Heights

Progressive relationships and theatricality figure in this contemporary character study set in Manhattan wherein four main characters that are at or approaching some "height", either professional or personal, interact in ways that threaten their dreams and ambitions.

Diana (Glenn Close) is a lover of Shakespeare who teaches theatre to students. Her daughter Isabel (Elizabeth Banks) is a photographer. Isabel is engaged to Jonathan (James Marsden) who has some well-kept secrets. A struggling young actor named Alec (Jesse Bradford) auditions for Diana; she learns that he lives in the same building as Isabel and Jonathan. Diana invites him to a party. Unplanned circumstances and the interrelationships of the various characters conspire to render assumptions not valid, which in turn forces everyone to alter their perceptions about themselves and others.

In lesser hands, this material could easily descend into melodramatic soap opera. But here, the technical execution is sufficiently high quality to avoid that pit.

The film's lighting and music create a mod, artistic look and feel. The film starts off in a lighthearted mood; the second half is darker, more somber.

There are some good photographic shots of Manhattan, both exterior (the Woolworth Building, for example), and interiors (the Cherry Lane Theater and offices of Vanity Fair). Some scenes take place on building rooftops, a visual reference to the story's internal theme.

You won't find anything especially new or original, insofar as concept or story. It's the quality of execution in writing, direction, acting, editing, cinematography, costumes, and production design that renders "Heights" a credible film, one that is easy to like and worth the time to watch.

What I like about this film is that it moves like a panther. I feel like I'm outside of it but close enough to smell it. There is lots of intimacy and wonderful performances by everyone, some of which weren't fully comprehensible until the end. Glenn Close is an amazing person to watch doing anything and it was a double treat to see her, in dark hair no less (which I loved), playing an actress going in and out of character all of the time. Elizabeth Banks grew on me - at first, I just wished it were Parker Posey (whom she reminded me of at first). But, as the film developed and I could get over that resemblance, I enjoyed her performance. Jesse Bradford, who has been showing up in a lot of interesting roles the past few years, was notable as always. I liked George Segal as the rabbi without a clue until his being exactly where and what he needed to be when it really counted. Another thing about the film overall which I really liked was that the gay, straight, and everyone in between characters were all so much more real than they usually are in film. They were all over the map and that's where we all are in real life so it was a pleasure to see that. There were nuances on top of nuances and that, too, is what most of us experience but rarely see on film. James Marsden was great as Jonathan from the beginning to the end. I really liked Rufus Wainwright's character Jeremy... reminded me of a good friend of mine. There are too many good moments in the film to list them all.

'Heights' takes an intimate look at urban lives in New York. The movie centres around four characters: a passionate actress, a photographer and her fiancée and a struggling actor who moonlights as a waiter. Each of these characters are lost and isolated in a crowded New York. Jonathan and Isabel are engaged and only days away from getting married but, while on the surface everything appears to be okay, their relationship is very dysfunctional. Diana is a respected actress who is liked by everyone but she too craves for intimacy that she hits on pretty much anyone. The hardworking Alec is obviously struggling to become an actor in a city of struggling artistes yet he manages to get through the day while being in a secret relationship. Amy Fox has done a fine job in the writing department. The film is based on her play and the subtle way in which she peels the layers of each character comes across very well on camera. The cinematography is superb as it captures the shots very photogenically. Terrio clearly knows how to select the right locations and to present them on screen. 'Heights' also highlights the marvelous performances of its four leads. I've never particularly thought of Glenn Close as hot but here she looks absolutely stunning. Her nuanced portrayal of Diana is a knockout. Elizabeth Banks is terrific as she downplays Isabel while James Marsden is outstanding as the troubled and conflicted Jonathan. Jesse Bradford is notable in a tricky role that is a surprise element to the story. 'Heights' may not be everybody's cup of tea but it is an absorbing human drama for those who are looking for something more than mere entertainment. It is a little slow in the beginning but as we know more about the characters, we feel more involved.

Often a film succeeds because of the story, or the writing, or the cast, or the direction. HEIGHTS succeeds brilliantly because of the combination of all of these elements in one of the finest films of the past few years. Beginning with the play and screenplay by Amy Fox, and as carefully and lovingly directed by Chris Terrio with a sterling cast, this film works its subtle magic of a story about serendipity and coincidences and how these alter our lives by accidental occurrences. Or are they accidental? Each of the well-drawn characters in this story is functioning at a level that involves the masks behind which we each hide our personal secrets or idiosyncrasies: each character is either at a 'height' or approaching one, and it is the interplay of these disparate people that creates phrases of music which ultimately combine in a series of themes and variations like a well-composed work of chamber music. And this all occurs within a twenty-four hour period in Manhattan.

Diana (Glenn Close) is the reigning New York actress currently preparing a production of 'Macbeth' with friend director Henry (Eric Bagosian) while simultaneously giving Master Classes at Julliard to a group of acting students who she declares lack passion! Diana's 'height' is challenged by her current anxiety over her open-marriage husband's rather serious affair with one of her students. She holds auditions and a young, struggling, and handsome actor Alec (Jesse Bradford) catches her interest and she sees in him the passion she craves and invites him to her party that evening. Alec, fearful of his chance at his 'height', hesitantly accepts.

Meanwhile Diana's photographer daughter Isabel (Elizabeth Banks) is fired from her portrait job only to be offered an important gig in Eastern Europe by an ex-lover, offering Isabel a chance at her own 'height'. Isabel is engaged to young ambitious lawyer Jonathan (James Marsden remembered for this superb acting in 'The 24th Day') who in preparing to marry a non-Jew is in counseling with his Rabbi (George Segal): there are obviously stresses on the incipient marriage that Jonathan has not revealed.

In another area of Manhattan, at Vanity Fair, Liz (Isabella Rosselini) taps reporter Peter (John Light) to do a story on a famous and gifted photographer known for bedding his nude male models. Peter is to interview each of the models for the story, and one of those models happens to be Jonathan! The entire group comes together at Diana's party and there the secrets of each of the characters gradually surface in coincidental ways and the story of how each of these interesting but tainted people respond to discoveries makes for the resolution of the story. Director Terrio uses finely honed techniques to slowly introduce each character, adding layers of information gradually, until the magnitude of these coincidences becomes dramatically tense and fascinating. This film is like standing in a darkroom watching a photograph slowly develop, revealing more of the details with each washing, until the final picture is filled with extraordinary details - some expected, others not. The cast is wholly superb and the degree of ensemble acting surpasses that of films of the recent past. If there is a criticism of the film it is a minor one: the ambient sound and musical scoring at times cover the dialog which make us strain to hear the whispered interchanges. But this is a brilliant film that immediately assumes a role in the pantheon of fine cinematic art. Highly recommended. Grady Harp

HEIGHTS ***** A cross between 'Playing By Heart' and 'The Ice Storm', 'Heights' is a ferociously clever montage of character triumph and fumble, played within an aura of amorality and dark secrecy. Callaborators Chris Turrio and Amy Fox seem to have the simple intention of penetrating an interplay of character dynamic to the audience, making sense and importance out of each scene, and reaching a faithful finale. The film's quasi-surreal blend of musical score (Ben Butler, Martin Erskine) and direction (Turrio) makes the story seem more complicated than it really is because, in truth, the viewer can relate to its societal or interpersonal issues in a degree. The story presents a search one takes in finding something more fulfilling when life has either grown weary or boring. The densely layered characters all have this hunger, with modulated performances that govern the transition between normal thinking and obscure behavior amid their struggles. Within the famous theater actress (Glenn Close), who has skill and a passion for her work, we sense delicate vulnerability due to an impacting marital issue she's facing. Her daughter (Elizabeth Banks) has troubles of her own: Finessing her decisions between the welfare of others and meeting her own needs, particularly in terms of whether to marry a burdened attorney (James Marsden). I don't believe it's a film to take lightly, but it's definitely a rewarding viewing, with accolades deserved by all involved.