A Scanner Darkly - Der dunkle Schirm

Let's start by saying that Scanner would be worth seeing just for the amazing visuals. The 3d graphic novel look of this movie is beautiful and original although unequal in terms of quality as if different teams worked on different parts (which is in fact the case). A very special mention has to be given to the totally incredible and unique scramble suit. The plot was quite interestingly complex yet felt disjointed at times. The dialogs which were supposed to be a highlight were sometimes suitably absurd yet not overly clever or memorable. Midway through I did feel a little bored and I had trouble caring for the druggies characters although it probably wasn't the point.

I never felt particularly emotionally involved, I felt detached (very much like the characters when you think about it). The first character you encounter (Freck) was played way too stereotypically in an exaggerated cartoony kind of way. He constantly annoyed me when he was on-screen. Fortunately, the other performances were better with the standout being the always good Robert Downey Jr. Even the usually wooden Keanu Reeves worked well in his role.

Rating: Visually, Scanner Darkly would be a 8/10, story wise it would be a 6/10 so let's average it to 7 out of 10

The film did not set me on fire,but it did try to be faithful to the novel. If it inspires the viewer to read the book or the work/s of P.K.Dick then it has done its job. The animation format used had no influence on my viewing pleasure,it was neither good nor bad,it did not distract me from the theme of the movie. Keanu Reeves I thought was decent in the role of Bob,whether this is due to the colouring effect or not is debatable. Seriously though,Mr Reeves has a limited appeal as an actor to me,but I actually thought he did a good job. I read the book 20 some years ago and enjoyed it immensely,as always the film can never convey the entire book,but I was finally pleased it made it to film in a semi faithful way.

I've never written a review on this site before, but since I've just been at the first screening of this movie at Brandeis, I feel like writing a few comments. First of all, visually this movie is incredible. The roto-scoping is a vast improvement over Waking Life (and that's on a crappy screen with the film only 95% completed.) Despite the overall dark nature of the film, the dialogue is at times hilarious, and at the screening the audience erupted into laughter several times. Now, on to the story itself. I never read the Phillip K. Dick novel, but from what I could tell, the movie stays faithful. This is not a popcorn thriller; like I said, it is very dark. As the producer Erwin Stoff said after the showing, the movie reflects the bad experiences Dick had with drugs during his life. Apparently the producers bought the rights to the book from Dick's daughters at a reduced rate because they promised to be faithful to his vision, and I could definitely see the effort that was put in in order to accomplish that. Overall, I enjoyed this movie very much. Admittedly, it was hard to follow at times. But, as with the other Linklater films that I have seen, A Scanner Darkly is worth seeing for the interesting dialogue, esoteric characters (especially Robert Downey Jr and Woody Harrelson, who provide many of the films laughs), and stunning visuals. It is not a plot-driven movie at all; the story as described in the IMDb summary, which is more or less accurate, is just a framework from which to express Dick's stark and angry vision of the ravages of drugs on society. Those seeking visceral excitement will be disappointed, but those looking for an intelligent, bleakly funny, dream-like, thought provoking experience that is incredibly grim yet not entirely hopeless, will be rewarded. A Scanner Darkly is definitely not for everybody, because its pacing and animation style are not mainstream(the same is true of its release schedule: only 4 theaters on July 7, 8 the next week, and so on). However, for fans of Linklater and/or Dick, this is no doubt a must see, and you should mark July 7th on your calendar.

Hollywood has tried so many times to capture the feel of Philip K. Dick terms of his style and writing. Films like Total Recall, Paycheck, Minority Report, all were playing to the lowest common denominator and really lost a lot of the feel that Dick conveys in his writing. Blade Runner came close, but it still missed the essential darkness that Dick brings to each and every one of his works.

Enter "A Scanner Darkly", aside from the Interpolative Rotoscoping that the film maker used to put the graphical images of this movie together and give it an amazing visual feel all its own, the vision and imagery conveyed by the film are as true to Dick's original as any movie has come. I left the theater feeling overwhelmed, touched, and changed, much the same way as when I'd finished the book. This is rare, and it is decidedly a beautiful thing.

Thanks to Rick Linklater and the Dick family for allowing a Scanner Darkly to re-envision Philip K. Dick's great novel without straying from its central themes and story line. Good film adaptations of literature are very often collaborative efforts between two or more artists - the writer and the director (and sometimes her/his production team). Make no mistake - A Scanner Darkly IS one of these collaborations - it is definitely a Linklater film - from the spare but very effective and hypnotic Graham Reynolds sound track to the disturbing but mesmerizing holosuit scenes and the pseudo-philosophical paranoiac banter between Harrelson and Downey's characters. In fact, I remember the last time I read Dick's novel - around the time I heard Linklater was directing this film - thinking that some of the scenes in the book could be lost in Linklater's wonderful film "Slacker".

Linklater and Dick are a perfect match.

The story is about a deep-cover narcotics officer (Reeves) who is in danger of becoming one of his own targets, since he has become addicted to a very popular and addictive hallucinogen - Substance D (AKA "Death") The cast is all very good, and extremely well suited for their characters. But here again, we are seeing Linklater's interpretation of the novel. He saw the comedic potential for the Barris character and played it up by giving the role to Downey and presenting Harrelson as a combination of loyal side-kick and straight-man to Downey's sometimes overpowering Barris.

What the story is really about is the culture of recreational drug use and addiction. Its portrayal of this is on target, and though the subject is treated with some sympathy, the contradictory messages, denials, and complex rationalizations permeating that culture also come through powerfully. In this manner, the film nails the book spot-on.

Reeves is perfectly cast as Arctur. His subtle and somewhat detached style is exactly what was needed for this complex and sympathetic character. And although some have stated that he was "blown off the screen by Downey and Harrelson" I couldn't agree less. Downey is louder and more domineering, yes, but Arctur is not a loud, ultra-dynamic, paranoid, and could not be played in a way which could compete with Downey's character.

Although I believe Winona Rider to be very talented, I had my doubts about her in the role of Donna - one of my favorite characters in Dick's novel. However, once again, Winona exceeded my expectations. I have never seen a bad performance out of her.

This is great casting, period.

While these are not criticisms, I feel obligated to make a couple of comments comparing the book and the film. First, the film is not really as dark and disturbing as the book. I can not explain why in this review - you will have to see it to understand why I say this. Second, I was very slightly disappointed by the reduced role of Donna in this film. Third - though some have commented that the film was hard to follow and that they felt they could only really get it if they read the book - I can only say that this is probably intentional. Yes, many of Linklater's films are non-linear and can be hard to follow for those who expect to have things explained to them. Linklater is, if nothing else, an artist and doesn't seem very interested in linearity or explanation. And the original work by Dick is no less ambiguous. In fact it is, in my opinion, more ambiguous.

This film does a great job of bringing to the screen one of the most intelligent and emotional works of science fiction ever written. My thanks to all involved.