Füge eine Handlung in deiner Sprache hinzuViolinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realize... Alles lesenViolinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
- Tomi Cheung
- (as Kevin K.)
- Mrs. Hillman
- (as Karen Austin)
- Brett
- (as Brett Omara)
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This is probably the first movie that Jessica Alba marquees, and comparisons would be abound for those who've watched the original to compare her to Angelica Lee's performance. But really, I don't think it matters, since all you need to do is to look scared. As blind violinist Sydney, Alba escapes the need to act blind given the cop out of using shades, coupled with the fact that her transplanted eyes allow for the camera to be out of focus for the most parts.
Things start to get interesting when she begins to see shadowy figures borrowed straight out of Pulse (yet another Asian horror remake), and these all get conveniently debunked by her doctor Paul (Alessandro Nivola who stars as the hopeless, formless Gavin Harris in the Goal movies), because if you're blind for so many years, your brain needs some major time out to absorb all the new sights you're constantly bombarded with. So goes as with standard horror fare, that those who can see spirits when others can't, are classified as nutcases. Alba's no scream queen as the proceedings don't allow her to exercise her lungs, and I swear there are just too many of those waking up from nightmare moments, and the clock ticking around 1:05am.
But credit is due though to the scenes which aim to frighten, and some did hit the mark even though they're the usual tools to surprise from the bag of Boo tricks. There are, to me, a major unexpected moment which I had to nod in acknowledgement of not seeing it coming (I had thought otherwise), but unfortunately, that was it. The latter half of the journey became a road trip movie which seeked answers, coupled with Hollywood's preoccupation of having to explain and show everything, leaving little to your imagination since everything was spelt out. While the story's not at fault, the way it's presented made this look like a standard mystery thriller, without the mystery, and without the thrills.
And the finale was a little lacklustre as it seemed to be styled in Final Destination fashion, making it look like it had no more rabbits to pull out of the hat. The Eye had plenty of neat visual effects, and although there are some beautiful stunts involving glass shards and the walking through of objects, special effects alone do not make a horror movie spine-chilling. Looks like there's some major sty in this eye.
The premise is reasonable (for a horror) and despite a few plot holes the film manages to build the suspense. Alba's acting is not exactly award winning, but she does enough to avoid you disbelieving the character.
The biggest gripe I have is that the ending is a bit of an anticlimax. After the build up (I think there should have been a bit more with the apartment residents) it just fizzled out.
Overall I wouldn't rush out to buy the DVD, but if there isn't anything else on, you could do worse.
The Eye, starring Jessica Alba is directed by two relative first timers by the names of David Moreau and Xavier Palud, and they can certainly create a film that boasts certain elements of stylish direction. Unfortunately, along with the good, it seems that all of this style of remake fear deviation from a backbone template. Not to give anything away to those who are not familiar with Asian horror remakes, but one element that is consistent is that the basis of all the evil happenings is from a spirit looking for salvation of some sort. While The Eye, does choose to spin this cliché slightly, it is afraid to go all the way.
Suffering from total blindness after a childhood accident, young beauty Sydney Wells (Alba) is given a chance at an eye transplant that will allow her to see for the first time in decades. Not surprisingly, she begins to see things that ought not to be. Aided by an appointed shrink, played by Alessandro Nivola, they confront the visions and try to track the donor eyes back to their sinister source. This journey is bounds more intelligent then the average horror story, and the standard for dumb decisions is cleverly hidden by the fact that Sydney is fully or partially blind for most of the film. This presents a cushion of forgives per se, as her lack of sight can lead her into frightening situations, without appearing ignorant.
And there are certainly some frightening "boo" moments; uniquely accentuated by a well used pallet of sound. There are also exactly three expertly executed scenes, worthy of recognition. The first is a scene in which a blurry eyed Sydney looks into the mirror for the first time with creepy consequences; the second features a member of the un-dead accompanying her in an elevator and the third takes the form of an intervention between a mother who has recently lost her son. If The Eye had presented more scenes of this Claiborne, it certainly could have been something special. Instead, the ending descends into the mediocrity, which at first seemed more then acceptable, but took off into a sixth sense meets final destination action spin off; which although still thrilling, did not fit the tone and atmosphere of the former acts. The "blurry vision" that is used early on with some skill, is overused by the end, the flashbacks replace the more effective quick cutbacks and it simply does not hold onto its success.
This is however Alba's best performance, and although not saying much, this shows there is hope for her future acting career. While more films like The Eye would be welcome, I think it better to forfeit the Asian remakes all together, then to wait for the monkey's second draft.
Read all my reviews at: http://www.simonsaysmovies.blogspot.com
Jessica Alba plays Sydney Wells, a blind violinist who receives a cornea transplant only to discover that her new set of peepers allow her to see much more than she had originally bargained for: Sydney can see dead people!! Aided by her doctor, she attempts to unravel the terrible secret behind her scary supernatural power.
Directed by David Moreau and Xavier Palud, The Eye is a totally unnecessary and dreary remake that copies parts of original verbatim, alters scenes that should have been left well alone (the creepy cafe meat-licking scene has gone, and the downbeat ending has been swapped for a typical Hollywood crowd pleaser), and totally botches what should be the scariest bit of the whole film (the lift scene is VERY disappointing).
Take my advice: If you've already seen Gin gwai, then stay away from The Eye.
Wusstest du schon
- WissenswertesTo prepare for her role, Jessica Alba took violin lessons for six months, which she started while filming Fantastic Four: Rise of the Silver Surfer (2007). She also learned basic Braille.
- PatzerWhen Dr Faulkner and Sydney put Mrs Martinez in the car to take her to the hospital it is in the driveway very close to the house but they didn't park in the driveway they parked on the road and walked up the driveway to the house.
- Zitate
[first lines]
Teen on Skateboard: Oh, shit. Thanks. I didn't see that.
Sydney Wells: Neither did I.
Sydney Wells: [voice-over while Sydney walks in the street and settles in a café] People say seeing is believing, but for me, that's not entirely true. I lost my sight when I was five years old. Those memories of what I have seen have faded so much that I doubt I'd even recognize myself anymore. Now I see using my other senses. I can smell the rain before it drops, but I can't watch it fall. I can feel the sun on my face, but I can't see it rise or set. I want to see the world like everyone else, to see the sun, the rain, the music. Oh I bet music looks beautiful.
- SoundtracksSonata for Violin & Piano No. 5 in F Major (Spring), Op. 24
Written by Ludwig van Beethoven
Arranged by Ceiri Torjussen
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Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.418.697 $
- Eröffnungswochenende in den USA und in Kanada
- 12.425.776 $
- 3. Feb. 2008
- Weltweiter Bruttoertrag
- 58.010.320 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1