IMDb-BEWERTUNG
5,6/10
33.429
IHRE BEWERTUNG
Gefangen in einer Londoner U-Bahn-Station betritt eine Frau, die von einem potenziellen Angreifer verfolgt wird, das unbekannte Tunnellabyrinth unter den Straßen der Stadt.Gefangen in einer Londoner U-Bahn-Station betritt eine Frau, die von einem potenziellen Angreifer verfolgt wird, das unbekannte Tunnellabyrinth unter den Straßen der Stadt.Gefangen in einer Londoner U-Bahn-Station betritt eine Frau, die von einem potenziellen Angreifer verfolgt wird, das unbekannte Tunnellabyrinth unter den Straßen der Stadt.
Empfohlene Bewertungen
Brit horror successfully marries suspense and gore to create a more than decent movie.
Franka Potente is Kate, a socialite on her way to a party in London where George Clooney (Yes really) is believed to be hanging at and where she will attempt to seduce him (Yup, I'm not kidding).
However, she falls asleep at the subway station and misses the last train, leaving her trapped inside. Jeremy Sheffield's Guy is pursuing her though, and when a train finally arrives (Yes, the logic's already disintegrating), he appears out of nowhere and tries to rape her. Unfortunately for him, there is a real killer in the underground who drags him off her and wounds him fatally.
The rest of the movie is killer-pursues-Kate.
Quite frankly the logic in this one was never meant to be particularly strong. It's not even obvious that she fell asleep while waiting for the train, and instead it could have been mindgames. And indeed, mindgames seem to be the only explanation for some of the slightly ludicrous events which occur in the first half.
Nonetheless, this movie is about running away from the bad guy, whose appearance and identity imply he's 'not normal' (Are they ever), and to this end the film does a decent enough job. Once the bizarre first half hour of silliness is past, it is simple enough fare, with more than a hint of severe gore.
There's little more that can be said, such is the basic nature of this, but if you accept the intrinsic daftness of some of it, you'll get a reasonable kick out it if you like the genre.
Seen worse.
Franka Potente is Kate, a socialite on her way to a party in London where George Clooney (Yes really) is believed to be hanging at and where she will attempt to seduce him (Yup, I'm not kidding).
However, she falls asleep at the subway station and misses the last train, leaving her trapped inside. Jeremy Sheffield's Guy is pursuing her though, and when a train finally arrives (Yes, the logic's already disintegrating), he appears out of nowhere and tries to rape her. Unfortunately for him, there is a real killer in the underground who drags him off her and wounds him fatally.
The rest of the movie is killer-pursues-Kate.
Quite frankly the logic in this one was never meant to be particularly strong. It's not even obvious that she fell asleep while waiting for the train, and instead it could have been mindgames. And indeed, mindgames seem to be the only explanation for some of the slightly ludicrous events which occur in the first half.
Nonetheless, this movie is about running away from the bad guy, whose appearance and identity imply he's 'not normal' (Are they ever), and to this end the film does a decent enough job. Once the bizarre first half hour of silliness is past, it is simple enough fare, with more than a hint of severe gore.
There's little more that can be said, such is the basic nature of this, but if you accept the intrinsic daftness of some of it, you'll get a reasonable kick out it if you like the genre.
Seen worse.
As this film opens two workers are walking through a London sewer; one of them discovers a collapsed wall. Behind it there is a tunnel he has never seen before... it soon becomes apparent that there is something there. The action then cuts to an office party where Kate, a German woman, rejects the advances of a man named Guy before leaving. She head to Charing Cross tube station but fall asleep on the platform and misses the last train. She is now locked in the apparently empty station. When a train stops she boards. Shortly after it pulls out of the station it stops again. It soon emerges that she is not alone; Guy is on board the train and he attempts to rape her... someone, or something, pulls Guy off her; there is clearly something more dangerous down there. While trying to escape she encounters others in the station... not many of them will survive to the morning.
This is an effective low budget horror movie. The setting is great; both the closes tube station and the sewer tunnels are naturally creepy locations without the added menace of an unknown being that is attacking people. The earlier parts of the film, before we actually see what or who is killing people are perhaps better as what we don't see is usually scarier than what we do. Once we do see the attacker the scares still come, with several quite gory attacks. The explanation as to his origins are perhaps unnecessary but don't detract from the story. Horror fans should certainly enjoy this as once the danger to Kate becomes apparent the tension rarely drops. The cast is solid; most notably Franka Polente, who impresses as Kate. Overall I wouldn't say this is a must see but I'd still say it is well worth watching if you are a horror fan.
This is an effective low budget horror movie. The setting is great; both the closes tube station and the sewer tunnels are naturally creepy locations without the added menace of an unknown being that is attacking people. The earlier parts of the film, before we actually see what or who is killing people are perhaps better as what we don't see is usually scarier than what we do. Once we do see the attacker the scares still come, with several quite gory attacks. The explanation as to his origins are perhaps unnecessary but don't detract from the story. Horror fans should certainly enjoy this as once the danger to Kate becomes apparent the tension rarely drops. The cast is solid; most notably Franka Polente, who impresses as Kate. Overall I wouldn't say this is a must see but I'd still say it is well worth watching if you are a horror fan.
I want to like CREEP; it's my kind of film. A, well, 'creepy' horror film set on and around the London Underground, with a pared-down story, sinister villain and a resourceful heroine fighting against the odds. And yet, by the end, it's turned out to be a disappointing experience, and the reason for that is that it's oh so painfully predictable.
Christopher Smith is definitely a better director than he is writer; case in point, I can't fault his direction, which is adequate by genre standards, but what I can fault is his staid waiting. After a mildly atmospheric set up, this turns into the usual dull cat-and-mouse game between heroine and killer, with extraneous characters being messily murdered (and worse) and even a bit of torture porn thrown in to sicken viewers. It's all very familiar and, unfortunately, not at all frightening.
It doesn't help that the bad guy is a bit lame, despite the sterling efforts of the ever-menacing Sean Harris. He looks exactly like Smeagol at the opening of THE LORD OF THE RINGS: RETURN OF THE KING, part-way towards becoming Gollum when he was still played by Andy Serkis in extensive makeup. He's a bit of a weirdo, a tragic figure more than anything else. Franka Potente's tough heroine is better, but the supporting actors are wasted (particularly the excellent Ken Campbell, whose skills would have enlivened this greatly).
It's worth remembering that this was done before – and much better – in the superior 1970s Brit chiller DEATH LINE, starring Donald Pleasence. What an engaging, atmospheric and, yes, terrifying movie that was! Sadly, despite its interesting setting, Creep is lacklustre by comparison.
Christopher Smith is definitely a better director than he is writer; case in point, I can't fault his direction, which is adequate by genre standards, but what I can fault is his staid waiting. After a mildly atmospheric set up, this turns into the usual dull cat-and-mouse game between heroine and killer, with extraneous characters being messily murdered (and worse) and even a bit of torture porn thrown in to sicken viewers. It's all very familiar and, unfortunately, not at all frightening.
It doesn't help that the bad guy is a bit lame, despite the sterling efforts of the ever-menacing Sean Harris. He looks exactly like Smeagol at the opening of THE LORD OF THE RINGS: RETURN OF THE KING, part-way towards becoming Gollum when he was still played by Andy Serkis in extensive makeup. He's a bit of a weirdo, a tragic figure more than anything else. Franka Potente's tough heroine is better, but the supporting actors are wasted (particularly the excellent Ken Campbell, whose skills would have enlivened this greatly).
It's worth remembering that this was done before – and much better – in the superior 1970s Brit chiller DEATH LINE, starring Donald Pleasence. What an engaging, atmospheric and, yes, terrifying movie that was! Sadly, despite its interesting setting, Creep is lacklustre by comparison.
I had very high hopes for this film. And as the summary says, it wasn't bad, but it wasn't the best.
The main problem was it appears to have been cut too much, making it look like the film didn't know whether it wanted to be teen slasher or psychological horror. It had a couple of truly disturbing bits but also several, "oh look, we blew the budget on fake blood" moments.
All in all I'm glad I saw it, but I'm also glad I borrowed my mate's DVD and didn't go to the pictures to see it and therefore waste a fiver. Worth a watch if you're a horror fan though.
Kim xxx
The main problem was it appears to have been cut too much, making it look like the film didn't know whether it wanted to be teen slasher or psychological horror. It had a couple of truly disturbing bits but also several, "oh look, we blew the budget on fake blood" moments.
All in all I'm glad I saw it, but I'm also glad I borrowed my mate's DVD and didn't go to the pictures to see it and therefore waste a fiver. Worth a watch if you're a horror fan though.
Kim xxx
Creep doesn't do what its title suggests, it isn't exactly creepy, but it is pretty violent and gruesome. The story is fairly linear and has no plot holes that i noticed and the acting and script are OK.
The problem with Creep is that it doesn't really do anything to set it apart from the rest of the Horror crowd, but when compared to some its not to bad.
With floods of horror movies in recent years (Toolbox Murders, Grudge, White Noise, Descent, Boogeyman to name but a few) Creep is left languishing in mediorcratity.
For horror fanatics, its worth watching and it can hold its own in the genre. For movie lovers in general there is not enough here to warrant your time.
6/10
The problem with Creep is that it doesn't really do anything to set it apart from the rest of the Horror crowd, but when compared to some its not to bad.
With floods of horror movies in recent years (Toolbox Murders, Grudge, White Noise, Descent, Boogeyman to name but a few) Creep is left languishing in mediorcratity.
For horror fanatics, its worth watching and it can hold its own in the genre. For movie lovers in general there is not enough here to warrant your time.
6/10
Wusstest du schon
- WissenswertesSean Harris is a method actor and didn't socialize with anyone throughout the shoot.
- PatzerAll tube stations in London have release mechanisms on the inside of the metal gates, to ensure people can get out in case of this exact circumstance.
- VerbindungenFeatured in Creep: Making of Creep (2005)
- SoundtracksSoundsplatt
performed by Butterich
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Creep?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- La criatura
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 £ (geschätzt)
- Weltweiter Bruttoertrag
- 7.480.424 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen