Ein ferpektes Verbrechen

El Crimen Ferpecto is absurdly funny from beginning to end. Rafael Gonzalez (played by a man who looks like the Spanish Dennis Miller) is a fearless lady's man from the moment he pops on screen and reveals his philosophy on life – he goes for what he wants, and he only wants the best. That's why he doesn't mind working at an upscale department store. He's constantly surrounded by perfect things and beautiful co-workers. His perfect world comes crashing down, however, when Rafael and his boss get into a brutal fight that leaves a clothes hanger in Rafael's throat and a coat hook in the back of his boss's neck. His ugly, sex-starved, co-worker Lourdes helps him dispose of the body and cover-up the murder, and then blackmails him for all the sex, love, and affection he can give. Just when you think Rafael's life can't get any worse, it does, and every new punishment Lourdes inflicts on him is better than the one before. Pure entertainment.

I saw this film at the 2004 Toronto International Film Festival. I knew I was going to enjoy this film from the moment a large rumpled man in a Misfits t-shirt lumbered onto the stage to introduce himself. "Hola, amigos. The person who is supposed to introduce me is not here. I am here but she is not here. She is in the bathroom." Director Álex de la Iglesia had us laughing even before the first frame of his film. While admitting that Ferpect Crime was just about the worst title for a film ever, he told us that this film was about a man who was so obsessed with living a perfect life that it was bound to cause problems. It's no surprise to learn that the director has a degree in philosophy.

Rafael works as a salesman in the ladies' wear section of an upscale department store. He's very popular at work, especially with the ladies, and he's very very good at his job. So good, in fact, that he considers himself a lock for the position of floor manager. But after losing the promotion to his hated rival Don Antonio, things take a turn for the worse and pretty soon Rafael has a dead body on his hands. His only help comes from the one woman he hasn't already bedded, the unattractive Lourdes. Before long, Lourdes has Rafael wrapped around her finger and his life is far from the model of perfection he has always pursued. As the plot thickens, the comedy becomes much darker and the film almost turns into a thriller. There is also a strong element of satire, making this much more substantial than the laughs would indicate. The conclusion ("lesson" seems too strong a word here) is that it's only after we give up our unrealistic expectations of living a perfect life that we can really begin to live at all. But if that's too heavy for you, then go just to see the scene where Rafael goes to meet Lourdes' parents. This film makes me want to see every other film by this warm and wickedly funny director.

(9/10)

This Spanish film, Crimen Ferpecto, doesn't sound so appealing based on its fairly typical plot. Rafael, a women's department manager at a Spanish clothing store, is a womanizer concerned only with his own personal advancement and achieving what he believes to be a perfect life, is thwarted by Lourdes, a sales clerk in the same store, and a rather unattractive woman, blackmails Rafael into a relationship, after discovering a secret Rafael cannot have revealed.

However, I was pleasantly surprised at how often I laughed out loud. Crimen Ferpecto moves at a fairly quick pace with lots of entertaining situations.

First off, both Guillermo Toledo, as Rafael, and Monica Cervera, as Lourdes are convincing in their portrayals. What makes their performances enjoyable is their mutual ability to create interesting dynamics within their characters. Rafael, is, essentially a boorish lout, yet Toledo manages to make him sympathetic at times especially as his entanglement with Lourdes get more and more complicated. By the same token, Lourdes, the "ugly" sales clerk, proves, as a twist on the character type, to be just as ugly on the inside. They are constantly sparring, as Lourdes tries to rope Rafael into marriage, and he tries to remove her from his life. While amusing, the sparring, as the film reaches its climax, does get a little wearing. The first half of Crimen Ferpecto working better then the latter half.

Also, a standout is Luis Varela as Don Antonio, Rafael's rival in becoming store manager. Without giving too much away of the plot, his character gets a surreal treatment and haunts Rafael as he attempts to deal with Lourdes. I thought some of the interplay between Rafael and Don Antonio were among the best in the film.

Crimen Ferpecto is light entertainment at it's best. It offers some genuinely funny moments that are well conceived and executed. Guillermo Toledo and Monica Cervera also give stand out performances in their roles as Rafael and Lourdes with Luis Varela, as Don Antonio, backing them up admirably.

After his latest experiment with new genres (no less than a western) with "800 balas", Álex de la Iglesia goes back to his habitual black comedies and proves he is still in top form. "Crimen ferpecto" is probably his most accomplished film so far, and surely the funniest.

Looking back at his oeuvre, there are very good films ("La comunidad" is still his best) but also average ones ("Muertos de risa" had its edge, but was pointless). "Crimen ferpecto" is the deserving follow-up to "La Comunidad", after the failure of "800 balas", and keeps showing the evolution of the director/writer towards creative maturity.

Guillermo Toledo plays Rafael, de la Iglesia's best leading male character so far. He is at his best playing this womanizer in trouble, elegant, seductive and utterly charming. He is accompanied by Mónica Cervera, who will certainly break through in this film after his impressive turn as a retarded young woman in "Piedras". She plays the wicked witch of the men's department, ugly, manipulative, evil but yet a character one can sympathize with.

The high point of this comedy is certainly the part in which the couple visits the girl's family (Gracia Olayo is brilliant in a bit part as Lourdes' mother), the audience could hardly stop laughing. The rest of the footage combines lighter comedy, dark comedy, thriller and even a little share of action.

It's a shame, however, that I could not be pleased by the ending. It's difficult to find a satisfying ending when one has sympathized with both Rafael and Lourdes, who both have played the roles of "good" and "bad" in turns. Eventually both of them get what they deserve, but is life really like that? I expected an edgier ending, but still appreciated "Crimen ferpecto" as one of the best comedies of the year.

Overall rating: 8/10

Rafael Gonzalez (Guillermo Toledo), is a salesman in the ladies section of a fashionable department store in Madrid who has it all: good looks, a sharp wardrobe, and a confident, brash manner that allows him to get his way with women and in the workplace.

Rafael has clear goals, too, the most important of which is to lead a "perfect life," and little patience for anybody who settles for less. Such a proud man, of course, is perfectly set up to take a fall and Rafael plunges very far indeed in this hilarious black comedy by Spanish director Alexis de la Iglesia.

Rafael's slide begins when a hated rival, Don Antonio (Luis Varlea), wins a coveted promotion. An argument follows and Don Antonio ends up dead. Rafael's role in the accident goes undetected by the police only because Lourdes (Monica Cevera), an unattractive coworker he has long ignored, helps dispose of the corpse.

Lourdes assistance comes with a price. She has long carried a torch for Rafael and uses the threat of police exposure to get her own "perfect life." She insists Rafael become her lover, meet her parents, and marry her. In short, Rafael is about to be trapped in the kind of dull, mediocre existence he has always mocked.

Watching Rafael try to escape from the world Lourdes plans for him – raising children in a badly decorated suburban apartment filled with clown paintings and spending evenings collecting ugly miniatures -- provides lots of laughter and entertainment and plenty of insights into contemporary Spain. In the end, each character gets what they want – but as usually happens in life itself – there is a clear winner and loser. Highly recommended.

9/10