The Batman

One of the biggest disappointments to people is this show's animation and the radical looks of some villains (mostly Joker).

The animation was done very slick in a Japanese anime style to catch new audiences that are used to it these days. Let's be honest and remember that old DCAU shows changed their animation from "The New Adventures of Batman" to "Justice League" for the same reason.

The reason for more action is because of that stupid 65 episode rule. This gives limited time for story which I find disappointing, you can tell they were going for a story that would lead to a Dark Knight Returns kind of arc. The show seems campy at times(because of those damn rules child broadcasting has), but has more dark moments like it should. You can easily tell from the first two episodes that they had planned for a mob story-arc similar to Batman:Year One. Each season pretty much starts with a story that grows to a nice climax at the end(the same technique is done in Marvel's new series "The Spectacular Spiderman"). If you continue to watch the show, you can see how his detective skills grow over time. Remember we're watching a young Bruce growing into the Dark Knight the city needs him to be.

In BTAS he's been at it as Batman for a couple of years already, he's known as a detective, and is accepted by the police. This show has him on the vigilante side and Gordon doesn't come in until later. I love how we get to see more of Bruce having a social life and protecting his alter-ego, where in BTAS how do you not know he's Batman!? Kevin Conroy's awesome but his voice doesn't seem to change in and out of the cowl. The creators of the show took their own liberties to pay respect to BTAS and the shadow it will forever cast. The use of villains is good too, I like how they use the lesser known ones.

The visuals are stunning in the fight and chase scenes(you can tell they were pulled right out of Batman comics), sound quality is top of the line for an animated show too. You have a sense of life from Gotham too. Where in previous DCAU shows there would be so many fights in the city you'd ask yourself "where are the people?". I personally think Clayface was done well, but nothing beats how Dr. Hugo Strange is portrayed. I personally think this incarnation of him is used best (even better than BTAS portrayal). The fact that the villains can stand a fighting chance to Batman was always cool to me, I like how each one has their own fighting style. As a Bat-fan I disliked how the villains would do nothing but plot and you knew in the back of your head that in the end of the episode all it's gonna take is one punch from Batman to end it. Joker is always a subject of debate among people who see this show. To me not liking this Joker is like hating Heath Ledger's portrayal(his Joker was so radical that his skin wasn't even bleached), they both do a great job nonetheless. Personally I think Mark Hamill forever nailed the role.

Everything else was because of legal issues really. Robin appearing after Batgirl(because of Teen Titans ending), Batman not having a square chin and Kevin Conroy not doing the voice(because Justice League was still on at the time, Rino Ramano did a good job as a young Batman though), Scarecrow, Two-Face, and Ra's Al Ghul not appearing(because of them being in the new movies).

In a time where good cartoons are hard to find these days the creators of this show worked with what they had and did a great job at it.

This was a brilliant show and I can't see why people don't talk about it more often. Great design, great music, great voice acting, etc. And possibly the best version of Batgirl so far! Definitely recommend

Batman has a more slick animation in this series that focuses more on style and snazzy moves and action rather than heavy storyline. The Clayface storyline is one villain that is more in depth as far as plot and is well done taking a few twists and turns. Most of the villains he comes across know some martial arts which make for more formidable opponents. It is a change from Batman TAS and manages to have faster paced action and a few reinterpreted villains yet still maintains Batman's struggle to fight crime yet maintain his sanity. As one that loves Batman TAS, i still find The Batman lots of fun as it focuses on the action and gadgets a lot more and i find it quit amusing to even see penguin have a few martial art tricks up his sleeve (he does have an explanation) and i like his cronies. The series later turned a more camp style with an intro that sounded like the 60s Batman TV show which i wasn't too hip on yet the series still had some excellent episodes. I say quit fighting about which animated series is better and just enjoy both for what they give.

Argh, It's like so many people had done so much work for nothing.

Since the "Batman" TV show in the 60's, there has been an ongoing effort with comic book artists and even a couple of filmmakers to return the Dark Knight to his roots, rather than the "Pow!, Bam!" stereotype Howie Horwitz gave him and pretty much all comics. In such efforts, these people had brought up some of the finest pieces in fiction, the extraordinary stories by Dennis O Neal and Neal Adams, "The Dark Knight Returns" by Frank Miller, the first two Batman films by Tim Burton, and of course the fantastic "Batman: the Animated Series".

So now I look at the new "The Batman" on WB, with Adam West and Frank Gorshin as regular voices, all of the old voices and character designs thrown out in favor of the stylization from "The Jackie Chan Adventures" and ostentatious gadgets and vehicles that scream "Toys Toys Toys".

The methodical pace of "TAS"(The Animated Series) has been replaced by a rapid-fire quick change motif, suiting ever increasing attention spans, I'm sure. While in TAS, physical action might sometimes take a back seat to the stories,"The Batman" overflows with Kung Fu, Slow Motion, and Dramatic rapid-Fire Jump Cuts.

The Characters have been "Updated', Batman is no longer square jawed, but has a triangle for a head, Comissioner Gordon is gone. The Batcave has gone back in time about 35 years and is complete with Batpoles and the Apple-red support beams that were prevalent in the old Adam West TV show. The Joker now sports a colorful straight jacket and hair the size of Beachball rather than his stylish purple suit of years past.

While the 'Extreme' approach may appease those with no exposure to engaging storytelling, I prefer TAS, which had strong, character driven stories, a cinematic style complete with orchestrated music, references to the best of all the batman representations, not just Adam West, and most importantly, looked like an actual movie, not a toy commercial.

'The Batman' has flashy animation, color keys that don't variate, CGI, and a ton of flashy camera techniques. But I say that it's all frosting and no cake.

Other than the strange character designs, I don't see why so many people are bad-mouthing this show.

This is the lay down: Millionaire playboy Bruce Wayne (good voice work from Rino Romano) witnessed his parent's brutal murder by an unknown gunman, and vows revenge against crime by donning the scary image of a bat. This series depicts Bruce in his third year as The Batman. The police still do not recognize him as a hero, but a criminal vigilante and are trying to capture him and find out who he is.

The famous James Gordon has yet to appear in the picture, so the GCPD is headed by a non-nonsense police chief named Angel Rojas (played by Edward James Olmos), whose top priority is to capture Bats. Batman is also pursued by police detectives Ethan Bennet (Steve Harris) and Ellen Yin (Ming-Na). Bennet thinks Batman is a hero, but Yin thinks otherwise.

Since this is Batman's "early years" as The Dark Knight Detective, the "costumed freaks are just now showing up. Our caped hero finds himself clashing with the likes of The Joker (brilliant voice talent from Kevin Michael Richardson), Mr. Freeze (a cold-hearted Clancy Brown), The Penguin (Tom Kenny), and Catwoman (Gina Gershon) and other familiar bad guys for the first times in his career.

The journey goes on as Batman struggles to elude police capture and save the city from evil rouge villains.

"Bring On The Batman!"