The Prize Winner of Defiance, Ohio

Contesting, a trend popular in the 1950's and 60's, is now all but forgotten. Women across the country used their wit and wordplay to win thousands of dollars by writing slogans for companies to promote their products. Julianne Moore stars in "The Prize Winner of Defiance, Ohio," as Evelyn Ryan, one such contester who uses her talents to keep her family fed despite their abject poverty. The film co-stars Woody Harrelson as Evelyn's husband Kelly Ryan, a man struggling with alcoholism and his ill-begotten fate as a factory worker. Unlike most, Evelyn is not just an occasional contest winner. Her knack for jingle writer provides for her family of twelve and her winning is proportional to her families needs. Throughout the course of the film, her role as breadwinner creates friction between she and her husband, which Evelyn (Moore) manages with incredible grace and constant optimism. Indeed, Moore is radiant in this role and perfectly cast. Harrelson's performance is equally engaging and his moments of depression and rage are the ideal compliment to Moore's steady courage. Oscar Nominee Laura Dern gives an notable performance as a member of the Affadaisies, a group of contesting mothers which Evelyn befriends. Dern is quirky and lovable, despite her very small role.

"Prize Winner" is adapted from a book of the same name, a real life account of Evelyn Ryan's life. The book is authored by Ryan's daughter Terry, who appears in the film and is also re-incarnated as her younger self in the character Tuff, played with strength by Ellary Porterfield who makes her feature film debut. Terry Ryan admits thats her book's "intent was to bring her mother back to life..." and certainly the film is also a vehicle for this. Thankfully, and unexpectedly, the movie does not suffer from over sentimentalization, thanks to brilliant script adaptation and direction on the part of Jane Anderson who, although lacking feature film experience, creates honest and captivating scenes that beautifully depict the Ryan's family life. Anderson is so expert at using symbols within the film to shape an audiences opinion of the characters, it is barely perceptible on the first viewing. The film is beautifully layered with symbols of motherhood and Catholicism, none of which are so obvious as to interfere with the lighthearted moments that make the film captivating. Anderson deftly transitions from the high points of the family's success to the terrible depths of their despair, capturing the audience as they share in the Ryan's joys and sorrows. Anderson's hard work in showing the families dynamic is most evident however in the cohesiveness of the Ryan children, all of whom look like a potential genetic pairing between Moore and Harrelson, and all of whom seemed enthusiastic about their work in the film. when asked what he learned from his more experienced co-stars, Robert Clarke, who plays the Ryan's oldest son Dick, mentioned Harrelson's multitude of approaches to a scene and Moore's constant professionalism. Ellory Potterfield (Tuff) commented that for her, working with Moore emphasized that "there is no acting, only reacting."

Writers, Directors, and child stars aside, it is Julianne Moore who brings the role of Evelyn to life and real humanity to the film. "She was an extraordinary woman who lived an ordinary life," Moore said of the real life Ryan at the movie's premier in Manhattan, "I think anyone can relate to trying to raise a family." The Prizewinner also bears the distinct mark of Producer Robert Zemeckis, and this film is moderately reminiscent of the Academy Award winning Zemeckis feature, "Forest Gump." As seen in Gump, Zemeckis is fond of the triumphant underdog, the everyman who perseveres thanks to their unique outlook. Zemeckis's initial reaction to the book was that "it seemed like an almost impossible but wonderful story...it was Evelyn's unshakable optimism and her love of life- the spiritual quality that allowed her to get through a life of hardships."

While Prizewinner is certainly not a new take on the BO-flick , the film relies heavily on it's more than capable cast and is a very sensitive portrayal of what must have been a remarkable woman. Although there are a points at which the storytelling is inefficient, and the exposition clunky, (at points it borders on downright awkward) I left the theater feeling as the though the movie could have told more stories of the Ryan's. I wanted to know more of their lives, and it was that fascination with the characters and events of the film that left me satisfied. The film is as pithy and poignant as one of Evelyn's jingles. Ultimately, Julianne Moore's stoic portrayal of Evelyn is so breathtaking and passionate that any audience member left unmoved should check their pulse.

I went into a screening of this film cold. I didn't know anything about it except that it starred Julianne Moore. I walked by a poster of the film on the way into the theater and was horrified, thinking it was going to be a chick flick.

Well, folks. When I go into a theater and I can't take my eyes off the screen and the movie goes by without me ever even checking my watch, I know I've seen a good movie.

Moore plays a woman with 10 children. Although her husband works as a machinist, she basically provides for the family by winning all sorts of contests for all kinds of big prizes, including big cash prizes. The woman is a master of winning these things. It's the one thing that's keeping her family together. She's definitely the hero and the one person everyone looks up to. Definitely an inspiration. I don't want to spoil anything, so I'll stop at that, but I will say that Moore does a great job with her role.

Moore's husband in the movie, played by Woody Harrelson with emotional conviction and healthy dose of humanity, has a drinking problem and is a big source of tension inside the household. To the movie's credit, it doesn't paint the father as the typical one-note, evil, hateful,abusive, drunken father. There's a real character in there who loves his wife and kids and the movie does its best to portray him as fairly as possible despite his drinking problem and fits of rage.

The movie does bring out strong emotions from its audience, not quite a tear-jerker but close. It's not the sort of movie I would watch again and again because it's not my type of film, but I was glad for having seen it.

There's good acting, good pacing, a good story and possibly most important of all, it is told in an entertaining, gripping fashion. I wouldn't be surprised to find out if there is an Academy Award nomination in store for Julianne Moore and Woody Harrelson.

At the end of the movie, there was a nice round of applause from the audience. I told one lady, "Wow, the two hours just went..." and I snapped my fingers. She said, "It just zipped by." I also heard several different people talking as I left the theater, "Did you like it?" "Yeah, it was great."

Go see it.

Julianne Moore was excellent in her role of Evelyn Ryan. The movie is inspirational and thought provoking for women everywhere. A great family story. Woody Harrelson was perfectly cast as her alcoholic husband. He portrayed his character Kelly Ryan with just enough intensity and a touch of humor to not take the spotlight away from Julianne's character. The movie was taken from the book by the same name. It was written by Terry Ryan the daughter of Evelyn Ryan. You can sense the genuine connection between each character. Definitely see this one you will not regret it. There is none of that over the top Hollywood glitz and effects just a great story and excellent acting.

Julianne Moore delivers a performance that captures the essence of the American homemaker in the 1950's. Her strength of character and her intelligence which she utilizes to help clothe and feed her family and keep them together virtually anchors the film.

The cast, writing and locations enhance THE PRIZE WINNER, and create an air of authenticity on the screen which moves the story forward. The children, in all their ages, help produce such a powerful film and form the foundation for Julianne Moore's motivation to provide and take care of her family.

Woody Harrelson is tremendous, and visually watching his anger and pain explode at times in the film, makes the audience take note of what it must have meant for a father to fail as a breadwinner in the 1950's.

THE PRIZE WINNER takes you back to that time in American history when the thought of winning and capturing "The American Dream" was one you could accomplish with hard work and talent. Julianne Moore makes the film all the more powerful with her portrayal of an American mother who will use her brains and determination to keep her family together. This film is one of the best to come along in 2005.

The Prize Winner of Defiance, Ohio, is based on the true story of Evelyn Ryan, a mother of ten in Defiance, Ohio, who supported her family of 12 by writing winning jingles for contests.

Julianne Moore is Evelyn, a unflappable mother who somehow keeps her cool raising her ten children and dealing with a drunken husband "Kelly" (Woody Harrelson), a machinist who spends all his money on booze. Her pastor advises her to make a better home for him. Thanks, father. Sober, Kelly is a sweet enough man, if ineffectual. Drunk he resents that it is she who supplies what money and food they have and has put a roof over their heads and he becomes violent - not towards her or the children, but by breaking and throwing things. This scares the kids. Once, a near tragedy is avoided when, during one of his tirades, Evelyn falls and the milk bottles break. One more inch and that would have been it for her.

When she wins $5,000 (she had multiple entries using her kids' names, a common practice - one entry per name), she and her husband (Woody Harrelson) purchase a house, but only he signs the mortgage.

Very much, the point made in this film is that things were different for women in the '50s. Evelyn was a clever woman who had a bright future as a newspaperwoman, but she gave it all up for marriage and family. On TV, we see Queen for a Day and Miss America saying she wouldn't vote for a female president because women are "too emotional." The acting is good all around, with Moore the perfect '50s housewife - maybe too perfect - how any woman could hold it together given her life is beyond me. Only a few times do we see her break down and be anything but calm and cheerful. Harrelson is excellent as a weak man who, despite his unhappiness, can't get his act together to give her enough money for the milkman.

Supposedly the film is very close to the book, written by one of the daughters. The vintage elements are wonderful; one really feels as if it is the '50s, with the typewriter, the black and white TV, the old cars, the clothes (some of which belonged to the real Evelyn Ryan).

Very good.