Roundhay Garden Scene

I have a very hard time tracking down this for an essay I was writing for English class.It is very hard to believe how far we have come with movies,this being why.

This is by far,the shortest movie ever produced in cinema history,next to Traffic On Leeds Bridge,which was as short as this.I don't get why people rated this so poorly,being those that rated this a 1-5.This was the late 1800s of course.And it's pretty damn impressive,compared to these 3-D IMax action flicks we have now,that is filled with CGI and explosions.

I give this 10 stars.This was the mother of all movies,and of course one of the first surviving ones.

No plot. No sound. No credits. But it was the first ever moving picture and it was directed by Louis Aimé Augustin Le Prince, a man who's dad was pals with the earliest of photographers.

The film simply involves Le Prince's family standing in the garden of a large Victorian house, moving around each other in circles. They had to do something I guess. Mad isn't it, the first ever film and it's just people doing the first crazy thing that comes to their head.

It's weird watching this 120-year-old film and seeing a more vivid look at life in those days. Le Prince disappeared of the face of the earth in 1890 and his vanishing was never solved. He never knew how much of a pioneer he was.

Roundhay Garden Scene (1888)

Traffic Crossing Leeds Bridge (1888)

If you've ever wondered what the first movies ever made were then here you go. Director Louise Le Prince shot these two films with a single lense camera he made in 1888. From what I've read, both were shot in October of 1888 because the director's mother died this month and she's featured in the first film (which I just had to watch twice). The first film has some sort of creepy feel along with it but if you're interested then you can see them at IMDb or Youtube. Both just last for two seconds but at least I can now say I saw the first film ever made.

It is impossible to judge this film, seeing as it was made in 1888 and involves two seconds of people walking around in a yard. Louis Le Prince never would have known, that by filming a family in their yard, that he was creating a new form of art and entertainment, the most important form of entertainment of our time. This is indeed the most important movie ever made, as it is the first movie ever made. This should be shown in all history classes and to anyone interested in film or history, it is an extremely under-recognized landmark in the progress of art. The only way this film exists now is on an Internet web site (featured here on the Video Clips page). By all means, watch this, as it is the most important two seconds in all of cinema. Lastly, this is proof that from small things, comes great things (or something around those lines).

The name of Louis Aimé Augustin Le Prince is not listened often when talking about history of film, as the strange circumstances surrounding his death and the troubles his work found after his disappearance covered his achievements with a cloud of mystery; however, it is probably the most important person in the history of film-making, as Le Prince was the man responsible of the very first recording of motion images on film. A dedicated inventor, Louis Le Prince started experimenting with film as early as 1881 (years before Thomas Alva Edison or the Lumière brothers), and by 1886 he was almost ready to take the big step, as he built his first successful movie camera. Someday around October 1888, Le Prince captured on film what would become the world's first motion picture: a family scene in a garden of Roundhay, Leeds, during his time in England. Cinema was born in that garden.

The now legendary 2 seconds short features his son Adolphe walking across the garden while the family of Le Prince's wife, the Whitleys, move on the background, probably wondering if what their son-in-law is doing will work. And it work marvelously, as the images of that day at the garden were captured, and finally the photographs were moving. Sadly, "Roundhay Garden Scene" was also tainted by tragedy, as Sarah Whitley, Le Prince's mother-in-law died just ten days after the shooting of the movie, so probably she was not able to see her image moving in the background of the scene. Considering the enormous importance of this invention, it's easy to wonder why isn't the name of Le Prince better known, and why are Edison and the Lumière brothers credited as the cinema inventors.

The reasons behind this apparent forgetfulness are many, but the most important is the fact that tragically, he died before making his first public demonstration, and was not alive when the legal battles over the patent of the invention began. The mysterious death of Le Prince put him out of the picture and by the next decade, the names of Edison and the Lumières would become the ones related to film-making. While history credits Auguste and Louis Lumière as the fathers of cinema, it would be fair to give Louis Le Prince part of the credit, as while the brothers indeed invented cinema as we know it (they were the first to make public demonstrations), it was Le Prince's invention what would truly be the beginning of all. The shiny day at Roundhay garden that Le Prince captured in this film, is a fitting symbol for the shiny future that cinema had ahead. 10/10