Eine junge Frau, die sich von ihrem Freund unterbewertet fühlt, beginnt, ihre Sexualität mit anderen Menschen zu erkunden.Eine junge Frau, die sich von ihrem Freund unterbewertet fühlt, beginnt, ihre Sexualität mit anderen Menschen zu erkunden.Eine junge Frau, die sich von ihrem Freund unterbewertet fühlt, beginnt, ihre Sexualität mit anderen Menschen zu erkunden.
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I remember the main selling point for this was Neve getting naked. With the recent revelations about James Toback, it's impossible to separate the man from his work. Luckily, his work here isn't good and I'm not conflicted about crapping on this. I only feel bad for Neve Campbell. She was obviously trying to do an art indie as she searched for her place in Hollywood. The other notable is a cameo from pre-tattoo Mike Tyson. It may be one of his last appearance before his tattoo. All the cameo starting with Toback himself are disconnected. They make this guerrilla indie fractured like a student film. The central premise holds some problems mainly with the money. Surely, Vera would want a 50/50 split before the meeting. After getting paid, she could try to buy him off. The conflict could still happen after he finds out the secret but in a different way. The money part lacks credibility. Sadly, Neve's nudity is all that's left. Through it all, she somehow maintains her dignity which is far more than can be hoped for. Toback probably spent more time lining up cameo rather than writing a compelling script. Toback is unable to advance beyond his sad experience.
Neve Campbell is thoroughly charming and totally wasted as the lost, passionate rich girl. Bottom line, is that there will be thousands make off of her nudity in this flick. The nudity only consists of a shower scene. The sex scenes are little more than bumping and grinding and contrived, and I can only wonder if the talent were as uncomforable making those scenes as I was watching them.
But back to the erstwhile Mr. Toback, if you listen carefully to his voice early on, then you'll likely hear it in the other characters as well. His New York chatterbox cadence becomes tiresome.
I had hoped for better. Ms. Campbell is a major talent is one or two films away from breaking out super huge. Mr. Toback is also talented though this certainly isn't the work to pin his fame on. I wish them well in their future endeavors, and mourn for the eighty-one minutes I can never get back.
Most of the characters (or should I say caricatures - take the Italian mogul: did anybody find this man even remotely believable?) are without a shred of originality, and in the case of Ford, bear virtually no resemblance to human beings of the sort you or I might actually meet. It may be that his relentless hustling is *intended* to show him as a pathetic individual - but there is a fine line between depicting characters we may not like but in whom we can invest some interest as to their fate; and, as happens in this film, showing people who are irredeemably ghastly, and about whose fate we don't give a toss.
In Black and White, Mike Tyson had a very funny cameo, in which Robert Downey Junior's character tries to seduce him. Here, it looks as if Toback has simply raided his address book and shoehorned as many celebrity cameos as he could into what passes for the plot. Ooh, look, there's Lori Singer! Wow, there's Mike Tyson (again). Ooh, that really is Damon Dash! Toback's own performance as the "hilariously" named cross-cultural enabler is pure smugness in a bottle. The only honest moment is when he confesses to wanting to get into Neve Campbell's knickers. We can only speculate as to whether that is a case of art imitating life.
And Neve Campbell? Yes, she is good in this. She gets some decent dialogue to get her teeth into and delivers it with aplomb. I still think Wild Things is a better showcase for her talent.
The incident towards the end of the film was certainly unexpected; but then again, any idiot can make unexpected things happen in a film. The trick is to work up to it in *some* way. Toback is either incapable of doing this, or simply can't be bothered. The dénouement left me shrugging: so what? Who cares about these cardboard cut-outs?
Wusstest du schon
- WissenswertesNeve Campbell said in a 2006 interview that she loved stripping off onscreen and wasn't nervous filming her first ever nude scene for this movie. Her faith in the director James Toback had a lot to do with her willingness to bare all, but she also credited her maturity. "[The nudity] did make sense, so I didn't feel I was compromising myself. And I think also, I'm just a little more comfortable with myself than I would have been five years ago." The only weird part she admitted was being fully naked in a shower with the director, cameraman and two other male crew staring at her from just a few feet away. But she admitted she'd still go nude again if the right role called for it.
- PatzerThe painting that Vera is painting in her apartment early in the film is immediately a different painting when the camera changes angle, and then a few scenes later the painting reverts to its original form.
- Zitate
[Ford is trying to convince Vera to sleep with the Count for money]
Ford: I'm a mentor. I'm not a hustler. I'm a conduit, I'm a circuit. Listen... Listen to me very carefully. My whole mission on this planet right now in relation to you is to introduce you to yourself. You know that. You're a deeply sexual human being. You have major erotic power. The easiest thing, and the most selfish, would be to convince you to lend yourself to one person, even if that one person was myself. That would be suffocating to you, and ignoble of me. That's what a hustler would do, and I refuse to hustle. I'm looking to lead you down the path of Ovid and Sappho, D.H. Lawrence, Edna Saint Vincent Millay, to say nothing of the whole hip-hop revolution. It's the path of the Bible: "Seek and you shall find. Know thyself". You're so ready right now to open yourself to discover your capacity for multiple men; multiple in the sense of at least a few. Maybe not at the same time, but sequentially. And - I know I'm getting ahead of myself here and you might not want to hear this because you're at least a year away from being there - but at some point you gonna be ready to explore women. And enjoy them. They already desire you all the time; you're just oblivious to it. But that's down the road, let's stick to the present for now: all that I'm asking is that you meet the Count...
Vera: [interrupting him] Set it up.
Ford: [not believing his ears] Really?
- VerbindungenReferenced in Dinner for Five: Folge #4.2 (2005)
- SoundtracksString Quartet in F Major; Op. 59, No. 1 (Razumovsky)
Written by Ludwig van Beethoven (as Ludwig Von Beethoven)
Performed by The Budapest String Quartet
Courtesy of Sony Classical
By arrangement with Sony Music Licensing
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- Erscheinungsdatum
- Herkunftsland
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- When will I be loved
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Box Office
- Bruttoertrag in den USA und Kanada
- 159.429 $
- Eröffnungswochenende in den USA und in Kanada
- 29.103 $
- 12. Sept. 2004
- Weltweiter Bruttoertrag
- 159.429 $
- Laufzeit1 Stunde 21 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1