Frankenstein

I thought that this movie was beautifully crafted .. acting was definitely above par for a Network made-for-TV movie. I guess that I left this movie feeling a bit unsatisfied. It seemed like too much of a "safe" pilot than a really movie. There was some conflict resolution, but the only resolution that was handed down in this movie was on a sub-plot .. leaving the evil villain to his own devices.. mysterious stranger is still mysterious and available to help. It reminded me of the Traffic miniseries .. too deliberately setup as a pilot for a full on series. Gave it a 5/10 as a movie.. if this does end up being a series .. i'll definitely add it to my tivo list.

I don't think these kinds of movies should be judged by the same standards as others. Compared to a full budgeted, generally more free, Hollywood movie, this movie lacks somewhat. Compared to something like The Langoliers, it's spectacular. Judge it on its own merits and it's certainly not a waste of time, the performances all around are excellent, stand-outs from Adam Goldberg and Micheal Madsen in my opinion, and it's got a plot that doesn't suck as well as some genuine twists. I'd say the production values are the best drawing points though, as this has the appearance of a big-budget, cinematic blockbuster, while most come off as cheesy and campy. There are worse ways to spend a couple of hours.

I probably shouldn't get after Frankenstein (2004) too much, since it was a made-for-TV movie that was supposed to be a pilot for a whole series, but that doesn't change the fact that it's just not good. Even without the unsatisfying cliffhanger ending, this Se7en wannabe still has a convoluted story and weak acting. I like Parker Posey, but this role just didn't feel right for her. And Adam Goldberg's constant wisecracks felt forced. It's also strange because this movie is only 88 minutes long, yet it really seemed to drag at times. I'm not surprised that this Frankenstein series didn't get picked up.

The film deals about the Detectives O'Conner(Parker Posey, Superman returns) and Sloan(Adam Goldberg, The Salton sea)are investigating grisly killings by a macabre serial-killer mutilating the victims. Also, a tough policeman(Michael Madsen, Free Willy)named Harker(homage to Jonathan Harker-Dracula) does inquiry on the horrific events. Meantime, she finds a mysterious man named Deucalion(Vincent Perez,Fanfan LaTulipe) who warns her about a megalomaniac Doctor(Thomas Kretschman, The pianist)named Victor Helios. Doctor Helios is actually Dr. Frankestein(originally created by Mary Shelley) still alive along with his sweetheart(Ivana Milicevic).

This television movie displays tension, mystery, thriller and eerie scenes when the murders and tortures take place. The film takes accent as the suspense as the terror. The plot for this TV picture was initially adapted by famous terror novelist Dean Koontz(Demon seed, Watchers, Phantoms) and attempted as a television series. Koontz was hired as writing credits and executive producer along with Martin Scorsese, but economic and plot disputes among Cable Network and Koontz, made both left the project, for that reason the screenplay gets flaws and gaps , furthermore,the movie final conclusion is ¨deja vu¨. The picture contains a creepy musical score fitting to the horror film by Norman Corbeil and Angelo Baladamenti, plus , a gloomy and sinister cinematography with frightening atmosphere by Daniel Pearl. The motion picture is professionally directed by Marcus Nispel, director of the much better ¨The Texas chainsaw massacre¨ and usually video-clips filmmaker and occasionally director, being his last film, ¨The pathfinder¨, also with dark and shady scenarios, as habitual in all his movies.

Dean Koontz's Frankenstein is an abandoned TV pilot that was deftly edited into a feature, and marketed thus. It absolutely kills me that the networks never picked it up, because it's a super imaginative, stylish beast of a story with an unbelievable ensemble of genre players and the direction of Marcus Nispel, a veteran of slick horror and fantasy. Oh well. If you can wrestle up a DVD like I did, or catch it on cable, it's good watching. It takes place nearly two hundred years after Mary Shelley's story, and we see that time has radically changed Dr. Frankenstein and his monster. The Dr., now called Victor Helios (the excellently moody Thomas Kretschmann) has preserved his youth through dark science, as well as that of his wife Erika (the stunning Ivana Milicivec), whom he has more twisted plans for, never giving his need for bizarre experimentation a rest. Meanwhile his creature, now a roaming Demi-human named Deucalion (Vincent Perez), hunts the good Doctor down, for revenge and possibly more. Their presence catches the attention of Detective Carson O'Connor (Parker Posey, demonstrating how well she fits into pretty much any genre), and her partner (Adam Goldberg). Meanwhile another, less idealistic detective named Harker (Michael Madsen oozes sinister malice) enters the fold with his own sick intentions. The plot takes care and attention or you will be lost; this isn't classic Frankenstein, it's dark and esoteric new spin with its own ideas, some of which are delightfully surreal and akin to artists like David Cronenberg and Guillermo Del Toro. It's got a distinct, ambient lighting scheme as well that sets the tone just south of conventional and gives it an eerie atmosphere almost like The Crow or Dark City. It's really a shame that no one saw the potential with this one to allow it to blossom into either a show or a franchise. At least this one got made though, and it's really worth checking out.