Cargo - Da Draussen Bist Du Allein

We have here a rather interesting sci-fi film in the vein of Sunshine, Moon or Solaris, where most of the action takes place in an isolated, enclosed artificial environment. It's in the future, Earth has been rendered uninhabitable for some undisclosed reason, and people live in squalid conditions on space stations in orbit. There's a new heavenly planet, Rhea, where people can emigrate to if they can afford it. Our main character, a doctor, gets hired for a very long (8 years) shuttle cargo round trip to resupply a remote space station. With her salary, she should be able to rejoin her sister already on Rhea. She, like the other crew members, is in cryogenic sleep most of the time except for 8-month awake shifts. As one can suspect, she starts hearing strange noises, senses some kind of presence in what should be a deserted ship. She wakes up a few people, and then things get worse when somebody gets killed.

One would think that this would be a premise for some kind of thriller involving a nasty alien creature. Cargo is not really that. Sure, it has good suspenseful moments, but it's the kind of slow-paced atmospheric pensive movie where you're more likely to be interested in the unfolding secondary mysteries than on discovering who the killer is, or who might be struck next. At least that was the case for me. My mind was going in overdrive trying to figure things out, inventing hypotheses, and I like that. Unfortunately, and I don't know if it's a translation issue from the original German (although it's a Swiss film), certain important plot elements were not made clear when they should have been. I had to check the Internet afterwards to properly understand a few things. Don't worry, we're not talking 2001 metaphysics here, far from it. :)

The characters were rather stoic most of the time, but at least they were ambiguous and not easily predictable. A particular blossoming romance didn't feel quite right, especially how it started. It somewhat hurt the emotional involvement later on, although you can see the director really tried for a good pay-off. I thought the main actress lacked a certain something, but she became more convincing as the film progressed, especially in one of her final scenes involving greenery. The special effects were of tremendous quality especially for a non-American film. Every space structure from the outside looked amazing. On the inside, it was appropriately dismal, sinister and even grandiose sometimes. I think Cargo might disappoint if you're expecting something more action-oriented. I personally enjoyed the story despite certain badly explained plot elements. I also liked it more from an intellectual perspective than from an emotional perspective.

Rating: 6.5 out of 10 (Good)

Maybe not the absolute best of the genre, but certainly is worth the time to watch.

It's a bit difficult to describe some of the more interesting aspects of this production without accidentally providing spoilers, so my rendering of such here might be a bit limited.

At the very least, the visuals are remarkably well done.

The basic concept is the cargo ship going into deep space with its mysterious cargo, and the theoretical world Rhea, which is supposed to be a beautiful paradise of a world, as an alternative to Earth which has been ravaged by horrific industrial pollution, disease and environmental damage.

However, as this journey progresses, various layers of intrigue begin to become apparent, nothing is as it seems to be at first . . . and that's about as far I'll go in portraying the story.

I thoroughly recommend seeing this in its original German with subtitles.

The acting is well done, even though there are a few spots in the story that are a bit of a cliche'. Stylistically some scenes are very reminiscent of the original Alien film scenes, but this is not about alien lifeforms causing havoc on the ship, quite different actually.

Given the overall caliber of this production, definitely rates a solid seven stars.

First of all I'm a bit curious about the low rating of the movie here (6,4). This is a great movie raising all sorts of questions to the viewer. Which is what a good movie is supposed to do. Identity, sense of belonging, isolation, and the essence of the human nature are just some of the things the movie touches on. Yeah there are plot points that have been explored before in other movies but seriously who cares? It's how you portray those situations and plot. So I wasn't disappointed there. In fact I wasn't disappointed at all!! A brilliant film that will speak to the audience that loved, "moon".

Congrats to all the people involved in this movie. Hope someday it'll be released on Bluray.

A clichéd space science fiction movie with a mediocre story, lacking any surprises, and certainly suffering from some plot holes. However. The imagery is quite beautiful, the actors aren't bad, and the simple, unoriginal story is nicely told. So, it's a shame that these people, although they are obviously capable of making a film that is technically nearly faultless on a low budget, couldn't come up with a better, more interesting story to tell. I really liked the pacing of "Cargo", the certain calmness in the unfolding of events, a rather dreamlike, slow but unstoppable progression. If only this polished shell of a movie were a little bit more than this, a mere shell! Sadly, it isn't. Still, let's hope that this wasn't the last science fiction effort of directors Engler and Etter; I would very much like to see them adapting a better story.

Switzerland's first attempt at sci-fi, and Ivan Engler's first feature film, Cargo harks back to numerous icons of science fiction cinema – everything from The Thing to The Matrix, and, most notably, Ridley Scott's Alien. It belongs to that particular breed of dystopian science fiction – where the world is ruined and the human race is living on borrowed time.

Cargo is a competent sci-fi, but it's nothing special. The first half is effectively tense and engaging, but it loses its way towards the end. Visually stunning considering the budget, but unfortunately, it's nowhere near original or creative enough to be considered a particularly revolutionary sci-fi film. SSP