Henry VIII

This production sinks immediately to the lowest common denominator of taste. The slow motion executions, the obligatory wedding night scene complete with subdued lighting through gauze, the extremely annoying and inappropriate music with vocal hooting, dramatic points preceded by the clomp clomp of the bodyguard marching in to the chamber of the next victim, the long gallop over the moors - or the beach, blood spurting onto the onlookers at the execution - and on and on. Not one lingering moment of opportunity to reflect on the enormous significance of Henry's reign. A complete waste of effort. Dumbing us down. Inaccurate, shallow, full of worn out techniques - avoid like the plague.

Good lord - the instant I saw Helena Bonham Carter appear as Anne in the first episode, I thought two things: one, she is definitely looking her "nearly forty" age, and two, she's at least four months pregnant! No one could miss her dress sticking out to *there* even if they tried, despite the voluminous material.

I knew it wasn't my imagination when I found this in her biography:

"Delivered her first child, a boy, Billy Ray, with boyfriend Tim Burton on October 6, 2003"

That would have been just after shooting Henry VIII. I've enjoyed Carter's work over the years, but still - there are a zillion terrific English actresses who could have done (and looked!) the part equally as well.

Bodice-Ripper Mentality

Henry as played by Ray Winstone is a brawling, bawling, beastly Bluebeard. I realize Henry VIII was a spoiled brat of a king, reigning at the time when being an absolute monarch meant something, but the Tudors were also craftily intelligent. This Henry just appears to be a demanding brute. There is very little attempt to portray his intelligence or his charm. He may have been king (and it's good to be king), but when he wanted to Henry could be charming. It doesn't come through here. The history itself is a bit screwy. Let's call it history lite. There is a bodice-ripper mentality to the writing. Let's get into the hairshirt with Katherine of Aragon or the sex with Anne Boleyn. Let's show brutal war at its most brutal. Yes, war really is horrid and the Renaissance Europe was a cruel place, but the feeling of this piece is not the historical value of violence and sex, but rather for their voyeuristic quality. It's a bit smarmy. The acting was melodramatic, relieved only by good performances by Charles Dance and Sean Bean and their characters die fairly quickly. This was 3 unpleasant hours that I don't want to repeat again. Classic classy British fair, NOT.

What makes this drama fail is that it is impossible to take seriously as 16th Century England. It has absolutely no feeling of authenticity - the sets are bright and tatty, the costumes (especially what some of the wives were wearing) looked like fairy-tale outfits, and all the way through it has this Hollywood-style cinematic music playing.

The writing is utterly atrocious. The drama simply follows from one wife to the next. It never really delves into any other aspect of Henry's life apart from his relationships with his wives, each of whom is portrayed into a flat, plain stereotype. The drama places undue emphasis on an uprising by Robert Aske, and Sean Bean's ending is so blatantly copied off his fate as Boromir in 'Lord of the Rings' it's embarrassing. Except for the lead, the acting itself is not bad, but the characters sound too modern (very soap-like) and Ray Winstone is beyond belief as Henry VIII.

Ultimately, 'Henry VIII' is not about history in either its style or substance, but is more of a soap-style drama on a par with 'Footballer's Wives'.

I second most of the comments already made about the historical inaccuracy of this program, but want to add yet another quibble: the scenes that purport to show the dissolution of the monasteries. What a bunch of hooey! I thought I was watching a scene from some movie of the Vikings raiding and pillaging the English coast. What actually happened was that inspectors were sent around and anything of value was methodically stripped and either taken for the royal treasury or sold; the monasteries were then pulled down, bells were melted, etc.; the monks and nuns were given pensions. It's true that servants were turned off without work, causing hardship; it's also true that those who were especially obdurate were tried and executed, but the slashing swords and burning monks fleeing from buildings were complete inventions of the filmmakers.

I just don't see the point--fiction is the name for this (not even historical fiction--just fiction).