Casino Royale

Anyone who has followed the James Bond series over the last four decades knows that the new Bond has changed... In "Casino Royale," 007 do not identify himself with the classic words, "Bond. James Bond," and instead of playing Chemin-de-Fer or Craps, he plays Poker and he doesn't care whether his vodka martinis are shaken or stirred nor he drinks a Smirnoff vodka, or a five-star Hennessey, or a Dom Pérignon'52... He never pauses to take a finger of Caviar… He never enjoys a good cigar and is less preoccupied with matters of sex…

But he is a more trained Bond, a cold-hearted killer improvising, modifying, and overcoming, uttering to M in one decisive moment his most significant line, "So you want me to be half monk, half hit-man!"

In taking the part, Daniel Craig completely inhabited the character of the super agent 007… There is something empathetic about him and something human…He so lets you in behind his blue eyes and into his emotional life…

His opponent is the villain banker Le Chiffre (Mads Mikkelsen) who tries to get rich in supplying funds for terrorists… To continue doing so, Le Chiffre wants to win back his losses in a no-limit showdown Poker game with $115,000,000 in chips at Casino Royale in Montenegro…

Ivana Milicevic plays Le Chiffre's Bosnian bodyguard who nearly eliminates our hero… Valenka is harmful but not pure evil as her boss…

Simon Abkarian is the middleman Alex Dimitrios involved with Le Chiffre, who knew where to put his hands on weapons and people who could use them… He works with anyone who has money…

The Italian actress Caterina Murino (Solange) reveals her sexy side as the frustrated woman so upset in her marriage…

Jeffrey Wright plays the undercover CIA agent Felix Leiter 'bleeding chips at the poker tournament;' and Giancarlo Giannini plays the 'contact' Mathis…

Eva Green is Bond's love interest Vesper Lynd… Green and Craig have electric chemistry on screen together… Vesper's character seems ambiguous, impudent and complicated… One night—slumped in the shower fully clothed, radiating inner beauty—her quiet look is capable to melt Bond's cold heart and free his doubtful mind… In another, she disconcerts him with her pretty 'Algerian love knot.'

"Casino Royale" lacks the fundamental technology exhibition which plays an important part in any Bond films... The traditional "James Bond Gun Barrel Sequence" and the "James Bond Theme" disappeared… The only thin bit of continuity is Judi Dench's fifth return as the cool, scheming chief Lady M…

Directed by Martin Campbell, the movie has it all: spectacular locations from Prague, London, Miami and Nassau— and amazing actions involving the superb Aston Martin DB5 coupe in a high-speed mountain chase; a rush to stop a fuel tanker at Miami Airport; a combat with an Ugandan terrorist; a pursue in a four-wheel bulldozer; a breathless foot chase across highest cranes; and an unexpected climax in one of the buildings on the canals of Venice

I distinctly remember the collective groan from the James Bond fan base back in the mid 2000's when the announcement came that Daniel Craig would replace Pierce Brosnan as the new James Bond. Fans were up in arms because Daniel Craig has blonde hair and baby blue eyes, instead of themore traditional darker traits that were synonymous with the James Bond character. Funny how once 'Casino Royale' was actually released, those skeptics immediately disappeared.

Daniel Craig proves he has the charm, elegance, presence, and confidence that the fans have come to expect from James Bond. He just has a very powerful aura about him from that start that easily establishes him as the next James Bond.

Mads Mikkelsen plays the main antagonist Le Chiffre, who is one of my favorite James Bond villains. The film actually provides insight into his backstory to shed some light on the motivations behind his actions. Le Chiffre is humanized because the audience simply understands his reasons for being "the bad guy", which makes him much more relatable and interesting as a character. This is the antithesis of traditional Bond villains that have a tendency to be very over-the-top and evil just for the sake of being evil.

Eva Green plays Vesper Lynd, who is assigned to supervise James Bond during his mission. Not only is Eva Green stunningly beautiful, she also perfectly portrays the charm, wit, determination, and overall likeability of Vesper. Not much can be said without getting into spoiler territory, but I will say her story arc is one of the highlights of the movie. The women in the James Bond franchise have historically been shallow sex objects, but Vesper's character contains significantly depth than female characters in prior films.

The action sequences are perfectly placed throughout the film and choreographed beautifully. However, some of the most suspenseful scenes in the film aren't even the scenes with action. The high stakes poker game itself unfolds in a way that creates enormous suspense and excitement. These scenes at the card table are so perfectly crafted, the audience is left with even greater anticipation and excitement than any action scene in the film.

Every part of 'Casino Royale' is extraordinarily well-written. The characters are interesting, relatable, and have depth. The plot is stimulating and compelling. The movie is beautifully shot. There is so much attention to detail. There are so many small moments scattered throughout the film that add massive amounts of depth to the story. There are many elements of cinematography utilized, like lighting/colors/camera angles, that perfectly complement the storytelling aspect of the film.

'Casino Royale' is not just a good James Bond film, it's a good film altogether. It's a must-watch film for anyone, whether or not you're a fan of the James Bond franchise.

I saw this at a cast and crew screening in London last weekend: I'm not a huge Bond fan, but I do enjoy them on a purely popcorn level and this was definitely one of the best in recent memory. The tone is much edgier and nastier than the Brosnan movies, harking back more to Dr. No or For Your Eyes Only. The action sequences are brilliantly shot and edited for maximum impact and are some of the best out of any Bond movie. Martin Campbell, who also made 'Goldeneye', was an excellent choice and, for me, is one of the best Bond directors. What gives this the lead over recent Bonds is the more realistic feel: the exotic locales, fast cars, spectacular action, beautiful women and many other Bond hallmarks are all here but gone is the campy tone that marred, say, Die Another Day. Yes, the whole franchise is based on an entirely ridiculous and cartoonish notion but the more serious and harder-edged tone works really well here. In this context, Daniel Craig gives an excellent performance as Bond. I'll be the first to admit that I raised an eyebrow when I heard he was cast but he really makes it his own. It's hard to say whether he's better than any of the other Bonds: Connery and Brosnan felt right for the style of Bond movies they were in. Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well. He's charming and funny when required and totally convincing in the action sequences. The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt. Also, the story is just much more engaging than many a Bond film; the script's not going to win awards but it's consistently inventive and intriguing. Whilst the film has enough of it's fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility. When there isn't a huge action sequence happening, you don't miss it: the film's longest set-piece, the poker game at the Casino Royale, is as (or not more) gripping and entertaining than any of the chases and shoot-outs. The only minor gripes that I have are a slightly too long running time: the film drags a wee bit towards the end and, although it helps the tone of the film, we don't hear enough of the Bond theme tune! However, great directing and performances from everyone involved, along with Phil Meheux's excellent cinematography, Peter Lamont's as ever superb production design and all the other top-notch craft and technical departments make 'Casino Royale' a classy and very enjoyable night out at the movies.

James Bond is back and he is alive and well. Any questions about Daniel Craig's worthiness are thrown out almost immediately as we are handed a film filled to the brim with exquisite action and explosive emotion. I squirmed in my seat with delight as I have not done since I was a child. What "Batman Begins" did for that franchise, "Casino Royale" does, and more, for Bond. For a while it seemed that he might not be able to well exist outside the confines of the cold war, but here we are given an entirely modern Bond with enough nods to the original that we can't be too upset. Maybe it's because this is the last novel yet to be filmed in the traditional Bond manner and it is Ian Fleming who has stolen our hearts not this incarnation of the super spy. However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of. Congratulations. James Bond will live on for at least one more generation, and maybe forever. Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together. Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point. Only time will tell that tale. However every fan can be assured that this ranks amongst the very upper crust of Bond movies, and Craig is no Lazenby. He lends a harsh wit and a thuggish charm to the character and by the end he's no longer the new guy, he is Bond, James Bond. A masterpiece of popular film-making and the movie we have been waiting for all year. See it early and often as it is sure not to diminish upon reviewing.

Casino Royale is a major step-up from the flamboyant Die Another Day. Pierce Brosnan has been replaced by a young-ish Daniel Craig, there is no Q, no campy gadgets, no silly naked women silhouettes in the opening credits, no world-dominating super-colossus villains, no Miss Funnyfanny (or whatever), and no silly one-liners after killing bad guys. Basically everything that can date Bond film very quickly is gone. I never expected international espionage to look the way it has in past few Bond outings and I'm glad someone had the balls to go back to the hard-edged nature of the series, last seen in Licence to Kill.

The longest Bond movie so far, at 145 minutes, but it breezes by even though it reigns in on the normally excessive action scenes and depicts spying a more 'mundane' and 'realistic' manner (or at least as true as the series has been so far). But the one-thing that bugs me about action movies, particularly the Bond franchise, is that they are, most of the time, childish male fantasies with an indestructible hero who has fun shooting up the place and beds beautiful women. I would like something new for a change but Casino Royale does have Bond get hurt and go through more pain than he has previously.

Daniel Craig got a lot of hassle over his casting as Bond but not only does he have his youth as an advantage (he's the first 30-something to be cast in the role since Lazenby), he's also pretty damn trim, has the intensity Brosnan lacked and is surprisingly loose in a role that usually requires actors to be stiff and unemotional. It's also good to a fresh face in the role and who cares if he is blonde? Or the shortest actor to play him so far? I would have preferred that composer David Arnold went too. They didn't seem to be holding back on the amount of regular production team members who got axed. Even Vic Armstrong didn't return. I've never liked Arnold's work on the movies and I hate to think of it as something that's now exclusively HIS baby.

Unfortunately, as good as this fresh start to the franchise was, all of the goodwill that director Martin Campbell earned was completely undone by the follow-up Quantum of Solace, which is not only the worst Bond film so far, but one of the worst action films, and one of the worst films overall, that I have ever seen.

If Craig and Co. ever get around to making another, they've got a LOT to make up for.