A History of Violence

A History of Violence is one of those ultimately frustrating films which leaves you with the sense that it could have been something really special but never quite managed to pull it off. There's a great story here, one brimming with potential. But the movie never fully lives up to the promise of its story. This is certainly not a bad film by any means but it's not a great one either and you get the feeling it should have been.

The story revolves around Tom Stall, as played by Viggo Mortensen. Tom is a small-town Indiana family man. He owns a local diner, has a beautiful wife (played wonderfully by Maria Bello) and a couple of kids. He leads a very ordinary, mundane kind of life. Then one day there is an attempted robbery at the diner and Tom saves the day, becoming a local celebrity and a very reluctant hero. The national media even picks up on the story...and that is where the problems begin. After Tom's face is splashed across national television someone shows up in this small Indiana town looking to settle an old score with one Tom Stall. Only this man does not believe Tom Stall is actually Tom Stall at all. This gangster, Carl Fogarty (played with an appropriate level of creepiness by Ed Harris), is certain that he knew Tom Stall as Joey back in Philadelphia. Seems Joey removed one of Fogarty's eyes and then disappeared. Suffice to say Fogarty is not real happy about it. As sure as Fogarty is of Tom Stall's true identity, Tom is just as insistent he is who he claims to be, a simple, ordinary, small-town Indiana family man. Where does the truth lie? The heart of the film is in finding out.

So there's the setup. Quite an intriguing one I must say. Mistaken identity? Hidden identity? Either way, with the presence of an obviously dangerous man like Carl Fogarty looming, there are certain to be some chills and thrills along the way. But the film never really takes off. It kind of limps along, with an occasional spasm of brilliance, but it never really works as well as it should. There are certainly some very good moments, but not enough of them to forgive all the lesser moments. And there are plenty of lesser, some would even say pointless, moments sprinkled throughout. It's a great story and the cast, Harris especially, does a great job with what they are given to work with. But in the end the cast, and ultimately the film, are let down by the material. The story's there, you know there's a great film in that story someplace. But that great film never materializes. It's a good film, but one which leaves you wanting more, with the sense it was one good rewrite away from being truly special.

Cronenberg's adaptation of a Wagner and Locke graphic novel places a simple American family man, and his all-American family, into a new and disturbing context which has them questioning everything they think they know. Tom Stall (Viggo Mortensen) owns a little diner in a small town and has a nice house on the outskirts of town, where he and his wife Edie (Maria Bello) raise their two kids apparently living the American dream in their own way. One day at the diner, two murderers pop by at closing time for some cherry pie, and Tom's heroic defense of his diner, his customers and himself sets off a series of events that threaten his family, his sanity and his life. The eerie tension never lets up in this powerful examination of identity, honesty and violence.

David Cronenberg has directed some of my favorite off-beat films - the masterpiece Naked Lunch, Scanners, Videodrome. I have watched these films many times and I still find them interesting. I can't really call myself a fan, however, because there are also just as many Cronenberg films out there which I found difficult to get through the first time (Crash, eXistenZ, Dead Ringers). Cronenberg enjoys creating disturbing situations and imagery, and wants to get under your skin and to stimulate your mind on as many levels as he can. In most cases, he pulls it off masterfully, but sometimes, his emphasis on the bizarre can come across as pretentious and forced.

Like a lot of very creative and intelligent people, Cronenberg sometimes leaves his signature virtually everywhere in his work. And sometimes, a director needs to make a film which does everything they want to accomplish but leaves off the signature. For example - the brilliant David Lynch showed us his ability to jump out of his own skin with Elephant Man and The Straight Story. These are still very much Lynch films, but they also appeal to the wider audience of mainstream cinema-goers. A History of Violence is, in some ways, Cronenberg's most straightforward film. A key to its success is that it is very easy to forget that you are watching a Cronenberg film, no matter how aware you are of Cronenberg's many quirks, idiosyncrasies and trademarks. It is so masterfully directed that, although the plot is not entirely unpredictable, you are right there in the action with the characters and feeling what they feel so that, though you may know what's next, you never exactly see it coming and you never know how it will take you there.

Viggo Mortensen, in his best mainstream role since Aragorn, and Maria Bello (one of the actors who made The Cooler worth watching), head an impressive cast in this adaptation of a Wagner and Locke graphic novel. Nobody in the cast slips up at all. The script is intense, realistic, and probably did nothing to make the performances easy. The plot, if described without the plot and the context created by the script, would seem somewhat absurd, but like Woody Allen's Match Point, it's absurdity does not make it impossible to believe. Editing, directing and pure performance combine to make flawless performances for this cast. Backed up by veterans Ed Harris and William Hurt, and very strongly supported by the excellent Maria Bello, Mortensen is shockingly excellent in a difficult role. I can't explain why without giving too much of the film away. Although the rest of the cast did exactly as they were supposed to, I want to single out Ashton Holmes - an actor I was completely unfamiliar with but who I will look out for in the future.

I recommend A History of Violence highly. It is one of my top five reasons for considering 2005 to have been a great year in North American film.

I expected bloody senselessness and instead saw a film laden with the deepest human emotions. It was real. From youthful loving to hard violence, from simple innocent joys to the full depth of adult violence and sex, and ultimate redemption, this film has it all. Every piece of clothing and set, every camera angle and lighting propelled the story relentlessly. I was never bored, and never overwhelmed with overdone violence. Nothing was gratuitous. Viggo Mortensen proved he's one of the finest actors to come along in a long while. Maria Bello carries so much on her talented shoulders. With Mortensen she shines with alternately warming and heartbreaking truthfulness. Ed Harris was delightfully menacing, and William Hurt gave the liveliest and best performance I've seen from him.

This movie is about truth and redemption. It's the best film I've seen in a very long time. Kudos to Cronenberg, Mortensen, Bello, and all the cast and crew for what was for me a nearly perfect movie.

See it, then see it again. It's brilliant.

In the first fifteen minutes of "A History of Violence," we get a small town diner, a baseball game, and a sneering, varsity letter-wearing high school bully. Throw in an apple pie on a window sill and some kids saying bedtime prayers, and you've got the Saturday Evening Post. But this is the work of David Cronenberg, whose films so often explore the blurry – and icky – lines between biology and technology. So it's not surprising when this film, too, heads for the gray areas, this time between the sensibilities of Rockwell and Tarantino.

Small town diner owner Tom Stalls (Viggo Mortenson) runs the kind of place where you can eat at the counter, and "see you in church" is a standard goodbye. When he single-handedly foils a robbery and saves a few lives, then, the townsfolk are impressed and grateful, but not all that surprised. Tom is a Man, after all, and that's what Men do. But as David Lynch has taught us, pastoral postcard America often conceals deep weirdness and violence. The diner incident is of course big news in Anytown, USA, and Tom finds himself attracting not only local reporters who want to know "how it felt," but also the Reservoir Dog-type Mr. Foggerty (Ed Harris), who isn't surprised that Tom knows his way around a gun, and waxes nostalgic about good times in Philadelphia involving barbed wire and a guy named Joey Cusack. Foggerty seems to think Tom knows exactly what he's talking about.

Tom as "local hero" his family can handle, but after the Foggerty matter comes to a head, they do begin to wonder where these moves that would make Jeff Speakman proud are coming from. Perhaps more unsettling is the fact that they unconsciously sort of get off on their new image of dad. Junior soon finds in himself the will to flatten his jock tormentor, and wife Edie (Maria Bello) with some gusto acts out a rough rape fantasy with her hubby. Tom Stalls, indeed, but can't prevent the inevitable truth from coming to light nor catching up with him. That's shocking enough to his family, though maybe less so than the ways that knowledge affects them.

"A History of Violence" is fond of feinting toward familiar territory, only to veer away. Just when we think we've seen if before, in "Natural Born Killers," "Cape Fear," and the "just when I think I'm out, they pull me back in" tropes of countless mob flicks, it shifts its focus. For all its brutality, it comes across as a quiet movie. There is indeed more to Tom than he lets on, but less than his detractors might believe. He may be a liar in the strictest sense, but his protestations to his family and persecutors are sincere. The contemplation of violence, both pre and post-facto, rather than the acts themselves, drive the film. Whether the capability for, and indeed commission of, such acts permanently defines a person is left for us to decide. The film ends ensconced once again in small town tranquility, though this time seething with unspoken fear, accusations, and uncertainty. "A History of Violence" doesn't force itself with preaching or moralizing, but simply unfolds. It's another solid offering from the strong career of David Cronenberg.

FIRST.... Let us FOCUS on the Title´s content and context!

There is a great deal in this film that is lurking just below the surface! A History of Violence is quite another kind of story altogether! A unique combination of action, drama, suspense, and crime coupled with a suspenseful, intriguing, most interesting, and, at times, even a highly original and touching story. Personally. I think Viggo Mortensen does a spectacular job here in the lead role of Tom Stall, a man who would just as soon have everyone forget completely his dark and violent past! Mortensen (Eastern Promises) is one of the most highly underrated actors working today. More Details and Opinions in just a bit...........

Worth mentioning that I have a personal motive for taking a special interest in his career Here is something I'll bet quite a few of you don't know about King Aragorn.... He is one actor of an extremely select group, who was born into the English language and whose native language is English, but who has managed to acquire a very near-native ability in a second language, Spanish, so much so that he has played convincingly a Native speaker of Spanish in a handful of Spanish language films! Check out his acting filmography here on IMDb!

Just how does this involve me? Well, although I don't appear in films, in any language, I did not speak Spanish until I was 16...and now, after living in Colombia for over a quarter of a century, I usually pass for a native speaker!

VIOLENCE has a lot of other worthwhile things working in its favor. Excellent story and screenplay, plenty of suspense, and mostly outstanding performances turned in by other members of the cast... Especially William Hurt's award winning role. From me...VIOLENCE gets 9 well-deserved Stars!

9*********.... ENJOY! / DISFRUTELA!

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