Füge eine Handlung in deiner Sprache hinzuTwo rebellious teens on the run from a desert survival camp steal the car of two naive Mormon missionaries. They end up in New Harmony, the town that's been anxiously awaiting their Mormon m... Alles lesenTwo rebellious teens on the run from a desert survival camp steal the car of two naive Mormon missionaries. They end up in New Harmony, the town that's been anxiously awaiting their Mormon missionaries.Two rebellious teens on the run from a desert survival camp steal the car of two naive Mormon missionaries. They end up in New Harmony, the town that's been anxiously awaiting their Mormon missionaries.
- Auszeichnungen
- 1 wins total
David Chandler Secor
- Officer Stone
- (as Dave Secor)
Don Brunner II
- Officer Sorenson
- (as Don Brunner)
Empfohlene Bewertungen
I was very surprised to see a Halestorm movie that wasn't all slapstick and actually had a good storyline. Not sure what the lady in the plane was all about. I thought the actors were great! There were a few scenes that were a little bit silly and I thought the ending was a little weak but over all, I really enjoyed the movie. I walked away feeling good and happy about the time I had spent. It was fun to laugh at good humor. I hope the director/producer/writer keeps putting them out. There is a need for good clean movies that you can take your kids to and laugh together. Thanks to all who made this movie possible. Keep it up!
Kudos to the filmmakers for putting out a fun, feel-good movie that's appropriate for the whole family. It was a sensitive, funny, and heart-warming film. It had a great story and was well written. The cast was fun and very talented. Ty Hodges character was hysterical. The score was great as well. It was fun to hear the music by Gene loves Jezebel (popular 80's band). I even went out after the movie and bought the soundtrack and was pleasantly surprised. I believe this may be the best movie Halestorm has put out. I hope people support this film so there will be more good family entertainment to follow. Keep up the good work. Thanks
I don't know. There's not much to say about this film. It's probably one of the better films Halestorm has released (aside from the excellent "Best Two Years") but, let's be honest, that's not really saying much.
It's a nice premise that goes astray with one dimensional characters and, again, overplayed jokes taking prominence over story. The soundtrack isn't half-bad but that's not why you go and see a movie.
Two questions: 1) What's the deal with the lady in the airplane - she's pointless? 2) How many paint ball battles are we going to have to subjected to in Mormon films?
Like "Mobsters", a good concept led astray by poor execution on the script.
It's a nice premise that goes astray with one dimensional characters and, again, overplayed jokes taking prominence over story. The soundtrack isn't half-bad but that's not why you go and see a movie.
Two questions: 1) What's the deal with the lady in the airplane - she's pointless? 2) How many paint ball battles are we going to have to subjected to in Mormon films?
Like "Mobsters", a good concept led astray by poor execution on the script.
The best by far of the movies released through Halestorm--possibly because it wasn't written by a Hale. The Hales, of course, do a fine job of catering to their Mormon audience (as is indicated by the success of all of their recent movies, INCLUDING "the hometeachers". If you've seen it, you'll know why it's so surprising that the movie has turned a profit.) This movie, however, addresses its niche market (Mormons) while still telling a STORY! No joke, a real, honest-to-goodness story, with emotional ups and downs, humor, pathos, interest, the works. It's NOT just a vehicle for a bunch of cliché Mormon jokes with a moral duct-taped to the end. (Again, I refer you to "the hometeachers", "the RM", etc. etc.) Although it doesn't quite approach the depth of emotion of some of Dutcher's movies, this is an excellent film.
For those of you who want a summary: We start out in the Mojave desert, at what is apparently a camp for juvenile delinquents. Don't lose it here. About fifteen minutes in to the movie I was about to assume this was going to be a horribly dull movie, and I place the responsibility for that primarily on the general, who's not nearly funny and one-dimensional enough. (He's a stock character, find someone who yells...) Two young men escape from the camp, steal a truck and head out, only to have their truck break down. When two missionaries stop at the same rest-stop, the escapees hop into the car and are able to pose as missionaries for the next several days while the real missionaries struggle through the desert. Hilarity, of course, ensues. Some of the acting leaves a bit wanting (the real Elder Johnson and the fake Elder Talbot are both excellent, though) and some of the plot-lines don't seem necessary (why is it so important that Justin, the fake Elder Johnson, is the son of a Senator? Why is there that crazy old woman flying the plane around all the time?)
I give it an eight for its great addition to a niche market. (I don't say others can't enjoy it, but I do think the film makers did an excellent job by identifying and targeting their market.)
For those of you who want a summary: We start out in the Mojave desert, at what is apparently a camp for juvenile delinquents. Don't lose it here. About fifteen minutes in to the movie I was about to assume this was going to be a horribly dull movie, and I place the responsibility for that primarily on the general, who's not nearly funny and one-dimensional enough. (He's a stock character, find someone who yells...) Two young men escape from the camp, steal a truck and head out, only to have their truck break down. When two missionaries stop at the same rest-stop, the escapees hop into the car and are able to pose as missionaries for the next several days while the real missionaries struggle through the desert. Hilarity, of course, ensues. Some of the acting leaves a bit wanting (the real Elder Johnson and the fake Elder Talbot are both excellent, though) and some of the plot-lines don't seem necessary (why is it so important that Justin, the fake Elder Johnson, is the son of a Senator? Why is there that crazy old woman flying the plane around all the time?)
I give it an eight for its great addition to a niche market. (I don't say others can't enjoy it, but I do think the film makers did an excellent job by identifying and targeting their market.)
Brandon Beemer and Ty Hodges are on the loose. They escape from a juvenile delinquent boot camp that is run by one authoritarian general played by Charles Napier. But the track they hijack from the camp breaks down. So as luck would have it they get to hijack another vehicle driven by Mormon Elders Shaun Weiss and Jason Winer with all their clothes and Mormon paraphernalia.
Wouldn't you know it, they run smack into a Mormon cop who escorts them to Bishop Robert Prosky and the assignment awaiting the two they left on the Mojave desert. After that Beemer and Hodges have no other choice but to continue the masquerade as Suits On The Loose.
Producer Kurt Hale no doubt took some inspiration from films like The Left Hand Of God and Guns For San Sebastian where Humphrey Bogart and Anthony Quinn had to masquerade as Catholic priests for their own reasons. Suits On The Loose is done with quite a bit of a lighter touch than those classics.
In fact it's a pleasing enough comedy that could definitely appeal to more than an LDS audience. Beemer and Hodges get quite a life's lesson in their disguises, basically about growing up and accepting responsibility even if you don't convert to be a Mormon.
Such Hollywood veterans as Robert Prosky as the Mormon Bishop, Fred Dryer as Beemer's father and Napier give the younger members of the cast some inspiration for their performances. Special mention should also go to Reginald Vel Johnson of Family Matters who just might be the fattest cowboy on record, Andy Devine included.
I'd give this one a look even if you're a gentile.
Wouldn't you know it, they run smack into a Mormon cop who escorts them to Bishop Robert Prosky and the assignment awaiting the two they left on the Mojave desert. After that Beemer and Hodges have no other choice but to continue the masquerade as Suits On The Loose.
Producer Kurt Hale no doubt took some inspiration from films like The Left Hand Of God and Guns For San Sebastian where Humphrey Bogart and Anthony Quinn had to masquerade as Catholic priests for their own reasons. Suits On The Loose is done with quite a bit of a lighter touch than those classics.
In fact it's a pleasing enough comedy that could definitely appeal to more than an LDS audience. Beemer and Hodges get quite a life's lesson in their disguises, basically about growing up and accepting responsibility even if you don't convert to be a Mormon.
Such Hollywood veterans as Robert Prosky as the Mormon Bishop, Fred Dryer as Beemer's father and Napier give the younger members of the cast some inspiration for their performances. Special mention should also go to Reginald Vel Johnson of Family Matters who just might be the fattest cowboy on record, Andy Devine included.
I'd give this one a look even if you're a gentile.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 79.470 $
- Eröffnungswochenende in den USA und in Kanada
- 23.366 $
- 5. Feb. 2006
- Weltweiter Bruttoertrag
- 79.470 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Suits on the Loose (2005) officially released in Canada in English?
Antwort