Füge eine Handlung in deiner Sprache hinzuChantal is a hot, naive and dangerously delusional young woman, wandering the boulevards of L.A. looking for her first big break. There she meets Tracy who warns of the harsh realities lurki... Alles lesenChantal is a hot, naive and dangerously delusional young woman, wandering the boulevards of L.A. looking for her first big break. There she meets Tracy who warns of the harsh realities lurking beyond the glamorous facade of Hollywood.Chantal is a hot, naive and dangerously delusional young woman, wandering the boulevards of L.A. looking for her first big break. There she meets Tracy who warns of the harsh realities lurking beyond the glamorous facade of Hollywood.
Erin Brown
- Chantal
- (as Misty Mundae)
Wayne Edward Sherwood
- John - sleazy casting director
- (as Wayne Sherwood)
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10dogkat
Do not miss Tony Marsiglia's stunning remake which features an utterly superb central performance from Misty Mundae as the innocent, wide-eyed titular character who dreams of becoming a movie star. However, she soon finds that far from being laced with tinsel, Hollywood is loaded with manipulative predators all too eager to lend a helping hand.
In some ways, this is Marsiglia's most straightforward film in terms of storytelling. There's none of the confusing narrative that characterized his previous release, Sinful, or the more dreamlike sequences in the excellent Lust for Dracula (Director's Cut). However, there are one or two moments of weirdness. For example, having been turned away from her first port of call, Chantal decides to lower her sights and enters the bowels of a decrepit hotel presided over by the creepy Pablo (Tony Marsiglia). On finding that she doesn't have enough money for a room even in this hell-hole, Pablo offers her a deal: he'll keep her suitcase and belongings with him, but he'll allow her to take two items with her. "Not the pink ones," he rasps excitedly like an obscene phone caller in imminent danger of a heart attack.
There are fine performances from the supporting cast. Darian Caine as an aggressive lesbian photographer gives perhaps her best performance to date with Marsiglia favorite, Andrea Davis, as her co-defiler. They subject the witless Chantal to their forceful attentions in a powerful scene that is harrowing to watch. Julian Wells also turns in a fine performance. Here, she plays an actress wannabe who's already been put through the wringer and is now reduced to turning tricks on the street.
Also present on the DVD are a behind the scenes featurette and an interesting audio commentary from Marsiglia and producer, Michael Raso. However, the icing on the cake is a fascinating, separate audio commentary from Tony Marsiglia and Misty Mundae. Aside from the business of 'Chantal', Misty speaks about her decision to stop making softcore films. She admits with refreshing honesty that since making Masters of Horror: Lucky McKee - Sick Girl, offers of acting work that she's been willing to undertake have not been numerous.
'Chantal', for me is a ten star film, but the extra features give this package a twenty star rating. Misty Mundae fans should consider it a must-have.
In some ways, this is Marsiglia's most straightforward film in terms of storytelling. There's none of the confusing narrative that characterized his previous release, Sinful, or the more dreamlike sequences in the excellent Lust for Dracula (Director's Cut). However, there are one or two moments of weirdness. For example, having been turned away from her first port of call, Chantal decides to lower her sights and enters the bowels of a decrepit hotel presided over by the creepy Pablo (Tony Marsiglia). On finding that she doesn't have enough money for a room even in this hell-hole, Pablo offers her a deal: he'll keep her suitcase and belongings with him, but he'll allow her to take two items with her. "Not the pink ones," he rasps excitedly like an obscene phone caller in imminent danger of a heart attack.
There are fine performances from the supporting cast. Darian Caine as an aggressive lesbian photographer gives perhaps her best performance to date with Marsiglia favorite, Andrea Davis, as her co-defiler. They subject the witless Chantal to their forceful attentions in a powerful scene that is harrowing to watch. Julian Wells also turns in a fine performance. Here, she plays an actress wannabe who's already been put through the wringer and is now reduced to turning tricks on the street.
Also present on the DVD are a behind the scenes featurette and an interesting audio commentary from Marsiglia and producer, Michael Raso. However, the icing on the cake is a fascinating, separate audio commentary from Tony Marsiglia and Misty Mundae. Aside from the business of 'Chantal', Misty speaks about her decision to stop making softcore films. She admits with refreshing honesty that since making Masters of Horror: Lucky McKee - Sick Girl, offers of acting work that she's been willing to undertake have not been numerous.
'Chantal', for me is a ten star film, but the extra features give this package a twenty star rating. Misty Mundae fans should consider it a must-have.
Typical girl next door comes to Hollywood to be a star. I have a soft spot for these types of movie.
There is always something that set them apart from one another. You have the impression, a little tweak here and there, this movie could be so much better. The movie attempt to show the gritty, seamy and hedonistic side of the Hollywood falls short. The plot and pacing drags. The bright spot: I did find myself caring about the lead actress Misty Mundae/Erin Brown. To watch her progress as an actress from soft core to B movie is fascinating. I believe is the principle cause for the restraint in the movie. A bigger budget and the commitment to being more gritty; a much better picture. A Misty Mundae fan? You might find it interesting.
There is always something that set them apart from one another. You have the impression, a little tweak here and there, this movie could be so much better. The movie attempt to show the gritty, seamy and hedonistic side of the Hollywood falls short. The plot and pacing drags. The bright spot: I did find myself caring about the lead actress Misty Mundae/Erin Brown. To watch her progress as an actress from soft core to B movie is fascinating. I believe is the principle cause for the restraint in the movie. A bigger budget and the commitment to being more gritty; a much better picture. A Misty Mundae fan? You might find it interesting.
This was worse than awful.........the acting was horrible, the characters to ridiculous to even be close to being real, and the plot was crap. Sounds like I didn't like this much huh? It would be a miracle if anyone did. I have seen some crap movies before but this one has to near the heap of the s**t pile. If Chantal had been as silly as portrayed in the movie then she wouldn't have even been able to find her way to Hollywood. This is seriously a laughable joke of a "movie". What were the people who made this thinking?........and the actors?......Good God did they even pay attention to the script and their lines? Surely they saw what a load of fermented crap they were acting in? Hmmmmm they were probably told it was artistic and the end result would make them famous.........ha ha ha maybe they are all Chantals?
I watched the "Tubi cut" of this junk. Apparently most of the sex and a lot of the nudity was removed from this version. This leaves exactly nothing of value or interest. Really, given the lack of talent in direction, cinematography and screen writing, coupled with the abysmal cast, we really can't be missing much.
The actors are horrible. The dialog is laughable and the whole thing is shot in closeups, apparently with a hand held Betamax camera.
This intended to be soft core entertainment. If that's what you are looking for, there are myriad better options. Don't waste your time. You can easily do WAY better.
The actors are horrible. The dialog is laughable and the whole thing is shot in closeups, apparently with a hand held Betamax camera.
This intended to be soft core entertainment. If that's what you are looking for, there are myriad better options. Don't waste your time. You can easily do WAY better.
I liked thoa one and as always Erin Brown was good ,pretty good indie flick.
Wusstest du schon
- WissenswertesShot in five days.
- VerbindungenRemake of Chantal (1968)
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Details
Box Office
- Budget
- 60.000 $ (geschätzt)
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