Tarnation

After reviewing tarnation, I really think that there should of been some sort of biography attempt made by the director in order to explain more clearly. I must agree that this film shows bare emotions to the fullest extent. However, I got something a little different out of it, as I have met and had lengthly conversations with the director, John. I met John through John Cameron Mitchell at an audition in New York. I hung out with him recently in NY when I was visiting JCM as he co produced the flick to begin with.

I felt that the core of the film really lied within ourselves. What could be called everyday family situations where no one is really concerned how they go are essential to life and essential to this story. Many may think that this is a whimsical film about a boy taking care of his schizo mom. These everyday life situations I thought showed more of the human side we all tend to possess. Life may be full of thrill rides, but you have to wait in line to get on them, hence some of these scenes.

Overall, I think what John has created is a film too real for Hollywood and more importantly, more real than everyday life. Most people can't relate to real life as they don't live it themselves. In fact, it was even so for myself (lol). I did feel a little weird myself in the end.

Any movie where the director bares his soul in it's entirety is worth seeing to me.

I guess I fall into the "art school gimmicks" camp regarding this film. I went into it intrigued with the idea of watching a 13 year tale of a mother and son. Such was hardly the case. I have to admit somewhat brutally, that this movie seemed somewhat exploitative. Given how much of the film was about Caouette growing up as a gay male, I fail to see how his mother's condition actually had a hand in it. Honestly she seemed to merely be a device (an unwilling one at that) to extend Caouette's angst well into adulthood where he otherwise seemed pretty settled and happy.

The structure of the movie was: shock the viewer with my mother's condition, now talk about my horrible angst ridden teen years, now bring mother back to keep the emotion going.

I was not at all impressed with the experimental/disjointed editing style. I've been to a fair amount of film festivals and, if anything, that sort of manipulation disappeared with the advent of affordable editing software. In short, they don't even do that in film school anymore.

One more disappointment: quite late in the film, we have an opportunity to hear about Caouette's mom from two people in Caouette's family. In one instance, the opportunity is totally wasted; nothing comes of his on-camera time. In the other (with his grandfather), Caouette's manner of questioning badgering and accusatory; he doesn't let the old man get a decent thought out.

Tarnation NR(language, disturbing violent and sexual images) ****/out of 4

Tarnation could possibly be the best film of the year. It is unique, original, disturbing, one of a kind, sad, heartbreaking, powerful, inspiring, and completely mesmerizing.

The film is not for the squeamish because of intense the subject matter, as well as the bizarre images. It is truly remarkable that Jonathan Caouette took his whole life in home video format and narrowed it down to 90 minutes. The editing techniques force the viewer to get sucked into the mind and life of a schizophrenic person.

Being taken through the early days of Caouette is very hard to watch. With a mentally ill mother going through shock treatments, he went from many foster homes to living with his grandparents(mentally ill grandma). Caouette became involved with drugs, cross-dressing, homosexuality, suicide, and film-making...and all this time he had a video camera by his side.

For its $218 budget, its editing being done on iMovie, and its tragic humane story, it's truly a shame that "Tarnation" is another indie film that is really destined to be remember forever and ever.

I know I should, but I don't watch many documentaries. It's a different world inside of film-making, one in which everything is, among other things, real. Another feeling that a documentary generates is immediacy; a sensation of present time even if it's telling something that's older than you. "Tarnation", a life story, is a striking view of a unique personality.

Jonathan Caouette, its director, is now in his thirties; but it's like he had planned it all his life, like if he had known it would be a completed project all along. Here we see a lot of films inside of the big film, that Caouette put together to show who he is, what he does, how he feels and how the people who live around him act.

More than the rest, there is a focus on his mother, Renee LeBlanc, who suffers from schizophrenia and didn't live with him for a long time. She lives with him now and Jonathan lived with his grandparents for a lot of years, and he didn't know his father but he tried to find him; and he also lived with foster parents and he always knew he was gay.

This and more is seen in the images he put together in a program anyone with a Macintosh –Apple- computer can use. I don't want to say much more because "Tarnation", although not great, is really magical and inspiring…Magical because is like nothing you've ever seen before; inspiring because it shows and speaks of the creativity of the filmmaker. It will give to anyone who's thinking about doing cinema ideas about tons of things, unstoppably.

And "Tarnation" is also a film for any true cinema lover, because it contains references to a lot of names and important influential cinematographic figures. But influential for him, who, as he inspires us, shows us who inspired him…One example that comes to mind is the fact that Caouette and a friend made a musical stage version of David Lynch's "Blue Velvet" when they were in high school.

He says it in the film's tag-line: "Your greatest creation is the life you lead", and he is right. So be encouraged, and if you feel that you should make a film out of every day you live, don't worry and write about it; or carry a camera with you through the day. This is the kind of message "Tarnation" wants to leave, cinematically.

Emotionally, it wants to show the truly difficult experiences of a genius who, somehow, had a whole movie in his head and wanted the world to know he's not afraid of showing these experiences with and in it…Life is like that, you can't escape it; write that down.

Why do I feel as though I've watched a young man masturbate in front of me for two hours while in a conference room filled with clergy or nuns? Andy Warhol free form new wave movies come to mind? Woody Allen on speed? This poor boy should be in individual and group therapy for the rest of his life.

I'm glad he made 'art' out of trailer trash surrounds but I guess I'm not feeling any pathos or empathy--just an urge to turn down the volume and/or walk away. It is the same sensation one gets while watching an accident or encountering a street person who didn't take his meds today--but for the grace of God,etc. Such experiences convince me of a godless universe and at the most a hope that some Buddhists are on the beam. My parents were both substance abusers (cocktail swigglers/50s style)and I left this film feeling my life had been slightly left of the Donna Reed Show. I know now why I fled NYC at the age of 32--too many actor friends and wanna bees who were cycling together in their own imaginary worlds. I remember feeling the need for a real dose of average behavior at the time. (Now that Bush got in again, I'm not sure that is a good thing either) Well, good for this young man and his ego that he got noticed. He makes Edith Bouvier Beale look bland ("This is the only costume for the day, I think." "What I need is a manager, but he's got to be a Libran!") except she was much more interesting thanks to the Maysles. Aaah, well, I'm getting old, I guess. I do wish I had that seven dollars and fifty cents for the matinée show refunded, though.