A Scanner Darkly - Der dunkle Schirm

Saw this film today in a theater with no air conditioning on the hottest day of the year...pretty fitting for a movie about claustrophobic paranoia. I'd been looking forward to seeing this from the first time I saw the trailer. Whatever can be said about this film, there is no denying it's totally unique look. After awhile, you begin to get used to the rotoscoping and then suddenly, there will be something thrown in that will call attention to itself and remind you that you are watching animation. I am a fan of Dick's work, but have not yet read the novel upon which this film is based. Great performances all around and kudos to Linklater for his fantastic vision. The film could be considered a bit talky to the average moviegoer, but is much appreciated by fans of cerebral sci-fi. Fascinating premise is told through interesting blend of suspense and comedy. Not for everyone, but certainly worth a look. Certain to become a cult classic.

Thanks to Rick Linklater and the Dick family for allowing a Scanner Darkly to re-envision Philip K. Dick's great novel without straying from its central themes and story line. Good film adaptations of literature are very often collaborative efforts between two or more artists - the writer and the director (and sometimes her/his production team). Make no mistake - A Scanner Darkly IS one of these collaborations - it is definitely a Linklater film - from the spare but very effective and hypnotic Graham Reynolds sound track to the disturbing but mesmerizing holosuit scenes and the pseudo-philosophical paranoiac banter between Harrelson and Downey's characters. In fact, I remember the last time I read Dick's novel - around the time I heard Linklater was directing this film - thinking that some of the scenes in the book could be lost in Linklater's wonderful film "Slacker".

Linklater and Dick are a perfect match.

The story is about a deep-cover narcotics officer (Reeves) who is in danger of becoming one of his own targets, since he has become addicted to a very popular and addictive hallucinogen - Substance D (AKA "Death") The cast is all very good, and extremely well suited for their characters. But here again, we are seeing Linklater's interpretation of the novel. He saw the comedic potential for the Barris character and played it up by giving the role to Downey and presenting Harrelson as a combination of loyal side-kick and straight-man to Downey's sometimes overpowering Barris.

What the story is really about is the culture of recreational drug use and addiction. Its portrayal of this is on target, and though the subject is treated with some sympathy, the contradictory messages, denials, and complex rationalizations permeating that culture also come through powerfully. In this manner, the film nails the book spot-on.

Reeves is perfectly cast as Arctur. His subtle and somewhat detached style is exactly what was needed for this complex and sympathetic character. And although some have stated that he was "blown off the screen by Downey and Harrelson" I couldn't agree less. Downey is louder and more domineering, yes, but Arctur is not a loud, ultra-dynamic, paranoid, and could not be played in a way which could compete with Downey's character.

Although I believe Winona Rider to be very talented, I had my doubts about her in the role of Donna - one of my favorite characters in Dick's novel. However, once again, Winona exceeded my expectations. I have never seen a bad performance out of her.

This is great casting, period.

While these are not criticisms, I feel obligated to make a couple of comments comparing the book and the film. First, the film is not really as dark and disturbing as the book. I can not explain why in this review - you will have to see it to understand why I say this. Second, I was very slightly disappointed by the reduced role of Donna in this film. Third - though some have commented that the film was hard to follow and that they felt they could only really get it if they read the book - I can only say that this is probably intentional. Yes, many of Linklater's films are non-linear and can be hard to follow for those who expect to have things explained to them. Linklater is, if nothing else, an artist and doesn't seem very interested in linearity or explanation. And the original work by Dick is no less ambiguous. In fact it is, in my opinion, more ambiguous.

This film does a great job of bringing to the screen one of the most intelligent and emotional works of science fiction ever written. My thanks to all involved.

I've never written a review on this site before, but since I've just been at the first screening of this movie at Brandeis, I feel like writing a few comments. First of all, visually this movie is incredible. The roto-scoping is a vast improvement over Waking Life (and that's on a crappy screen with the film only 95% completed.) Despite the overall dark nature of the film, the dialogue is at times hilarious, and at the screening the audience erupted into laughter several times. Now, on to the story itself. I never read the Phillip K. Dick novel, but from what I could tell, the movie stays faithful. This is not a popcorn thriller; like I said, it is very dark. As the producer Erwin Stoff said after the showing, the movie reflects the bad experiences Dick had with drugs during his life. Apparently the producers bought the rights to the book from Dick's daughters at a reduced rate because they promised to be faithful to his vision, and I could definitely see the effort that was put in in order to accomplish that. Overall, I enjoyed this movie very much. Admittedly, it was hard to follow at times. But, as with the other Linklater films that I have seen, A Scanner Darkly is worth seeing for the interesting dialogue, esoteric characters (especially Robert Downey Jr and Woody Harrelson, who provide many of the films laughs), and stunning visuals. It is not a plot-driven movie at all; the story as described in the IMDb summary, which is more or less accurate, is just a framework from which to express Dick's stark and angry vision of the ravages of drugs on society. Those seeking visceral excitement will be disappointed, but those looking for an intelligent, bleakly funny, dream-like, thought provoking experience that is incredibly grim yet not entirely hopeless, will be rewarded. A Scanner Darkly is definitely not for everybody, because its pacing and animation style are not mainstream(the same is true of its release schedule: only 4 theaters on July 7, 8 the next week, and so on). However, for fans of Linklater and/or Dick, this is no doubt a must see, and you should mark July 7th on your calendar.

Like most works by the late Phillip K. Dick, "A Scanner Darkly" provides stinging social commentary embedded in a deeply disturbing vision of a dystopian future. Based on some of his own experiences with drug addiction and rehabilitation, Dick's 1977 novel tells the complex tale of a man who, through an illicit drug he is taking, becomes a split personality, with one half of him being an addict and the other half being a narc - but with neither half aware of the other half's existence. If that sounds like a bit of a "head trip," that is clearly Dick's intent here, for what better way to capture the dreamlike and hallucinatory nature of psychedelic, mind-altering drugs? And what better way for a filmmaker to reproduce that effect on film than through the technique known as "rotoscoping," in which live actors are filmed doing their scenes, then later drawn over and turned into seamlessly flowing animation? This is the style made famous in the 1980's with the A-Ha video "Take on Me" and Linklater's own full length feature in the '90's, "Waking Life." In the case of "A Scanner Darkly," especially, its use results in a perfect marriage of form and content.

In this prescient tale set in the "near future," Keanu Reeves plays the undercover cop, Agent Fred, who, under the pseudonym Bob Arctor, is sent to live in a home with several known drug addicts: Barris, played by Robert Downey Jr. and Luckman, played by Woody Harrelson. When Fred begins taking the newly fabricated drug known as "Substance D," which causes the two hemispheres of the brain to disconnect and go to war with one another, Fred/Arctor becomes essentially two distinctly separate persons, so that, in his capacity as an undercover agent, he is actually spying on himself without realizing it. Winona Ryder appears as Donna, the beautiful but sexually frigid coke addict who becomes Arctor's girlfriend.

"A Scanner Darkly" is an easy film for a viewer to get lost in, so it pays to know a little something about the story before heading into it. As a screenwriter, Linklater captures the woozy insubstantiality of the drug experience well enough but often at the expense of narrative consistency and coherence, especially for the uninitiated. I'm afraid lots of people may become frustrated and confused near the beginning and simply tune out. That would be a real shame because the movie turns into a darkly fascinating rumination on the effect drug use has on the mind, while at the same time raising the ethical issue of just how far the government should go in "sacrificing" innocent victims to achieve a desired, perhaps even laudable, end. At times the movie may seem to be playing both sides of the drug-war fence, yet the sophistication and complexity of Dick's vision keeps it from becoming either an anti-government screed or an anti-drug diatribe.

Some of the dialogue comes off as corny and over earnest, but much of it is incisive and darkly humorous, with Barris and Larkman, in particular, hitting delicious comic heights in their paranoid/delusional ravings and interchanges.

When someone on a trip starts to wig out, you take them someplace quiet and talk soothingly and assure them that everything's going to be OK. But as the tagline of this film makes clear, for these characters everything is most definitely NOT going to be OK.

For those who haven't read the book, it's important to know what you're getting into. PK Dick wrote this novel as a way of telling the story of how he and his friends in the early '70s damaged and destroyed themselves with drugs. He tells this story within the framework of a surreal science fiction thriller, but many of the scenes are straight from his own experiences with the unpleasant consequences of people using drugs and disintegrating mentally.

This film does an amazing job of capturing the feel and tone of the book as well as the paranoia, perceptual distortions, and chaos of hallucinogenic overindulgence. Add to that a story that only gradually emerges from the madness, but by the end brings in a lot of heavy ideas such as the existence of free will, whether ends justify means, etc. There is a sense of consequence to what happens in the film, a sense of despair at what has been lost. So this story of drug-addled losers becomes the story of the human struggle for identity and meaning.

I have a couple of minor quibbles regarding scenes from the book that only partially made the cut (no explanation for the significance of "If I'd known it was harmless I would have killed it myself, no little kid to explain how 6 and 3 gears means 18 speeds). Still, most adaptations of PK Dick stories take a few basic ideas and try to shape them into more conventional films that fit into established genres. Even when it works, such as with Blade Runner or Total Recall, it's not really PK Dick. Not so this film. This is PK in all his dark and perverse and deeply thoughtful glory.