Doc Martin

I do not understand why some people do not understand why they love this series nor understand why they love Doc Martin. Some dedicated viewers really don't understand why they are so hooked! So I shall tell them why they love Doc Martin. Doc Martin is real. I am a registered nurse and have worked in the Operating Room (theater, if you are picky) and I can tell you this man exists. That is why I switched to the Medical Floor, to get away from the Doc Martins of the hospital. Good grief, they are intimidating. It takes years to find out how weak and vulnerable and sad they are. When a patient codes and doesn't make it, the Doc Martins of the world are left to handle their grief and feelings alone. Isn't that sad? We notice (and love) Doc Martin first of all because he oozes alpha male chemistry and we react to that with a mixture of love and hate, contempt and admiration. We love him second of all because he has transcended most of his feelings (unlike us) and has moved to a higher plane of capability because of it and we benefit from his capability and confidence. We love him thirdly because he needs our love and he has been so mistreated and has such voids within him. There are all kind of subtle clues that Doc Martin is wonderful, but none so telling as the fact that dogs love him and are not impressed by his screams and sneers. You cannot fool a dog! Why does America love this series so much? Because the British do a much finer job than we do at so many many film endeavors. From the impeccable casting to the brilliant writing and believable dialogue to the ability the British have to plumb the depths and soar the heights of human drama and comedy without having holes and gaps that need filled with obscenity or worse. Thanks to the British for their genius. They are even brilliant in the way they use color to match the characters to the environment and create an ambiance that disarms the viewer. I love British films and "Doc Martin" best of all. I suspect another reason America is enthralled with the Doc Martin series is because we Americans are having socialized medicine crammed down our unwilling throats, and watching socialized medicine in action adds a certain little touch of horror spice to the story that Brits probably do not even notice.

Doc Martin is so unusual and wonderfully off-kilter that it becomes addictive within 20 minutes of exposure.

The titular Doc is a guy who was probably a curmudgeon before puberty. He's a surgeon from sophisticated, worldly London who moves to (fictional) Portwenn on the coast of Cornwall because he suddenly becomes ill at the sight of blood. This is not a good omen for a surgeon. He quits to become a general practitioner and he's satisfied, thanks very much, with checkups, prescriptions and referrals.

The foul-mannered, blunt-spoken Doc smugly considers himself above the crowd, but he soon learns he is really BELOW the crowd, out of step with Portwenn's eccentricities, value systems and peculiar burghers, who make the mere lunatics of London look normal by comparison.

Martin Clunes is terrific in the lead role. He is a tall, charismatic and not exactly handsome actor who looks like he would be more comfortable playing cops and heavies. He is, instead, a consummate comic actor. His facial and physical comedy, his frequent bouts of exasperation and bewilderment, are things to behold. (Note: some wags have compared him to 'House,' from the popular TV drama of the same name. House is played by Hugh Laurie, another splendid Brit, and that's about where the comparison begins and ends. They are two very different characters in two very different shows.)

Portwenn's local population, with its twisted logic that somehow makes perfect sense, is represented through the tour-de-force acting of supporting players: Bert (Ian McNeice, who always dazzles playing offbeat, world-weary philosophical characters); Louise (the charming and beautiful Caroline Catz), who either loves Martin or wants to kill him; corn-rowed Elaine (lovely Lucy Punch) as the ditzy assistant with her own set of secretarial ethics; and Doc's Aunt Joan (the great Stephanie Cole, who has been delighting audiences since the 1960s).

Dominic Minghella, he of the Minghella mob of talented artists (brother Anthony directed 'The English Patient'), is the brains behind this brilliant controlled chaos.

Don't miss this program. TV shows that are both funny AND intelligent are the rarest of TV fare.

And a fast footnote: let us all bow our heads and pray that Hollywood doesn't try to remake this.

I love a good TV series/drama, and Doc Martin is exactly that and more. Every time it comes on, it always makes my night, and is consistently wonderful and engrossing.

Doc Martin has some beautiful production values. The photography is always skillful, but I just love the beautiful, almost picturesque scenery. The music is lovely too, not just the accompanying music in scenes but the main title theme too.

Where Doc Martin also scores is in the writing. Of all the shows on ITV, this for me is one of the most consistent in terms of written quality, always being funny, subtle, honest and touching. The story lines are also very well explored, any issues or problems the characters face are done in a gripping way that doesn't patronise or offend.

The direction is great too, while the pace is never too rushed or too slow and each episode is a perfect length and leaves you satisfied when it ends.

The characters are always engaging, especially the title character, who is really quite lovable once you get to know him. The acting helps to make these characters likable, Caroline Catz and Ian McNiece are always great, but it is Martin Clunes who holds the show together and he is brilliant. I quite liked Clunes even before this show, especially in Goodbye Mr Chips, but after seeing him here I confess I love him even more now.

All in all, just wonderful and I am amazed how consistently strong it is. 10/10 Bethany Cox

This is a question as well as a comment. Following the final episode of the Doc Martin series just shown by the Australian Broacasting Commission was the caption "Dedicated to John Coleman". I can find no reference to John Coleman on the Doc Martin website. I am guessing he was one of the writers. Am I right? By the way, I loved the series, but one or two things bothered me. The plots were interesting enough and the most of the characters were beautifully drawn, but to some extent some of them were a bit two-dimensional. For example the professionally super-efficient Doc Martin was so rude to everyone that one could hardly believe that any of his patients would ever come back for more. The policeman was (at least until the final episode) unbelievably inept, if not dim-witted. Sorry but I couldn't accept the snake bite episode, when the Doc displayed more patience with the mad forest ranger than he had with the entire village of (reasonably) sane people. The final episode was by far the most believable and the best. On the credit side I found the casting perfect, the setting idyllic and the photography exquisite. The whole thing was so beautiful it made me wonder why I ever left the dear old place. Is there to be more? Dennis Mitchell.

Doc Martin is as close as it gets to perfection. Martin Clunes and Dominic Minghella should (and I'm sure do) take intense pride over their creation. The writing is the best in the business, the director Ben Bolt is amazing, and the acting is subtle, natural, hilarious and touching. In addition to Martin Clunes, Caroline Catz has shown herself to be one of the best of her generation. And the scenery and music, of course, are beautiful.

Pleeeeeeaaaaaaaase, please, please Mr. and Mrs. Clunes: Don't sell out to us Yanks. Let the American version of Men Behaving Badly be your guide...Don't do it, ever, under any circumstances!