IMDb-BEWERTUNG
5,5/10
1133
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo brothers, 23 and 16, who are both teen idols, come to terms with their dysfunctional family past and deep affection for each other.Two brothers, 23 and 16, who are both teen idols, come to terms with their dysfunctional family past and deep affection for each other.Two brothers, 23 and 16, who are both teen idols, come to terms with their dysfunctional family past and deep affection for each other.
- Auszeichnungen
- 1 Nominierung insgesamt
Katherine Ellis
- Brandi
- (as Kate Ellis)
Empfohlene Bewertungen
So this movie is about two brothers who are in love? I gave it a low rating because it's just poor writing and boring. The blandness in the character is just amazing. Could have been a 10 min short on youtube and still containing all the content. I seriously think whoever wrote the script lives in their own imaginary world of "I can do whatever want and people will respond to whatever I think they should respond." In a land where no one have emotions and everything doesn't really happen.
:/ truly tragic, nothing worth anything about this film. It's just really boring and bland and just the entire time i was just bored. I would not recommend this film unless you want to fall asleep.
:/ truly tragic, nothing worth anything about this film. It's just really boring and bland and just the entire time i was just bored. I would not recommend this film unless you want to fall asleep.
a friend of mine, after having been asked whether he liked Almodovar, replied that if it was in his power he would have all kinds of cinema, theater, critic, film, movie magazine associations, companies and circles constantly award him, week after week for years on end, so that would prevent him from making another film, ever.
I can't say I share completely my friend's devastating sarcasm concerning Almodovar, but that is an eye-opening method I would like to employ in some occasions - and here, being somewhat exasperated by this muddled little piece of film, I would like to employ it for TLA's constant it seems effort on producing and offering us a queer sense of valid film-making.
I would certainly award them again and again and again and again and yet again for what they bring to queer cinema.
I can't say I share completely my friend's devastating sarcasm concerning Almodovar, but that is an eye-opening method I would like to employ in some occasions - and here, being somewhat exasperated by this muddled little piece of film, I would like to employ it for TLA's constant it seems effort on producing and offering us a queer sense of valid film-making.
I would certainly award them again and again and again and again and yet again for what they bring to queer cinema.
This film is about the ambiguous relationship of two brothers who are both pop stars.
My impression of this very low budget movie is that it is trying to explore a taboo area, but it does not quite succeed. First, the film focuses too much on just Harry and Max. It looks as if the whole film has only two actors (possibly because of the low budget). The plot could have been great, but it is not so well written and not developed enough. I think they could have spent more time developing the plot, and expanded on details. Harry is good is his role, but Max is a little wooden. After watching this film, I feel that there are pieces of the film missing, and I do not feel satisfied.
This film is like the other Cole Williams film "Race You To The Bottom", in the sense that they are low budget films involving controversial relationships between two lead characters. I can safely say that "Harry And Max" is the better one of the two though.
My impression of this very low budget movie is that it is trying to explore a taboo area, but it does not quite succeed. First, the film focuses too much on just Harry and Max. It looks as if the whole film has only two actors (possibly because of the low budget). The plot could have been great, but it is not so well written and not developed enough. I think they could have spent more time developing the plot, and expanded on details. Harry is good is his role, but Max is a little wooden. After watching this film, I feel that there are pieces of the film missing, and I do not feel satisfied.
This film is like the other Cole Williams film "Race You To The Bottom", in the sense that they are low budget films involving controversial relationships between two lead characters. I can safely say that "Harry And Max" is the better one of the two though.
10alanjj
I never had a brother, but I always wondered, if I had a brother and my brother was hot, or cute, or handsome, what would stop me from having sex with him? There's no chance of having a child. What is wrong? Where is the danger?
This movie takes that notion pretty far. Two brother, both in the music business. At first, the younger brother lusts after the older one, but the older one doesn't allow it to go too far. Then the older brother, after being revealed as an alcoholic, and after masturbating to his younger brother's picture in a magazine, changes his mind, and pursues the younger bro. But now the young one resists, rebels, says no.
The young one is remeniscent of Zak Hanson; the older is like one of those Backstreet Boys. Both are desirable, and the movie his hot. And it's in the hands of a really good, refined director, Christopher Munch, who knows how to photograph a movie in scenic locales, and can handle the mood music. The topic may be a bit shocking, but the movie works really well.
This movie takes that notion pretty far. Two brother, both in the music business. At first, the younger brother lusts after the older one, but the older one doesn't allow it to go too far. Then the older brother, after being revealed as an alcoholic, and after masturbating to his younger brother's picture in a magazine, changes his mind, and pursues the younger bro. But now the young one resists, rebels, says no.
The young one is remeniscent of Zak Hanson; the older is like one of those Backstreet Boys. Both are desirable, and the movie his hot. And it's in the hands of a really good, refined director, Christopher Munch, who knows how to photograph a movie in scenic locales, and can handle the mood music. The topic may be a bit shocking, but the movie works really well.
I bought this film on DVD a while back through recommendation from a friend and I was as unwilling as anyone to watch a film that was known because two brothers "get it on"... I study psychology and one of the main (and more unpleasant) topics is incest and in 75% of sibling incest cases, mutual consent is given (meaning both siblings wanted it and one did not force it upon the other). On first hearing this I was curious as to why; most of the time when you think of incest you think of backward trailer trash states in America (or story lines from soap operas) but this film does kind of open your eyes a little bit to that kind of thing. The relationship between Harry and Max isn't shown as disgusting or immoral and you end up sort of understanding why they do get it on. My idea was that it was due to uncaring parents who live through their kids and being in a business that is notably full of fake people. Through this, the brothers seem to learn that the only people they can fully trust is each other. Obviously this is no reason to start boinking so other stuff must come into it but yeah I still obviously don't condone incest but this film kind of makes you understand mutual incest. I recommend giving it a try, you won't be too disgusted since the only thing you really see between the brothers is two kisses and a badly simulated oral sex scene but hey, at least you don't see anything to be too grossed out by. Some people pass this off as a gross film for people who get off on that kind of thing but I disagree. Just give it a try. I don't think you'll regret it.
Wusstest du schon
- WissenswertesLoosely based on Nick and Aaron Carter.
- PatzerWhen Harry pours Max a glass of wine the cork vanishes from the wine bottle between shots.
- VerbindungenFeatured in 2006 Glitter Awards (2006)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 15.247 $
- Eröffnungswochenende in den USA und in Kanada
- 3.938 $
- 20. Feb. 2005
- Weltweiter Bruttoertrag
- 15.247 $
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