Füge eine Handlung in deiner Sprache hinzuIn 1950s Ohio, a mother of 10 enters jingle contests to support her family, while her alcoholic husband struggles with a dead-end job. She faces poverty and abuse, but remains optimistic as ... Alles lesenIn 1950s Ohio, a mother of 10 enters jingle contests to support her family, while her alcoholic husband struggles with a dead-end job. She faces poverty and abuse, but remains optimistic as she tries to keep her large family together.In 1950s Ohio, a mother of 10 enters jingle contests to support her family, while her alcoholic husband struggles with a dead-end job. She faces poverty and abuse, but remains optimistic as she tries to keep her large family together.
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It's one of those rare family movies that really feels authentic. There's nothing hokey here, and no obvious, cheesy dialog. The little directorial flourishes are sweet and unobtrusive and flow naturally with the story, which although sometimes whimsically told, has a deeply moving center.
Julianne Moore deftly handles an extremely tricky role. She manages to convey the complexities in a character that on the surface, and in lesser hands, could read as drippy and one-dimensional. Instead as we see this woman's challenging life play out, we respect her more and more, and truly feel invested in what becomes of her remarkable spirit.
All in all, a wonderful surprise, beautifully executed. See it.
Julianne Moore is Evelyn, a unflappable mother who somehow keeps her cool raising her ten children and dealing with a drunken husband "Kelly" (Woody Harrelson), a machinist who spends all his money on booze. Her pastor advises her to make a better home for him. Thanks, father. Sober, Kelly is a sweet enough man, if ineffectual. Drunk he resents that it is she who supplies what money and food they have and has put a roof over their heads and he becomes violent - not towards her or the children, but by breaking and throwing things. This scares the kids. Once, a near tragedy is avoided when, during one of his tirades, Evelyn falls and the milk bottles break. One more inch and that would have been it for her.
When she wins $5,000 (she had multiple entries using her kids' names, a common practice - one entry per name), she and her husband (Woody Harrelson) purchase a house, but only he signs the mortgage.
Very much, the point made in this film is that things were different for women in the '50s. Evelyn was a clever woman who had a bright future as a newspaperwoman, but she gave it all up for marriage and family. On TV, we see Queen for a Day and Miss America saying she wouldn't vote for a female president because women are "too emotional." The acting is good all around, with Moore the perfect '50s housewife - maybe too perfect - how any woman could hold it together given her life is beyond me. Only a few times do we see her break down and be anything but calm and cheerful. Harrelson is excellent as a weak man who, despite his unhappiness, can't get his act together to give her enough money for the milkman.
Supposedly the film is very close to the book, written by one of the daughters. The vintage elements are wonderful; one really feels as if it is the '50s, with the typewriter, the black and white TV, the old cars, the clothes (some of which belonged to the real Evelyn Ryan).
Very good.
The story of a struggling mother, her ten children and her boozy, irresponsible husband is a charming, memorable and moving film.
The family is broke and the kids keep coming and Dad isn't bringing home much, and has a strong taste for the drink, what options does a busy mother have? She can't get a job. Married women didn't work back then and with ten children, how could she? Evelyn Ryan, Julianne's character, finds a solution: contesting. Back in the 50's contests were all the rage and if you could write a jingle, had strong alliteration skills, you could be a winner! Never preachy and without a note of false 'triumph' the film is quietly elegant and packs a punch teaching us more about the role of women in that era, the Catholic Church, and dealing with adversity than a dozen Lifetime message movies of the weeks.
Where on earth did this movie hide? If I recall correctly it barely played and was limited to the Art House circuit. Where was the Miramax style campaign that could have easily turned this into a mainstream box office sensation? Was someone asleep at the wheel?
The cast, writing and locations enhance THE PRIZE WINNER, and create an air of authenticity on the screen which moves the story forward. The children, in all their ages, help produce such a powerful film and form the foundation for Julianne Moore's motivation to provide and take care of her family.
Woody Harrelson is tremendous, and visually watching his anger and pain explode at times in the film, makes the audience take note of what it must have meant for a father to fail as a breadwinner in the 1950's.
THE PRIZE WINNER takes you back to that time in American history when the thought of winning and capturing "The American Dream" was one you could accomplish with hard work and talent. Julianne Moore makes the film all the more powerful with her portrayal of an American mother who will use her brains and determination to keep her family together. This film is one of the best to come along in 2005.
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- WissenswertesSome of the dresses worn by Julianne Moore in the film belonged to the real-life Evelyn Ryan. Her children had saved them and offered the use of them for the film.
- PatzerRay the mailman is severely under dressed for that era, with short-sleeved shirt; he should have been similarly dressed like the milkman--jacket, tie, a hat very much like his.
- Zitate
Evelyn Ryan: I don't need you to make me happy. I just need you to leave me alone when I am.
- Crazy CreditsBefore the ending credits roll, updates are given of all the children and of Ms. Schaefer along with their real life photos.
- SoundtracksSitting on Top of the World
Music by Ray Henderson
Lyrics by Sam Lewis and Joe Young
Performed by Woody Harrelson
Top-Auswahl
- How long is The Prize Winner of Defiance, Ohio?Powered by Alexa
Details
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 627.844 $
- Eröffnungswochenende in den USA und in Kanada
- 159.056 $
- 2. Okt. 2005
- Weltweiter Bruttoertrag
- 750.212 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1