The Da Vinci Code - Sakrileg

People seem to hate this movie for some reason, and I remember when it came out, it was really controversial in that it got many bad reviews.

However, years later around three years ago I caught it for the first time on basic cable, and I honestly didn't see what all the criticism was for. Not only was it immersive and intriguing, for the most part, but it had a pretty powerful ending and reveal at the end. It isn't great, so maybe the hype was what triggered so many negative reviews, but it also isn't bad.

I never read the whole book, but understood the premise. If you really want to enjoy this film, you probably should set the book aside and set beside any offense you may take as to the religious conjecture, and just view it as a mystery movie in and of itself. I really enjoyed the ending- the whole final fifteen minutes or so.

7.8/10

This was much better than I expected, and it is far from the worst film ever made. My dad loved the book, and he thinks the film did it justice, and at 17 I liked it. Though with all the different views on Christianity and the complicated plot, it is confusing and convoluted. The dialogue is a little clunky, the violence like the whipping quite disturbing, and the direction perhaps too leisurely. But this is compensated by the splendid locations, especially Paris itself, and the music by Hans Zimmer was very nice, if not his best work. The acting was pretty decent, though all have given better performances, and this includes Tom Hanks and Audrey Tautou in the leads. Jean Reno and Paul Bettany are pretty solid, but it is Ian McKellan, who is a great actor and rarely disappoints in anything he's in, who gives the best performance of the film. All in all, a good film, though it could have been better. It was cleverly constructed though confusing, and it is nowhere near as bad as people make it out to be. 7/10 Bethany Cox.

CAN WE PUT TO BED 'THE BOOK WAS BETTER'.

The book is always better because you fill in the blanks with your own imagination!!!

You all need to let go of this ridiculous measure for rating a film.

The story in this case is pretty good, the acting is mostly ok and its sets up an effective atmosphere filled with mystique.

Its a good film.

I can't say I was blown away by The Da Vinci Code - as is often the case, the book was far superior. I generally like Tom Hanks in almost all his roles, however I found that I had such a pre-conception of what Robert Langdon should be, that it took me about half an hour to get used to Hanks occupying this character. Once I settled into it though - it was a thoroughly enjoyable, occasionally slow moving thriller. Having read the book, I did have a knowledge of the various groups and factions involved - I'm not sure how someone who hasn't read the book will fair though. The casting of the movie is surely one of it's stronger points - Paul Bettany is almost unrecognisable and plays the menacing single minded Silas to utter perfection. Sir Ian McKellan too, it totally fantastic, and really steals most scene's he appears in. He delivers some great one liners too - a real character actor playing a real character. Audrey Tautou is as we have come to expect, just lovely, and who else could have played Bezu Fache - Jean Reno was made for the role. As you'd expect from a Ron Howard Production, there is a good amount of cheese, especially towards the end. Langdon's "Godspeed" caused me to awake in the night sweating! I am a fairly harsh marker on the IMDb, so don't be put off by a 6 out of 10 - I did enjoy the movie, but my anticipation was so great with this film, that it could never live up to my expectation.

If you take the most popular book in recent years, you should have the most popular movie since The Lord of the Rings, right? Wrong. Though the film was hotly debated, its cinematic quality and popularity aren't nearly as high as one would expect. Amid protests, pending lawsuits, and outright denouncements by Catholic officials, Ron Howard released his adaptation of Dan Brown's novel, The Da Vinci Code.

American symbologist Robert Langdon (Tom Hanks) and French cryptologist Sophie Neveu (Audrey Tautou) are on a trans-European quest to solve riddles left by Louvre curator, Langdon's hero and Neveu's grandfather, Jacques Saunier, as he lay dying. The riddles and subsequent quest allegedly lead to the true identity and whereabouts of the famed Holy Grail. Hot in pursuit of the thinking man's Bonnie and Clyde is Javert-ian French police captain Bezu Feche (Jean Reno), intent on pinning the murder of Suanier on Langdon and Neveu, and albino monk, Silas (Paul Bettany) under the command of a mysterious telephone voice known only as The Teacher.

With a pedigree such as the most popular book in the world, two Academy Award winners (Hanks, Howard and writer Akiva Goldsman), French film superstars (Tautou and Reno) and Gandalf (Ian McKellen), you'd wonder how such a film could fail.

Well, how about the miscast of Howard as director. Howard lacks the vision to properly adapt the novel and bring it to life. Some of the blame does go to his Cinderella Man scribe Akiva Goldsman for not writing a fitting script. But Howard's awkwardness is more prominent. If we were going to pick name directors for this film, Steven Spielberg would have been better choice, but I think David Fincher (Se7en and Fight Club) would have been perfect.

The whole production felt rushed. Having just read the book, a lot of plot points were fresh in my mind, and that may have clouded the comprehension of certain things, which I think Howard and Goldsman were counting on. Looking back on it, the first 30-45 minutes were very rushed, and I don't think things were adequately explained. They were still referenced and used in the movie, but not explained well. It suffered from the, what I call, Godfather syndrome: referencing things from the book at the wrong time. They could have taken their time with the film, and it would have told the same story, and been a lot better.

Hanks was out of place as Landon, our hero. He doesn't have or project the same presence about him that Langdon should have. Might I suggest seasoned conspiracy theory veteran David Duchovny? As with Mission:Impossible:III, the supporting cast was impeccably put together, and the one true weakness of the cast is unfortunately the keystone (maybe it's just a bad year for actors named Tom).

Slightly better than your average summer fair, but still doesn't hold up when put against the equally action oriented yet wholly more insightful X-Men franchise.