Ein Winter in Michigan

What a nice film! The premise is simple: Actress Reese Holden (played by Zooey Deschanel) is offered a lot of money if she can get hold of letters written to and by her late mother and father, novelist Don Holdin (played be Ed Harris). Reese hasn't seen her father for a long time; she hadn't gone to her mother's funeral. Ed Harris, performing with sensitivity and rigour (as in Pollock and The Hours)gives a fine performance as the socially maladaptive, reclusive "genius" counterpointed by s dazed, bewildered, but protective Corbit (Will Ferrell, who gives a fine performance. I've just seen him in The Producers, and physically/vocally he is *completely* different. It's a good role.) Like Pieces of April, the film works with silences, visual cues, and verbal cues intertwined. It is a film which is worth concentrating in - and Zooey Deschanel's performance as Reese Holdin is excellent. She doesn't go over the top, rather it is through a subdued range that she succeeds in winning over the audience. Don't miss this film, or let it pass you by.

Though the cover for the DVD of WINTER PASSING (a photo of the four main characters crowded into a box) may make many potential viewers pass over this little film, thinking that it must be silly slapstick, this is a fine film written and directed with finesse and style by Adam Rapp, a new face whose talents have been somewhat limited to working on episodes of the TV series 'The L Word'. Rapp gives notice of a fine writer and an equally fine director in this barely noticed little touching movie.

Reese Holdin (Zooey Deschanel) lives in New York, an actress relegated to small parts in off Broadway theater while spending her days as a bartender hooked on alcohol, drugs and casual sex. Her life seems dead-ended: she has become anesthetized by her manner of living. An agent (Amy Madigan) approaches her with an offer to pay her for the letters between her parents, both once famous authors. Her mother has just died, and Reese didn't attend her funeral, so distant does she feel is her relationship to her past. But the spark of money moves her to ride a bus back to her Michigan home to salvage the letters to sell for publication.

Arriving home she is greeted by the weird Corbit (Will Ferrell), a Christian electric guitar player and composer who ears black eyeliner etc, but does care for Reese's severely alcoholic father - the once famous writer Don Holdin (Ed Harris) who hasn't written a novel in years and lives in the garage of his home under the care of Corbit and an ex-student Shelley (Amelia Warner), a bright very young girl with demons of her own. Reese works at reconnecting with her father, struggles with her resentment for the 'caregivers', and ultimately finds the letters she came for, only to make discoveries about her dysfunctional family and her father's status that alters her view of his value as her parent.

The movie is rather stagy and most of the action is unspoken, and while that technique of telling this particular story seems exactly right to this viewer, there are some who will feel frustrated at the rather static pace of the film. Zooey Deschanel once again proves that she is one of our finest actresses on the screen and hopefully this role will bring her to the attention of casting agents and result in our seeing more of this gifted actress in the future. Ed Harris is superb as the wasted, quietly grieving has-been author, keeping his performance understated and in doing so creating a character that is indelible in our minds long after the movie is over. Amelia Warner is also a fine little actress and even galumphing Will Ferrell brings more than his usual tiring comedic talents to this touching role. In all this is a movie that deserves wide attention. There is more to quietly hear and understand about interpersonal relationships than we would expect from the cover! Grady Harp

This would have made a great short film, and I don't mean that as an insult.

The idea of the plot is an interesting one, but didn't seem to hold my attention for the whole film, although the festival audience didn't seem to mind that much.

Adam Rapp is off to a good start as a director, it seems he hasn't done much, but I look forward to his next film. His work with the actors was marvelous, and the camera placement wonderful too. It's just that the story seemed a little, well, difficult to swallow. There's no missing the Salinger connection, and it seems as if every cliché about his life is crammed in here.

And as much as I love Will Farrell, his genius for comedy was somewhat of a distraction- it's just hard to believe him in this role. A solid actor without a public persona would have helped me stay in the story.

But overall, an enjoyable ride.

Winter Passing is remarkable for several reasons. The performances of Zooey Deschanel and Ed Harris are resonant and moving. The look and the music of the film are quite lovely and evoke a hurt, longing that works well with the theme of the film. And finally, the story itself is remarkable for anyone who's familiar with the life and enigma of the writer J.D. Salinger. For anyone who has read his daughter, Margaret Salinger's wonderful memoir, "Dream Catcher," the film will play like a thinly veiled reference to her life with the highly lauded and tragically flawed father who is a legend and inspiration to generations and a horror as a father.

"Winter Passing" is a lot of things besides being a very good movie. I don't want to miss the chance to say that it could have been a lot better, but it is what it is and what it is, is what we get. In this way, what we get is a very introspective portrait of sad and lonely people; I know it doesn't sound right but that's all I'm going to say about the film.

The thing is that when you love cinema, you watch films even if you don't know what they are about and you understand the nature of each movie; "Winter Passing's" nature is loneliness, not just its characters' but the sceneries' it's set in. In fact, it's one of the most contemplative and observing films I've seen this year.

No wonder the cinematography is by Terry Stacey from "The Door in the Floor"; it makes you watch…He uses a lot of darkness and creates a mood so depressing that sometimes you can't figure out what's going on. But it is a good trick, because when the sun comes out (and you've been expecting it); Stacey's images look beautiful.

Adam Rapp, the man who directed and wrote the film, has a good narrative eye and we sense it constantly during the film, but he also has a talent for directing actors; and there's also credit to the casting directors for this: the most unusual small ensemble. A weird and special actress (Zooey Deschanel), a comedian (Will Ferrell), a character actor (Ed Harris), and a rising English young star (Amelia Warren)…They all work perfectly together, because each of them understands the fragile situation of their character and the rest.

By the way, Harris is working really hard these days and has a lot of films we still haven't seen. And about Ferrell, I wanted to say this after watching "Blades of Glory", a regular and overrated film I didn't write about in which the comedian was the best element...Whether he does comedy or drama, his hair is long or short, black or brown; Ferrell always constructs his characters from zero. He picks little things and starts repeating them throughout a movie, to prove he is completely in character. You should pay close attention to his work in any film.

Rapp crafted a solid screenplay that's maybe a bit over sentimentalist, but he intelligently clarifies it in a crucial part of the movie. However, for a story so humane and real, he could have been harsher; because his elegant narration and images ask for it. However, in his piece, and like in the best dramas, things are said better by means of the images and not of the words; and that's always appreciated.

Also, if anything, "Winter Passing" is living proof that Zooey Deschanel is a fantastic actress; that when she wants she can leave eccentricity and also do great things (because she does great things when she's eccentric); that she can carry a whole movie by herself and that it should happen more often. But probably it won't, because she's one of the most down-to-earth people in the business, and she only works when it's worth it…Too bad.