live up too. Unforutnatley, I don't think this film worked as well because of the dates, the 70's, films still seemed like they could push it to the edge, while into today's world, we have to be more PC. Not to mention the kids were more annoying and punky than the lovable punky kids in the original.

Buttermaker is a has been baseball player and now an alcoholic, he is given the job of a little league coach for the Bears since no other fathers are taking the job. But he's definitely taken back when he finds out that the team he is coaching are kids who are, well, I guess you could say "lacking" in the department of knowing how to play baseball. But he just wants to get paid and get the job over with, but when their first game comes along, the kids get creamed 26-0, Buttermaker is pressured to drop the team out of the league, but instead teaches the kids how to play and recruits a couple of new kids, a girl who's mother he used to date, and a rebel without a cause. The kids get better in each game, but it's a matter of Buttermaker getting his priorities straight when he lets the game get the worst of him... and he's an alcoholic!

Billy Bob did do a good job as the new Buttermaker, but he seemed to be the softer version than Walter, so I'd have to vote for Walter if I want the real Buttermaker. Tanner, I was incredibly disappointed with, because he just turned into an annoying brat than a fun little punk, not to mention I was ticked off that they changed the line "shove the trophies up your..." to the other kid, that was Tanner's line and rightfully so! While Bad News Bears had a couple laughs, it just wasn't needed, stick with the original.

6/10

When filmmakers get the idea to remake a classic movie, often it's because he or she feels that something was missing from the original. They feel that, by placing their unique stamp on the new film, they can satisfy unanswered questions, plot points, etc, while maintaining the basic dignity and character of the original.

So...based on that theory, Billy Bob Thornton's rationale for the remake of "The Bad News Bears" was that the original had too many letters in the title (in a bold and highly daring move reminiscent of Ed Wood at his finest, Thornton decided to drop "The", changing it simply to "Bad News Bears"), not enough swearing...and a kid in a wheelchair. Oh, and he changes enemy Yankee pitcher's last name from "Turner" to "Bullok" for reasons unbeknownst to anyone but himself. With revolutionary alterations such as these, don't be surprised if you pick up the rental box half a dozen times while watching the movie to make absolutely sure that you have indeed rented the correct film.

Basically, the plot can be summed up as "Bad Santa coaches a group of misfit kids". Yawn. We've seen this role, this performance, from Billy Bob Thornton one too many times. Thornton wants to bowl us over with the 'shocking' vulgarity of youth, but a trip to "Hooters" and Tanner teaching a boy in a wheelchair to curse both turn out to be so lightweight that it is likely that only the Reverend Jerry Falwell would take offense.

At best, the casting was marginal, and at worst, the audience is forced to wonder if the director actually auditioned the kids or merely closed his eyes and chanted 'Eenie, Meenie, Mynie, Mo" while holding a stack of acting resumes. Sammi Kane Kraft (as Amanda) was a great baseball player with limited acting ability, and Timmy Deters was only modestly successful in trying to recreate the role of Tanner Boyle. Tyler Patrick Jones as Timmy Lupus was far and away the most talented of what basically amounted to a mediocre cast of child actors, but he was utterly wasted in this film and was limited to a few one-liners that must have ended up on the cutting room floor from "Bad Santa". Naturally, Thornton is no match for the venerable Walter Matthau as Buttermaker. Whereas Matthau was irascible and cantankerous in a lovable 'Grandpa's dipping in the cider again' kind of way, Thornton's version of Buttermaker is creepy enough to make us think of adequate background checks and the stupidity of parents who would willingly leave their children alone with him.

Per his film tradition in his post "Sling Blade" days, Thornton goes out of his way to remove any heartfelt sentiment from the plot, and thus the friendship between Timmy Lupus and Tanner Boyle never materializes. That adds to what is perhaps the most irritating part of the film: the introduction of a new player (Tony Gentile as Matthew Hooper). It is an unnecessary plot device, possibly added only because the always classy Thornton had some good 'kid in wheelchair' jokes that he was just itching to use, and adds a touch of surrealism to a movie that should be imminently grounded in realism. In fact, Thornton changes one of the most touching moments of the original movie by handing it to Hooper (a character who, let's face it, has no redeeming qualities other than the fact that he's in a wheelchair) in one highly unrealistic scene; he thereby successfully strips even more of the heart away from the original film. Which, judging from Thornton's film-making history, was probably exactly what he intended to do.

In short, there are undoubtedly worse remakes out there ("War of the Worlds" and "Bewitched" come to mind), but not many. If you're thinking of renting this film because you're desperate for some true seventies banality, allow me to suggest that you save the money and instead try catching either the rerun of "Alice" where Flo says "Kiss my grits" for the eighteenth time or the action-packed episode of "My Three Sons" where Fred MacMurray lights his pipe. If you choose to rent the film anyway...well, don't say I didn't give you any other viable options.