Duane Hopwood

One of the perils of being known for a particular role is that its hard to shed that image. David Schwimmer, like the rest of the cast of "Friends" is not financially strapped for cash nor will he ever be. But as an actor, he's trying to break the mold of Ross Gellar (his character on "Friends") that he played for a decade. Of all the "Friends", Jennifer Aniston seems to have made the most out of the show – though all of them have had their ups and downs. I'm leading up to something, bear with me here…It was nice to see a major star like David Schwimmer in a very low-budget, independent film. Add to that the character he plays is the polar opposite of "Ross", it was a stretch for him and he did a good job with his role in "Duane Hopwood". The film was written and directed by Matt Mulhern, himself an actor most remembered for his roles in "One Crazy Summer" and "Biloxi Blues". What's most intriguing about the movie is that the director and stars are all mainly known for their comedic performances (Janeane Garofalo plays Hopwood's ex-wife).

"Duane Hopwood" isn't an easy movie to watch, any movie that deals with the problem of alcoholism is hit or miss. It's easy for actors to try and do too much in their "state" and try to ham it up for the cameras. Schwimmer takes the low road and lets us know that his character has a drinking problem, but doesn't feel the need to rub it in our faces. Duane Hopwood (David Schwimmer) is a casino pit boss at Caesar's Palace in Atlantic City. He's divorced and isn't too happy with his life. He gets pulled over for drunk driving with his daughter in the car and has his license revoked. His only means to get to work is via bicycle. Throughout the course of the movie, we see him try to rebuild his life – trying to reconcile with his estranged wife (only to finally accept that she's moved on). Like most people with a drinking problem, Duane won't admit that he really has a problem – yet it's evident to everyone else. His friend (and later roommate) Anthony (Judah Friedlander) is his inspiration. Anthony wants to be a stand up comedian and it angers Duane that he's following his dreams.

The real message in the movie is about starting over. I don't want to give away the ending, but movies about drunks can only end so many ways and most aren't too satisfying. I have to admit that I was pretty impressed by Janeane Garofalo's performance. She tends to play the same character in most every movie she's in and wit her bleached blonde locks, I hardly recognized her. And speaking of the cast, look for Dick Cavett in the small role of Fred another odd casting choice that seemed to work out. I don't know how personal this was to Matt Mulhern or if he's had problems with alcohol or substance abuse in the past, but as downtrodden as the script was; the performances were great and made the short running time spread out. As I mentioned before, the movie isn't easy to watch but it's quite rewarding.

As a father of a 9-month old perfect baby girl whose wife left him because of pretty much the same circumstances that Duane experienced (save for the DUI and the forced baseball bat incident), my question is why did he not fight his ex-wife's decision to relocate his daughters to another state for a guy who can barely make it at managing a gym? "We'll arrange visitation in a couple of months."!! No way.

Any real Dad who loves his babies would never smile, ride on a bike and in a funny costume next to a car carrying away his life, then attend a Thanksgiving meal and make a toast.

The movie, however, was a decent showing of how addiction destroys families. That part was accurate. Redemption was ignored.

Guess I was just disappointed because I wanted very badly for Duane to accept treatment, turn his ass around, and pursue this "second chance" that the trailer promised. Where was that second chance that was promised? Never came.

Matt Mulhern is an actor turned writer/director in this amazingly fine first feature film. If DUANE HOPWOOD is any indication of the storehouse of creative and gently profound films housed in Mulhern's mind, we have a major artist being birthed.

Duane Hopwood (David Schwimmer) is a loser: despite the fact that he is one of the most loving beings around, he is plagued by the realities of life - working a testy night job as a pit boss in Caesar's Palace in Atlantic City, failing to be present for a wife and two girls he loves but neglects due to his working hours and that has resulted in divorce, alcoholism, and failure to repair - he just can't make his life work. After a DUI arrest in which Duane has inadvertently jeopardized the life of one of his passenger daughters, is ex-wife Linda (Janeane Garofalo) is driven to prevent visitation rights to a man she recognizes is in truth a loving father who simply can't cope. Duane lives alone until his casino friend Anthony (Judah Friedlander), a would be stand up comic, asks to share Duane's home. Duane's bad luck follows him even when he is trying to give despicable people a fair break at the casino and hence loses his job. He attempts to date a kind Irish bartender Gina (Susan Lynch) but fails that role when he confesses that he still loves his wife. The ultimate blow comes when Linda and her new boyfriend Bob (John Krasinski) decide to move to North Carolina, a fact that means Duane will rarely see his beloved daughters. And his life continues to pall-mall despite all the loving hands offered by the good people around him.

The story has no beginning and no end. It is a slice of life about an Everyman racked by bad decisions, good at heart but unable to control his propensities, and the effects of addiction, divorce, and loneliness on a kind but bumbling soul. David Schwimmer gives a deeply moving performance, one that is so sensitively rendered that it holds mirrors to us all, making us love him as much as the people around him who stand by helplessly by as he spirals down the hole of self-destructive behavior. Janeane Garofalo likewise steps out of her usual silly chubby mouthy roles and gives us an injured but wholly understandable bruised woman: her acting is the finest she has ever given us. The entire cast (with some surprise appearances by some fine actors) is top notch, but in the end the kudos go to Matt Mulhern for offering us one of the best examinations of divorce and modern marriage with an eye that clearly sees both sides of trauma. This is an underrated, superb film that deserves a wide audience. Grady Harp

I went to rent a movie the other day and I saw this movie. At first this looked like a really ordinary movie but I had seen David Schwimmer in friends and I wanted to see him act in a different role. This movie was shown in the sun dance festival and I think David shcwimmer has done justice to his role. This movie is for any person who is alive today. This is about your daily life and how you go about it. Everyone has problems and every one tackles with them each day. Duane hopwood has done the same thing here. He has shown his life as it passes by each day. He has shown love for his family. I personally enjoyed this movie. This movie is at a higher level and by that I mean it has got lot of emotions in it and you need to look at each frame by frame to see what I am saying. If you have loved some one or if you are facing any problem in your life or if you think your life is not going where you wanted it to go then watch this movie and you will come to realize that it is not only you but there are a lot of people who have the same problem. This movie is anyones life. I highly recommend this film to all film watchers.

There's a certain tenderness that sifts its way through "Duane Hopwood", a post-Friends starring vehicle for David Schwimmer that navigates the tentative dialogue between alcoholism and the dark cloud that hangs not just above the individual, but those who surround themselves around the afflicted throughout their darkest days. Take comfort in them, as they are the saints who prop you up when you're down and show you life's little rainbows over the puddles of rain.

There's considerable sincerity in Matt Mulhern's second feature and credit has to go to its cadre of performers who are mainly made up of fairly well known stand-ups and comedians. They shed their onstage personas to become real people and it shows that the understanding they share also allows these actors to have better chemistry among themselves. Schwimmer, in particular, breaks his personal mould and gives a nuanced, careful portrayal of a man teetering on life's edge. His perpetual hangdog exterior allows Duane some measure of sympathy even through the most appalling decisions that he has made.

In one astoundingly bad decision, he drives his youngest child home while drunk and in the process loses the only things that has tethered his life together in an uncaring courtroom that does not deal in circumstances but the cold, hard facts of Duane's unforgivable mistake. That instance proves too much for his wife, Linda (Janeane Garofalo) to handle. She's not an uncaring woman in any respect, just a mother who does not gamble the lives of their two young daughters with the hope of her husband changing anytime soon.

"Duane Hopwood" does not make a caricature out of its titular character, and it does not pile on the disheartening melodrama out of alcoholism. While not concerning us with the issues of why and how Duane becomes who he is, it does specify that it's a whole different world for alcoholics especially the ones deep in denial. It truly excels in crafting a delicate and carefully drawn portrait of an alcoholic who's made mistakes in his life and has to find a way to live through them. Understanding in only a way that comes to those who observe life through fortitude, it's genuine in the sense of showing ordinary people in ordinary situations who react in ordinary ways. They cope and the film is thoughtful enough to refrain from putting cinematic spins on issues that are already inherently interesting.

Thankfully, it's mindful of not becoming too much of a downbeat, despairing approximation of Duane's life. Despite everything, he is surrounded by friends and family who still love and yearns for him to be happy. They never forget that he is a good worker, a good father and a good husband cursed with flaws that are slowly taking him over. It's frequent, but low-key sense of humour does hint of the redemption that waits around the corner for the wretched. "Duane Hopwood" is ultimately about picking up the pieces and moving on, and not about fixing what's broken.