Land of Plenty

A realistic and sensitive portrait of near reality after September 11. Not a manifesto, not a pledge. Only a fine, inspired work, mixing, in inspired manner, fears, traumas, family connections, death, paranoia and deep poverty, splendid performances and the courage to assume the truth. I adore the bitter delicacy, the honest, profound perspective, the air and the great job of Michelle Williams and John Diehl and the force of talent and exploration of nuances of Wim Wenders. Short, a beautiful, touching work.

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There isn't too much to like about Wim Wenders' films over the last twenty years. There have been a few bright spots, but for the most part, Wenders' obsession with America has gotten the worst of him. In his prime, few directors since Antonioni were as adept at depicting inner monologues through silence. Wenders' characters were complicated men of few words.

Over time Wenders love affair with America somehow convinced him that the 'less is more' approach was failing. Wenders threw his greatest strength out the door and substituted it with what would become, over time and many films, his achilles heel: big ideas.

The characters in Land of Plenty aren't really individual people, they are ideas. These characters represent something grander, something excruciatingly ambitious: the American conscience. Lofty goals of this sort often end up as preachy and pretentious and LOP's screenplay is just that. Shot on the cheap, on digital video, LOP feels like noble idea rushed into production without the benefit of enough revisions to weed out the heavy handedness. Films concerned with the traumatic effects of 9/11 are compelled to be both profound and reverential, the problem is profound and reverential seldom make for a worthwhile movie going experience. If there was a rating system based on the number of American flags displayed in a movie, LOP would score full points, as it is, LOP rates very low.

This is for me the most coherent of the Wim Wenders films I've seen and it's to-date the best attempt to depict post-9/11 America on film. The not-so-subtle symbolism, the superb acting (especially by Michelle Williams), and moving story line, which concerns an attempt to give a homeless Pakistani man a decent burial after he is gunned down in a drive-by shooting, come together to paint a portrait of an America left stunned and somewhat confused.

I was moved by the one scene in which John Diehl's character Paul is informed by his friend that "It's not who we thought," and we see on his face, the hope fading away of ever finding any relief for his vague need for some kind of justice--and this is mirrored by the fading desert sun in the background.

I agree with the other reviewer that these completely American characters may make sense mostly to non-Americans--but that's only a result of the films unflinching objectivity. Watch and learn.

This is a sort of anti-Wenders film. While most of his films are uplifting, beautiful and spiritual, _Land of Plenty_ is a brutal and unpleasant exposé of American paranoia. It's very well done, and it's frighteningly accurate. Still, I can't imagine any Americans will enjoy watching it.

If you're in denial, then you will be offended by this movie (like most of the negative reviewers here). So don't bother.

If you're familiar with the paranoia and bigotry that has enveloped this country then this movie will upset you, just as if you had a big wart on your nose, and someone made a film about it. So don't bother.

I believe the only people who could possibly enjoy this film are objective (non-American) viewers who do not feel the shame that this movie exposes.

I'm rating this film an 8 because it was well done, but I can't recommend it to anyone. It was just too excruciating for me (as it should be for all Americans who share the burden of what our country has turned into). Another film which falls into this category is _House of Sand and Fog_ which one critic called "the feel-bad movie of the year".

This movie made me feel like crap. Now if you'll excuse me, I'm going to go watch _Lisbon Story_ 1000 times and try to recover from this.

Superb film. The digital gives the footage a nice effect. There were some great tight shots, and then wide angle landscape. A lot of effort has been put into the paranoia paraphernalia of Paul, and the way Wenders brings this out. I simply adored the way Wenders slotted the characters into a simple plot. I thought the character of Lana was a touch stale, but since she was meant to be the pacifist missionary I'm not sure how else the part could have been played. The social conditions present in the story did tend to be a bit reductionist and instructive, but far from annoying. I will agree with previous comments that it will appeal to European audiences more than American. However, I would disagree that the characters would have been like that before 9/11. It is precisely this tragedy that launches Paul into his hyper-paranoia, the beginnings of which emerged after his experience in the Vietnam war. I did laugh many times at Paul's lunacy. While very different characters, I enjoyed following the film through the eyes of both Lana and Paul. This film is ultimately a Wim Wenders comment on the US, pre and post-9/11. He deserves congrats for tackling the subject, and admiration for the way he went about telling some sides of the story. I will prefer this film to any Moore production, any day.