Pogled sa Ajfelovog tornja

I really love this movie. Looking for love with different eyes. This movie was stunning. Yugoslav films are usually seen as so difficult to grasp and inaccessible, but this managed to hold everything together. People laughed and people cried. It was beautiful. The film cuts back and forth like a knife .... The film is heavy on symbolize ... Respect for it! Maria symbolizes everything that is on the speed gained, while Vanja - a chance for our better tomorrow. I watched this movie twice and I'm glad that came in Montenegro, as a completely different and better than anything I have ever seen. This film had to deal with issues like loss of love, meaning in life, neurotic relationships among individuals. I believe that doctors in Montenegro are in a problem after this movie. It deserves, and problems. Each cast for the film, I enjoyed!

This movie, its characters and the plot - in fact talking about a difficult time where everything is on sale, at the same time - talk about a love that is the only way for deliverance from the madness. Mariana's story is still very simple. Mariana does not enjoy the way in which she revenges to her father, and was even aware that the avenues to implement - not even good at it, but - this way (which I will reveal in this article) is only possible that it has remained. And because it is carried out regardless of price, regardless of the consequences. Yes, Mariana is a hostage to her bad decisions in the past. Therefore, a necessary Marianas monologue at the beginning of the film: "There are laws stronger than prescribed. Great knew this even when they were kids. " Mirror, watching the mirror... are constant motifs Vukcevic's filmic approach. View, which takes, as if searching. The time between an opening and closing my eyes. Looking at himself. All what was the one who looks in the mirror, he could be, he wanted to be. All possible untold stories, lived moments. Small parts, never assembled into a whole. The film script was patchy, accurate, authentic from a young man who was educated in the spirit of multumedial. What 'View from the Eiffel Tower' stories - some small emotional things that we can not forget. Besides the war during these ten years and we are loved, suffered, feared, parting is .... Just answer the questions - which I loved?, Who was driving the car?, With whom I hung out with people? ... will show me who I am? This is a film about this time, but the point is that this? because of the past, and those of us who are such as we are. And we could be different, and watch the Eiffel Tower. This film is a story of hope. The film, through questioning, talking about what we are today. Because the circle is closed - no one remembers, relive? In a finding that - what is extremely interesting in the film, is the manner in which the characters are placed, ie, that are caught in the moment when at its zenith, and that seemed to have time for their own development. The director says:? Leaving only a little space to tell a the past, show their catharsis and is already all over. It is difficult in such a structure to keep pace and make do, but it is also a great challenge., Is not it, but the tradition of a new visual way of thinking, inherited from the spots and the speed of lifestyle now.

What the film director saw from the Eiffel Tower? This is a view in which it connects the starry sky with the earth, vast city, endlessly illuminated some lights that seemed to come from a happy time, or - from the very concept of happiness, the light in which the sublimated overall, let's say, avant-garde art of the 20th life and everything that the light can simbolise.

This film, besides being a touching love story, sometimes stylized to poetry, and sometimes quite harsh, it is also our own view of the mirror. View - with all his criticism of the gravity of the meeting with our corrupt essence, which is on sale. Mirror - to what is today ... what could be. And in that sense, it is not surprising that this is one of only three films, which is a film festival in Motovun, under the direction of filmmaker Rajko Grlic classified in the 'new regional landscape', 'View from the Eiffel Tower' deals with the fate of sons / daughters where generations of their fathers in the inheritance left behind collapsed principles of chaos and destroyed the society. This film tells about a time when your sons / daughters to decide whether to correct errors or fathers to just go the other way. Brilliant role of actress Mary Vickovic, directed by Nikola Vukcevic and richness of visual allegory - told the story about growing up in Yugoslavia, to meet 21st Ages. It is about growing up, which carries a price, between vengeance and hope, love and passion, friendship and redemption. This motif, which is huge, layered, and demanding for cinematic achievement, which is why this film, style, way of telling stories and above all an allegory, and associativity, reveals the scope of the mature works, the authentic, the manuscript of a specific project worth attention, even though it is about a young filmmaker, which this is only the first feature motion picture.

This great film is the story of the circle through which we, at Balkans, have been going for the last decade, and which we wanted to close. Besides a love story, this film is also the tale of the curse of the clash between fathers and sons, the story of the madness in the Balkans. When everything is over, numerous victims will remain, new borders... statistical data and cruel facts. A View From the Eiffel Tower tells of some small emotional things that we should never forget. Besides making war, during these ten years, we have also made love, felt pain, fear and separation. Our film is a story about hope. Through re-examination, the film shows what we are today. Because the circle is not yet closed – whoever doesn't remember, re-lives!

There are some aspects of this movie that I really liked: it is visually stunning, it is the first film ever that shows the urbane side of Montenegro and its capital, Marija Vickovic can sure hold the screen, also, 10/10 for bringing ex Yugoslavia together in making this film. However, that is about it. The rest was quite irritating for me: the story doesn't have any real flow or a grip on the viewers, acting is shocking, and ... I just had a feeling that the director was trying bit too hard to make Podgorica look "worldly". The language was also annoying, the actors should have made an effort to learn to speak in Montenegrin accent, even the Podgorica-born Vickovic speaks like she lived in Belgrade all her life. All in all, good effort for a first movie, however, plenty of room for improvement - 5/10.