Creature: It's a Killing Machine... From Outer Space

I've seen worse. Which is not exactly a compliment for this movie considering some of the utter garbage I have encountered in the last few months on the Sci Fi Channel and elsewhere. Nonetheless, while this movie was bad, it falls more under the rubric of the traditional bad Grade B movie which just rips off its entire plot, creature, setting and everything else from superior movies, but still manages to be mildly entertaining. Indeed if this movie had been the first of its kind, there would even have been a few laudable things to comment on -- the unrelentingly dark and creepy remote laboratory, a suitably vicious creature which kills in gory fashion (and looks like they spent a little money creating) etc. But as it is, its just one cliché after another. Its been done better many times before. But then again, its been done worse. If you want to see how bad a movie with "Alien" in its title can be, check out something called "Alien 51". Comparatively this is a work of art, and while I am glad I did not rent it, I am not entirely upset at having turned on the TV to catch it. For fans of the genre, not good, but not pluck your eyes out terrible either.

It became very apparent in this film that the government does control this facet of our media. I didn't quite see it at first, but as the film progressed I could see the embarrassing tactics of the government trying to be implanted onto the minds of our youth and sci-fi aficionados. I walked away from Alien Lockdown (possibly should have been running) with a stronger knowledge of how I should be a soldier. Here are the rules (from watching this film): 1) Never question why you are going into a darkened complex that has dead bodies that do not look like bullet wounds killed them. You know that it is not going to be an alien. 2) if someone says that you are not going to fight an alien on this trip … 9 times out of 10 you will be fighting an alien 3) shoot, then ask questions later 4) the prime objective is to kill, not question and finally 5) when all else fails, nuke 'em. Yep, following those simple five steps I could easily be a soldier too, but sadly I am not. I just thought we rushed too deeply into this battle. The creature probably was having some mothering issues with the doctor and hastily took it out on the overly aggressive soldiers. I ended this film feeling more sympathetic towards this creature than I did our own nation … is that bad?

Outside of the mindless soldiers who somehow followed every order without question and chose to never give us their names or emotional back-stories, this film was horrendous. There was some budget on this cinematic disaster that I was not expecting when I first placed it in my DVD player. I will be honest, I was taken aback when I first saw the budget. Riding low from the lack of budget in Alien 51, I thought this would follow the same fair. I was wrong. There was someone in this feature that knew how to use a computer, and while it may have been a Commodore 64, it was still appreciating to see. Sadly, that grew weak once we entered the locked complex. From not caring about any of the characters to jumping between moments of interest and filler, Alien Lockdown fizzled shortly after it took off. It started with an interesting premise that I thought they were going to expand upon, but that would have been wishful thinking. I think claustrophobia settled in during this film because I just couldn't get excited about anything that director Tim Cox presented to me.

The creature was definitely recycled from the film Alien vs. Predator and the characters just didn't go outside of their safety boxes. I knew nothing, nor did I care, about the creature killing the soldiers, because half the time I didn't even know their name. They were expendable to the director when they should have been bigger elements that would have led to a stronger story. Speaking of the story, there wasn't even one there. I am currently reading Make Your Own Damn Movie! by Lloyd Kaufman and in it he talks about not having a completed script while making your film because it allows you to put more into it later while making any adjustments. I do believe that director Tim Cox has read this book as well. Sadly, this was not a Troma production (which may have done a bit better), but instead a serious picture that had me shuttering throughout the night. With not having a completed script, I felt as if scenes randomly ended and left nothing up for further discussion. This only allowed the creature to continue to eat humans like they were going out of style. Again, I think what Tim Cox missed with this film was that he placed too much emphasis on the creature, and not enough on the human element surrounding the creature. I think if he would have taken a bit more time for the emotional element, he could have had a stronger story, better characters, and a more gripping picture. He did not, and thus Alien Lockdown just goes nowhere fast leaving us with a burning sensation in our eyes.

Overall, this film was a mess. The lack of story, characters, and development hurt more than it helped. This left plenty of time for director Tim Cox to spend on the creature, which it showed. While the creature was plagiarized from the Alien and Predator films, by the time that you get into this film you just don't care enough to argue. Mostly, what disappointed me about this film was the apparent disrespect to nature that Tim Cox showed. Not only with his decision to have the soldiers shoot the creature instead of question it first, but also with his ending that hurt more than just the creature, but all of humanity as well. This was a very pro-war, anti-question film that will subliminally hurt us in the long run. Films like these should be banned from our cinematic existence in hopes of creating stronger films that explore the depths of our minds. I do not suggest this film unless you are looking to remedy the pain of a root canal … then Alien Lockdown may be your relaxant.

Grade: * out of *****

As a veteran viewer of all Nu Image B movie crapola this was a very entertaining movie. The story is not that special, everyone that was renting flicks in the 80's and early 90's can dream a plot about an underground facility , a monster and a crack team of soldiers. However for B movie and certainly NU IMAGE standards the production values are high (sets, fx) and the cast is rather good. Especially the female lead that is convincing. Of course one could wonder what a James Marshall or John Savage do in these kind of movies. Monster is a ripoff of predator but the twist later on in the film with the beastie is rather nice. It is worth a rent and a view, you can do a lot worse with the infamous one word titles from nu image ( it is called Creature in the Netherlands) that seem to specialize nowadays in big ass creatures and is actually competing with UFO films in the race to be the king of the B movies.

In a top-secret military facility, a team of scientists under the command of Dr. Woodman (John Savage) are developing a "super soldier" blending several DNAs including alien DNA. When the experiment goes wrong, a group of elite soldiers are assigned by the military Anslow (Martin Kove) to exterminate the lethal creatures created by Dr. Woodman.

"Alien Lockdown" is another poor production of the Sci-Fi Channel. The screenplay is a mess, there is no character development, the cinematography is awful and the CGI of the predator-like creature follows the usual standard of this channel. My vote is three.

Title (Brazil): "Criatura" ("Creature")

The film begins with narration telling us about a meteor that crashed on Earth thousands of years ago. People in the area found a large emerald-like gem that turned out to have "special powers". Of course it changed hands over the years and yadda yadda yadda, finally ending up buried and only rumored to exist in legend. We cut to the present, and a team of archaeologists unearth a fabled crate/trunk/arc that turns out to contain the gem. Then, quicker than we can wink, we've changed plots and we're in a secret government mountain lair where scientists are working on a "super-soldier" that is a genetic manipulation of 100 different species, incorporating the traits of each that are most appropriate to killing things and surviving while being attacked. Of course, this beastie gets loose, and the bulk of Alien Lockdown concerns a Special Forces military group that infiltrates the secret government facility and attempts to take care of business. Eventually the plots are tied together more firmly, but it takes awhile.

Alien Lockdown is wildly uneven. Some aspects are excellent and other aspects are pretty miserable. At times it becomes unintentionally funny. But overall, this is an enjoyable little low-budget sci-fi/horror/action flick, primarily recommended for hardcore fans of that genre combination who try to see everything made.

For me, the most consistently positive aspect of the film was the lighting and cinematography. Through a combination of unusual lighting and film processing schemes, director Tim Cox achieves a very refreshing and aesthetically pleasing variety of colors and textures. Cox, by the way, was also responsible for another Sci-Fi Channel film that I enjoyed even more, Larva (2005), which also had interesting lighting and cinematography. Some scenes in Alien Lockdown have a golden yellow/brown/orange glow. Others emphasize different colors. Many lean towards monochromaticism. By the end of the climax, Cox has cinematographer John S. Bartley almost shooting in black & white, with just a slight tint. Colors are very important to the film--there is some important dialogue at one point about red and green. A more studied look at the film from a color symbolism perspective might prove revealing.

The cinematography is good for other reasons, too. For example, there is some very interesting hand-held work that is effectively employed to amp up the tension of a scene where two characters are trapped in a cage. And there are some unusual subtle touches, such as a pinpoint of light from a laser scope that stays on a character during a closely framed talking heads dialogue scene.

At the beginning of the film, I thought I was in for quite a treat. The film starts with a beautiful orange sky as we pan over dark mountains. Even though we next hear some slightly convoluted dialogue, which is usually a bad sign, the visuals remain attractive enough to override any mounting disappointment. The next scene is a very unique sequence of "warring Romans" silhouetted against a red background, then we move to the present (well, or questionably the future, due to later clues) and an Indiana Jones-ish adventure flavor. I was completely in the palm of Tim Cox' hand at this point; I was fully geared up for a relatively obscure 10 out of 10.

Unfortunately, things take a turn south not long afterward as we encounter what turns out to be the core of the plot--the super-soldier government stuff I mentioned above. Actually, this section isn't too bad until the Special Forces "commandos" arrive on the scene. There are a couple problems with this middle section of the film, the main one being that Cox and his army of writers do not let us get to know the characters except for the extremely attractive leader, Talon (Michelle Goh).

With such a collection of writers, you'd think there would be more of a plot to the middle of the film. But instead, we're treated to a series of random Aliens (1986)/Starship Troopers 2 (2004)-like scenes. There is a lot of searching through similar-looking corridors and rooms. There are a lot of weapons and "macho code talk". It had all the excitement of 30 minutes of padding.

To make this section slightly worse, the dialogue is riddled with clichés and ridiculous non-sequiturs. Take for example this "intellectual" exchange between Talon and token "evil genius" Dr. Woodman (John Savage, looking an awful lot like Brad Dourif to me):

Woodman: "This is a morality tale involving all of humanity. And you will be living out the first chapter."

Talon: "You better start making sense real fast. Stop with all this philosophical b.s."

Woodman: "After you've studied your humanities, and history, and mathematics at he levels I have, there is no other explanation. This is light against darkness, right against wrong, good against evil, only now, we are not dictating the rules!"

But things improve quite a bit again by the time we get to the climax, even though the monster is a not-very-veiled amalgamation of Alien and Predator--we even get a moment out of Alien 3 (1992) with a "near kiss" between the beastie and our heroine. There is good gore throughout the film, if you're into that, and the plot gets better as we learn of a couple double crosses that make the rest of the film more interesting in retrospect.