IMDb-BEWERTUNG
7,3/10
27.655
IHRE BEWERTUNG
Tony wird wieder aus dem Gefängnis entlassen. Dieses Mal hat er sich vorgenommen, sein kaputtes Leben zu ändern, aber das ist leichter gesagt als getan.Tony wird wieder aus dem Gefängnis entlassen. Dieses Mal hat er sich vorgenommen, sein kaputtes Leben zu ändern, aber das ist leichter gesagt als getan.Tony wird wieder aus dem Gefängnis entlassen. Dieses Mal hat er sich vorgenommen, sein kaputtes Leben zu ändern, aber das ist leichter gesagt als getan.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 15 Nominierungen insgesamt
Leif Sylvester
- Smeden
- (as Leif Sylvester Petersen)
Maya Ababadjani
- Prostituerende
- (as Maya Sørensen)
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After Refn made an unsuccessful English-language debut with 2003's "Fear X," he returned to Denmark to shoot parts two and three of "The Pusher Trilogy." But the new films aren't a continuation, and the layoff didn't dull Refn's ability to tell an engaging crime story. In "Pusher 2: With Blood On My Hands," the film explores a drug-dealer's former sidekick as he deals with new challenges in the world of crime, drugs, and becoming a father.
Frank's ex-sidekick from the first film, Tonny, wonderfully played by Mads Mikkelsen is fresh out of prison. Tonny is eager to prove his worth as earner and son to his crime boss father (Leif Sylvester Petersen), known as the Duke. Routinely called a loser by everyone he knows -- he practically invites abuse by sporting a tattooed "respect" on the back of his bald head. Tonny also tries to ingratiate himself with his recalcitrant father (Leif Sylvester Petersen), who can hardly trust him with anything. The back-breaking straw is the appearance of a baby that Tonny's old non-girlfriend (Anne Sorensen) claims is his. The bitterness and betrayal mounts as Tonny begins to wonder if he should rewrite his life, and the fate of the neglected infant.
At its core, the film about is about broken families and serves as a stark reminder of the lasting effects on our actions can have on future generations. Tonny's entire life has been spent on only one thing: trying to gain the approval of his father. And not only that he learns on his release that he is very likely the father of a baby boy, one so neglected by his junkie mother that he hasn't even been given a name yet. Refn is painting a bleak picture of a child without a chance. He is in complete control behind the camera, but this film belongs purely and simply to Mikkelsen. He is absolutely stunning, flawlessly embodying the insecurities and desire that drives Tonny. Against all odds, Tonny becomes a sympathetic hero in an increasingly tragic tale. It's not hard to spot the need that drives his self-destructive behavior: it's practically written all over his face - or at least the back of his head.
Frank's ex-sidekick from the first film, Tonny, wonderfully played by Mads Mikkelsen is fresh out of prison. Tonny is eager to prove his worth as earner and son to his crime boss father (Leif Sylvester Petersen), known as the Duke. Routinely called a loser by everyone he knows -- he practically invites abuse by sporting a tattooed "respect" on the back of his bald head. Tonny also tries to ingratiate himself with his recalcitrant father (Leif Sylvester Petersen), who can hardly trust him with anything. The back-breaking straw is the appearance of a baby that Tonny's old non-girlfriend (Anne Sorensen) claims is his. The bitterness and betrayal mounts as Tonny begins to wonder if he should rewrite his life, and the fate of the neglected infant.
At its core, the film about is about broken families and serves as a stark reminder of the lasting effects on our actions can have on future generations. Tonny's entire life has been spent on only one thing: trying to gain the approval of his father. And not only that he learns on his release that he is very likely the father of a baby boy, one so neglected by his junkie mother that he hasn't even been given a name yet. Refn is painting a bleak picture of a child without a chance. He is in complete control behind the camera, but this film belongs purely and simply to Mikkelsen. He is absolutely stunning, flawlessly embodying the insecurities and desire that drives Tonny. Against all odds, Tonny becomes a sympathetic hero in an increasingly tragic tale. It's not hard to spot the need that drives his self-destructive behavior: it's practically written all over his face - or at least the back of his head.
I really liked PUSHER, but PUSHER 2, is even better.
I just saw it and it's already one of my favorite movies of all-time.
Great character development in Tony's role, also his father is is very well portrayed without spending much time on that.
Also the cinematography and the direction are great, they should be taught in seminars on how to make a great action-drama-neo noir thriller. And the music!! The music is just amazing.
As a fan of all of Winding Refn's movies, this is up there with Pusher (1) and Bronson. A painfully realistic picture of the Scandinavian crime underworld, with very few winners and many, many losers ruining their lives. This movie does not hold back on anything - it's not the Hollywood glorifying tale about "career criminals" - it shows the reality of this life, with no honour and so many betrayals.
Tonny is a character from the first Pusher movie, this time just out of a jail sentence, returning to his former associates, with no money, no real friends and no assets whatsoever, seeking refuge at his crime boss father, who has always despised him and humiliated him.
Desperate to make some kind of livelihood and impress his dad, "Smeden", he turns to some old companions, only to find betrayal in return. He's not "tough enough", more sensitive and unsecure than others in his crowd, and pays a heavy price for it. There's no winners or losers here; It's the real world, and it will leave you emotionally drained after seeing it, but if you are looking for a realistic depiction of a modern criminal's haunting, gruesome and stressful life - look no further.
Desperate to make some kind of livelihood and impress his dad, "Smeden", he turns to some old companions, only to find betrayal in return. He's not "tough enough", more sensitive and unsecure than others in his crowd, and pays a heavy price for it. There's no winners or losers here; It's the real world, and it will leave you emotionally drained after seeing it, but if you are looking for a realistic depiction of a modern criminal's haunting, gruesome and stressful life - look no further.
Pusher II follows Tony after he is released from prison. Everyone seems to think he is a retarded bum. As the movie develops, it starts to turn out that Tony is much more than that. Tony evolves into an anti-hero, and you definitely get sucked into his character.
Pusher II is anything but a follow-up to Pusher I. As said in previous reviews, it's a film 'on it's own'. Frank from Pusher I is only mentioned briefly. A small appearance of Milo from Pusher I is also in place.
This is a great film with a lot of depth in the Tony character. It's flawlessly acted and the cinematography is gritty, just right for this kind of movie.
If you liked Pusher I, you'll like Pusher II. Pusher 3 is also coming shortly....
Pusher II is anything but a follow-up to Pusher I. As said in previous reviews, it's a film 'on it's own'. Frank from Pusher I is only mentioned briefly. A small appearance of Milo from Pusher I is also in place.
This is a great film with a lot of depth in the Tony character. It's flawlessly acted and the cinematography is gritty, just right for this kind of movie.
If you liked Pusher I, you'll like Pusher II. Pusher 3 is also coming shortly....
Our protagonist, Tonny, is an ex-con and general screwup who just about everyone dislikes, for good reasons. His father, girlfriend, co-workers and most of his associates consider him to be the biggest goober head around, and from his actions you won't think they are far wrong.
There is a lot of drug use in the film, but not much dealing, so the title is a bit misleading. However, the movie is good because of the excellent acting and the general zaniness of the plot; you never know what kind of mistake Tonny is going to make next. What's sure is that he will make one, and probably in the next couple of minutes. He's the kind of guy you can like on the screen but would be horrified to find living next door.
Mads Mikkelsen as Tonny is awesome; he's about as far from the part of Le Chiffre in Casino Royale as a character could get. At first I had a hard time believing it was the same actor.
Watch this when you're in the mood for a Danish gangster film featuring some madcap fun and general foolishness.
There is a lot of drug use in the film, but not much dealing, so the title is a bit misleading. However, the movie is good because of the excellent acting and the general zaniness of the plot; you never know what kind of mistake Tonny is going to make next. What's sure is that he will make one, and probably in the next couple of minutes. He's the kind of guy you can like on the screen but would be horrified to find living next door.
Mads Mikkelsen as Tonny is awesome; he's about as far from the part of Le Chiffre in Casino Royale as a character could get. At first I had a hard time believing it was the same actor.
Watch this when you're in the mood for a Danish gangster film featuring some madcap fun and general foolishness.
Wusstest du schon
- WissenswertesMany of the cast are not actors, but real criminals. Vasilije Bojicic from Bosnia, playing Vanja was in 2006 sentenced to eight years in prison followed by a deportation back to Bosnia for smuggling heroin across Denmark. He leaves three kids behind.
- PatzerTonny, his father and the henchman are sitting in a car, when Tonny is given the job to kill Jeanette. In a clip you see a train moving and disappear out of the picture. The next clip shows, where the train should be, but there is no train.
- VerbindungenFeatured in NWR (Nicolas Winding Refn) (2012)
- SoundtracksTarok
Written by T. Lønberg
Performed by Lovelight
Top-Auswahl
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.605 $
- Eröffnungswochenende in den USA und in Kanada
- 1.792 $
- 20. Aug. 2006
- Weltweiter Bruttoertrag
- 35.718 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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