DOA: Dead or Alive

In 1999, the martial arts movie was redefined by "The Matrix." What people forget is, the martial arts movie was previously redefined four years earlier, with the release of 1995's "Mortal Kombat." Of course, yes, "The Matrix" left everything before it in the dust. But for that 4 years, we had a short-lived champion... exciting action sequences, fair-to-cheesy dialogue, and a thumping techno soundtrack. It took something as historical as the Wachowski Brothers to knock it off its perch.

"Dead or Alive" features action sequences about on-par with "Mortal Kombat," dialogue scenes that are only slightly more painful, and the added presence of Eric Roberts, which takes two full points off its IMDb rating just for attaching his name to it.

I didn't hate DOA; it was miles better than "Mortal Kombat: Annihilation" and director Corey Yuen ("Transporter," "So Close") is certainly light-years better than Uwe Boll, if that even means anything.

Slightly better than your average rental, but not worth a $7 movie ticket. In 1996 this would have made a bundle, but today it's just something that might actually hold your attention on cable at 3 a.m. 6/10.

I love martial arts movies and in particular Cory Yuen films. No Retreat, No Surrender 3: Blood Brothers is a favourite. Having previously done great work with Jason Statham in The Transporter I had pretty high hopes. But I had reservations - this was a starring role for Holly Valance after all.

It wasn't everything I hoped it would be. Compared to the raw energy of Crank, DOA was committee film-making as usual. Colourful and featuring plentiful (reasonable) action DOA is only interesting in the opportunities it presents to draw comparison to others.

Borrowing stylistic and casting ideas from Charlie's Angels and Kill Bill, DOA is essentially Mortal Kombat and Streetfighter combined. Drawing parallels to Enter the Dragon too, there is nothing original or inventive.

Kane Kosugi benefits most from the choreography. He has a sequence on a flight of stairs which is brilliant and brutal - very similar to his scenes in his Japanese breakthrough vehicle Blood Heat. Elsewhere, while the film sexes up the concept of the tournament/video game movie, it's fatal flaw is that it's heroines don't convince. In Charlie's Angels they did.

Cory is notable for doing more than his share of fighting femme movies back in Hong Kong, including the recent So Close, but none are classic. DOA should have featured support from the likes of Cynthia Rothrock and Michelle Yeoh rather than Eric Roberts and Robin Shou. The girls are pure eye candy. Only Pressley comes close to credibility - because she has an impressive physique and attitude. Holly flutters her eyes at Coronation Street's Matthew Marsden while forcing an English accent. Devon Aoki lacks charisma.

The incorporation of the video game elements such as the character intros, K.O. freeze frames etc works really well and the costume design and production design brings the game to life brilliantly. You believe in the exaggerated world and that is key. But ultimately this is little more than a time waster.

A decent popcorn movie but nothing new for action fans.

As a fan of the DOA video games, it was in my nature to go see this film. Even though I knew it was going to be shocking, I was surprised (a bit).

Following the storyline from the games, DOA is about a fighting tournament held on a secret island were all is not what it seems. Princess Kusami (Devon Aoki) joins the tournament to find her brother. Tina (jammie Pressley) a distinguished womens wrestler joins to prove to the world she's not fake, like her "fighting style". Christie (holly valance)playing a sultry thief joins in order to steal a vault full of money, hidden on the island. Over time they meet other characters and they learn to work together in order to stop the main villain, Donovan (Eric Roberts).

Like most fighting video game/movies the really isn't much of a story and a few of the actors are below par (espesially from Kane Kosugi), I was really impressed by Holly Valance and Sarah Carter.

Most reviews can tell you that this is strictly for teenage boys, and I can tell you there right, through some racy shots of Holly valance and Jamie Presley. But what Impressed me the most with DOA is the fight sequences. Kane Kosugi has one of the best I've seen In a while on a flight of stairs and Sarah Carter and Holly Valance battle it out in the rain making it an almost glorified wet t-shirt Competition.

If your looking for something innovating form this genre, keep walking, but if your looking for a great way to spend and hour and a half with some friends, then see DOA.

Here we have yet another video game movie that makes me embarrassed to play video games. One comment here claims, "Teenage boys are going to love it" because of the plentiful T&A and ample dose of action, and while yes, we do love our sex and violence, we live in a society where these things are the norm. Personally, I like the boobs and fighting to be handled with some sort of art. The script is laughable, the premise is incredibly derivative (although this is true of the game), and the talent of the actors is essentially irrelevant. The fights seem to be a loving tribute or rip-off to other, better fight movies. The camera work is frantic and overworked. This movie felt like a 90 minute pilot for a bad 90s TV show starring Pamela Anderson.

Yes, DOA is pretty weak source material, but if you're going to adapt a video game, try to put a little effort into it. If I just want tits and gore, I can watch porn and hobo fights.

This film is about a group of fighters getting invited to a fighting contest. Along the way, they find out there is a plot behind it and they work together to fight the bad guys.

There are quite a few problems with the movie. The plot is implausible. The DOA logo gets an on screen appearance too much that is very annoying. The love relationships seem so poorly built up that it exists just for the sake of existing. Not to mention the numerous soft porn scenes that make the film look cheap. Oh, and Devon Aokiwears the same facial expression on her face all the time, and her dialogs are spoken in such a plain and mundane way that is devoid of any emotion.

However, there are good things about the film. The film is pure brain-off entertainment. The fight scenes are very well thought out and rehearsed. This alone makes the film fun to watch.