Füge eine Handlung in deiner Sprache hinzuAfter living on the tough streets of LA for a while, India hopes that every gay basher will meet his destiny. In this case Destiny is a black, 6 foot, high heel wearing, gun toting, drag que... Alles lesenAfter living on the tough streets of LA for a while, India hopes that every gay basher will meet his destiny. In this case Destiny is a black, 6 foot, high heel wearing, gun toting, drag queen with an attitude and a soft place in her heart for homeless gay boys.After living on the tough streets of LA for a while, India hopes that every gay basher will meet his destiny. In this case Destiny is a black, 6 foot, high heel wearing, gun toting, drag queen with an attitude and a soft place in her heart for homeless gay boys.
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India (a talented natural actor Joe Lia) is a young runaway from Colorado who has come to Hollywood where he can be the gay person he accepts he is. Living homeless under a bridge he is obliged to make his living as a hustler, and as we meet him he is participating in a demeaning pornography film at the smarmy hands of a cheating pornographer. After the shoot he is ambushed by two gay bashers and is saved only by the intervention of a tall, flamboyant black drag queen Destiny (Allan Louis) who gains India's respect and is invited to live with Destiny in her small apartment, a place she shares with other gay people in need such as the lesbian cross dresser Lester (Minerva Vier). Destiny sets down rules of the house: no drugs, be careful of straights, spend two hours a day naked in respect for your body, always use condoms, etc. and India settles in, feeling 'home' for the first time. Soon he meets another hustler Spencer (Lance Lee Davis) who is bent on killing his bigoted parents (just as India is bent on revenge for his pornography adventure), but who falls for India's loving attention and the two become lovers.
At the time of India's encounter with the gay bashers Destiny takes the coat of one of them for India's warmth, a coat which bears the basher's name Guy (Adam Larson) and address. India and Spencer decide to find them and take retribution, but when they confront Guy, India senses Guy's sexual proclivities and the three return to Destiny's ever growing 'family'. The manner in which the other basher intervenes and the changes that occur among the tenants of Destiny's home supply the predictable but satisfying end.
So why with all this praise does this film only rate 3 stars? There are production problems that prevent a higher rating: the sound is poor, the dialogue is often buried in ambient noise, the editing is choppy, etc. But the actors are surprisingly good given the fact that most are inexperienced. Allan Louis as Destiny gives a bravura performance, one of the finest roles of a drag queen ever filmed. There are some well managed sexual encounters and some frontal nudity (but only with Joe Lia and that is so in character that it works well): the chemistry between India and Spencer is palpable and credible.
But despite these minor flaws (each of which is imminently forgivable) this is a well-made film that shows the power of 'extended family' in the lives of gay youths at risk in a homophobic society. There is tenderness, there is comedy, and there is a solid amount of political statement! Recommended. Grady Harp
The opening credits almost turned me off - as though I was going to be watching some political piece, but instead turns into a believably realistic look at the prejudice that gays in general are often subjected to and manage to overcome.
Without giving anything away, I can tell you there is some acceptable eye candy - but presented realistically - the average gay guy vs some tweaked out gym bunnies.
Overall very satisfying and recommendable even as a date movie.
The major strength of the film is Lewis's deft performance as Destiny. His portrayal brings out both Destiny's power and her vulnerability. The viewer can sympathize with her while disagreeing with some of her judgments and admire her without adopting her attitudes wholesale.
The other outstanding element of the film was the music. It supported the action of the film beautifully without intruding and calling attention to itself.
Virtually everything else about the film was lacking. The dialog was uneven, sententious, and often artificial. The pace was ponderous, all the more so because of the long, dead silence between many of the lines. I suspect some of these silences could have been corrected by editing, but in many of the running takes, the actors simply didn't pick up their lines. Apart from Lewis, the actors were uneven at best in their performances.
Finally, the film looks awful and sounds worse. I finally gave up trying to find an appropriate volume and turned on the subtitles.
If one is looking for an angry gay film well-made on a low budget, one might settle on "The Living End." Because "FAQs" has a more promising premise, I couldn't abandon it. I really wanted to like it, but ultimately it was a huge disappointment.
See the world in a surrealist fashion through the eyes of a modern gay teen and thats where you get this movie. Every character has been caricaturized for your entertainment. This film is a modern gay Indi movie with 1960's batman style heroes. All thats missing is the "bam" and "pow" animations during the fight sequences.
So support your GLBT Indi film makers, try not to take yourself too seriously, relax and enjoy this film. And remember, kisses are louder than bombs ;)
Wusstest du schon
- VerbindungenReferences Erwachsen müsste man sein (1957)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Prends-moi
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 250.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.967 $
- Eröffnungswochenende in den USA und in Kanada
- 1.407 $
- 5. Feb. 2006
- Weltweiter Bruttoertrag
- 1.967 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1