Harvie Krumpet

I first saw Harvie Krumpet in my high school science class. That class is amazing at being loud and obnoxious. People are regularly yelling across the room, throwing stuff, blaring music at full blast, and generally making the teacher's job very difficult. In fact, earlier in the class, two students had got into a verbal fight, yelling obscenities at each other for what seemed like ages. So when the teacher told us he was going to show a little animated film that I had heard of, one called Harvie Krumpet, I was a bit weary.

Harvie Krumpet it a claymation short running in at about 20 minutes, that details the life of an extremely unlucky man. The animation is crude yet not without its charm, the music is sparse but quite appropriate, and the story is flat out bizarre. In short, it was something I assumed my class would talk through. But I was wrong.

In the beginning, everybody was a bit weirded out by the style, and didn't really grasp it. They quickly adapted however and were soon laughing out loud at almost every joke the movie flung. People went 'awww' at the cute moments, said 'poor Harvie' at the bad, and as said before, laughed at the funny. But the moment I knew there was something special in this short was near the end. The was a moment of uncertainty where there was complete silence. Not a soul was speaking, or even breathing. For the first time ever in that class, everybody was quiet. You could literally feel different emotions coming from everyone. And when it was all over, as everybody was walking out of class, I didn't hear one person who didn't have something positive to say about Harvie Krumpet.

And I think that's what makes Harvie Krumpet so great; it can invoke feelings in everyone, from all walks of life. Despite being so different from the norm, everybody could appreciate the simple life that Harvie lead. Never before have I seen a movie with such an ability as that. And I'm unsure if I ever will again.

I came upon this film by accident--the Australian production company approached my company to license music for "Harvie Krumpet", and after looking at Adam's earlier films we agreed. When I received a VHS tape of Harvie, I was thrilled, not just because of our music, (we got paid whether it was good or not) but because I felt a sense of discovery for a very unique talent and world view. Harvie's world of deadly boredom mixed with equal parts of magic and joy sets this film apart. It seems that Adam Elliot has a great mix of talent--an eye for clever animation with a mind for the daily collision of ordinary and extraordinary.

Geoffrey Rush is understated yet still expressive in his narration. But the film belongs to Adam Elliott with his sight gags and "what really is the difference between tragedy and comedy" mindset.

When I saw this short animation on the Monday night in question, I was surprised to see how such a sad story about a 'retarded migrant' could be so humorous. His story from a lumberjack's son to an animal- liberationist to an alzheimers patient is a well written and an entertaining one. I won't give away too much, but you will be pleased at just how entertaining this film is.

It definitely deserved the Oscar. I was quite surprised that it won, but then I saw the film and understood why.

If you every get a chance to watch it, take advantage of it.

I especially enjoyed the minor story about Harvie's doctor. Very clever.

This little Australian claymation production was an unlikely winner for best animated short at the Oscar ceremony for 2003, beating a pixar production and other anime-bigwigs. Which is ironic, because Adam Elliot's twenty minute short is about an underdog. Elliot has appealed to a popular Australian myth, that of the Aussie battler, and the underdog (who we Australians inevitably root for), as a way to make an Australian audience sympathise with a migrant from poland, and recognise a similarity between themselves an him. What makes this short clever is that it uses the form of a children's story, a fairy tale, to communicate a moving story of hardships and not seem to bash the audience over the head with them. It has the appeal of the wonderful Aussie film The Castle, where great profundity can be found through a story told very simply, about simple people, whose outlook on life is so admirable. The story Harvie Crumpet tells, and the character of Harvey, are, of course, very different. Harvie suffers so much, and so many terrible things happen to him, that you have to wonder what is the redeeming thing about this story that makes it worth watching (leaving to the side its marvellous presentation in the guise of a children's fairy tale, or claymation television program perhaps, which creates, as mentioned, a juxtaposition with its content which is effective in lending it a genuine feel, making the audience want to be touched by Harvie). And, of course, the thing that makes Harvie remarkable is that he survives. He doubts himself, like all of us, and at times wants to give up the game, but at the end of the day, he seizes what precious moments he has.

Geoffery Rush as narrator rivals Anthony Hopkins for his fairy tale narration in The Grinch. Reveals what a wonderful, Australian storytelling voice he has. He should do more work in this vein, not to undermine his appearances onscreen, which are also marvellous (particularly Shakespeare in Love and Shine, but like Cate Blanchett, and unlike every other actor in the Hollywood past and present, he is just fantastic in every role).

In just twenty three minutes we are told, with the help of Rush, the life story of Harvie Krumpet - and at the end, even though he's only made of clay, we really feel like we know him. And he's a little fella that stays with you.

Harvie Krumpet is a strange little man and life has never been on his side. This film tells his story and takes you on the journey.

The story is very well written and it mix drama and comedy very good. It is very funny, but still serious. The story is unique and original for a short film and it turns out quite good on the screen. The characters are charming and good. You really have sympathy for them and you get to know them. Especially Harvie. The animation is very good. It's stop motion clay animation in the best Nick Park style. It's very impressive. The narration by Geoffrey Rush is very good. I was skeptical when I saw that this film lasted for 20 minutes, but 20 minutes later I wondered where the time went. The film thrilled me and got me hooked and I was never bored. It turned and twisted and kept the audience interested.

All together a very good and very charming little short film about the outsiders in society. A movie well worth to watch.