Simon

This is not only the best dutch movie that I have ever seen, but one of the most moving movies that I have ever seen. Great picture of dutch society, on extraordinarily interesting people, full of great humor and sadness, and most importantly on life and death (parallel to the last two). This film is FULL in every way that a film should and can be. It is the heart-filling and heart-wrenching story of one of the most extraordinarily human lives (beautifully acted) ever put on film. It is about Simon, his fast life, his loved ones, and his chosen death. It is also about the truly free society, where all can choose their life and their death for themselves. It is a portrait of a culture of personal responsibility, love, and life that is so needed everywhere. It will make you think, laugh and cry. When and if you can, see this picture, you won't be disappointed. It's one of the greats.

As the Tagline says: Simon will change your life.

Through an awkward accident, Camiel (Marcel Hensema) meets Simon (Cees Geel). Camiel is an intelligent, shy, insecure, gay student studying to become a dentist. Simon is close to his opposite: a true Amsterdam mythical hero - down-to-earth, liberal, dry humoured seducer ("Couldn't you just instantly turn into a naked chick?") who owns two cafés and lives in the Dutch paradox - he's in the semi-legal business of running a hash home delivery service. Both are true products of Dutch society, as it is dreamed to be, with their multilingual, easy, matter-of-fact approach to life. But the film is mostly about Simon. Well, about Camiel looking Simon, fascinated.

So what is it about Simon that so fascinates Camiel? To a certain extent, Camiel is an outsider, he is just someone who walks the streets. He is not extraordinary in any sense. Neither his love life, nor his profession can help him up, nor does he play an instrument or have any hidden talent. When he meets Simon, it seems as if Simon has his whole life organised around himself, to be able to live his life fully. He is surrounded by his oddball friends and has a loving family (in Thailand!). And that with a forgiving smile which allows him to boyishly do as he pleases.

The second half of the movie is darker than the first, when the weight on the looming tragedy starts to be felt (Simon's approaching death). The second half of the film is more emotional, building on the characters and relationships of the first half. Notice the remarkable difference in the treatment of the subject with Les Invasions Barbares, of death, friendship, love, sex and society. Perhaps the last is the most remarkable, because somewhere Simon is the society. There is no clash with an outer world which is different to him - because the difference between the individuals is what makes up the society in which he lives. Similarly there is no generational gap either, Simon's children will make something out of their lives as he did with his, nothing fundamental has changed. It is Western society at its (brief?) peak. 

If there is any weakness in the film, then it would have to be Simon's interest in Camiel, the reasons of which could have been more explicit (perhaps his stability, or his intelligence?). None the less, the audience takes on the role of Camiel, and is taken along into Simon's world. A world which is a rare glimpse into the liberal post-modern society which is (was?) The Netherlands. Camiel will not be the only one leaving impressed.

SIMON is a little jewel of a film. In a manner more typically Dutch than most it is an exploration of the interaction of two men, opposites in almost every way except in their potential power of friendship.

Camiel is a gay, tender, polite, dental student while Simon is straight, seemingly critical of gay aspects (though always with tongue in cheek), noisy, outspoken, crafty, boisterous and a bit crude café owner. The two collide in an accident, an act that bonds them inextricably, and the film shows the two polar opposites reconnecting fourteen years later when Simon is dying of cancer and calls upon all his resources and involves Camiel in the difficult process of life's ending. Simon's strength of character (despite his previous outwardly bombastic and crude manner) gives Camiel much to learn - and gives the audience some touching and tender thoughts on which to dwell. The film is a fun, at times naughty, smart, and ultimately life-affirming tale about the importance of friendship and family...and a strong sense of humor...that are the stuff that allow us to survive even the most difficult of moments in life.

The entire cast is excellent but the performances by Cees Geel as Simon and Marcel Hensema as Camiel Vrolijk are worthy of awards. This is an extravagantly fun film, completely open and honest about its sexuality, that results in a memorable emotional experience for the viewer. In Dutch with English subtitles. Grady Harp

I saw Simon in the cinema and it was a fantastic experience. Simon is a summary of Dutch culture and especially the Amsterdam subculture. The actors are all standouts in this movie and have the performances of their careers. I agree with previous comments that Cees Geel's performance was Oscarworthy. I watch movies everyday and I must say Simon was the best I have seen in YEARS! First of all, Simon is about Holland. Holland was once famous for windmills, cheese, tulips and wooden shoes. These days we (the Dutch) are famous for gay marriage, euthanasia, legalized prostitution, legalized marihuana use and islamofascist murders. In other countries themes like these give people the feeling of a modern Sodom & Gomorra.

This movie sets the right mood from the start. It is a commercial for modern, Western liberal countries where everyone can be their full self. Simon is a drug dealing, swearing, unemployed guy, who sheets on his girlfriend. Yet, you cannot dislike him! He is charismatic, funny, good at heart and completely original. His friendship with Camiel is somehow weird, as he is a gay, shy dentist student. Their friendship suffers a setback and they meet back after 14 years. Camiel and Simon team up with their entire group of friends and offspring to give Simon the best last days of his life.

This movie is important, because it reflects exactly what people in the '90s wanted Holland to be. I can cry at what my country has become of these days, but I can also smile at the warm intentions of what it once inspired to be. People all over the world, watch this movie! It will make you laugh, it will make you cry, but it will also make you think.

Eddy Terstall thank you for this fantastic achievement. This movie will be remembered someday and be seen as an international classic.

This film is extremely well elaborated. Without spoiling the movie for you, basically, Simon is a sad story between a drug-dealing, "living la vida loca" young man, and a gay man he unexpectedly met.

14 years later, they meet again, but this time, the situation is totally different.

The filmmakers do an excellent job at the beginning of the movie, that is, making people dive deep into the story, the characters and the general atmosphere. This has as consequence, later after the middle of the movie, that the filmmakers start playing with the audience's emotions, leveraging on all the details presented during the beginning to force the audience into the main topic of the movie.

The second half of the movie is the sad part of it. There, the lives of all the people involved are bound together by an unexpected tragedy. The film has an obvious ending, but during that time, the audience's feelings and emotions are constantly touched and moved. This emotional play is perfect for the deep meanings of the movie: a reflexion and the presenting of different perspectives of homosexuality, drugs, sex and eutanasia.