Füge eine Handlung in deiner Sprache hinzuA young girl is reborn as an angel-like creature called a haibane, with no memory of who she once was.A young girl is reborn as an angel-like creature called a haibane, with no memory of who she once was.A young girl is reborn as an angel-like creature called a haibane, with no memory of who she once was.
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"I really enjoyed it and would watch it several more times, enjoying it as much as the first. The ending had me virtually in tears, it really was perfect. If you're gonna purchase any anime on DVD in the future, this one should be next on your list. No doubt about that. This one makes the top of my favourite list without problems"
I would like to add to this user's comment, that although perhaps he/she was "virtually" in tears, by the pile of tissues laying beside me i can attest that there wasn't anything "virtual" about my tears. However, although there is a sad depressing side to the later half of the anime, it swings through the whole gamut of emotions. As another poster noted, this anime does require a calm attitude and patience to let it all sink in and notice many subtle clues about the characters. So if you've read this far, stop wasting time and go watch it.. in fact I think I'll go see it again (#3rd time).
If you like this anime... go see "Jacob's Ladder".
I would like to add to this user's comment, that although perhaps he/she was "virtually" in tears, by the pile of tissues laying beside me i can attest that there wasn't anything "virtual" about my tears. However, although there is a sad depressing side to the later half of the anime, it swings through the whole gamut of emotions. As another poster noted, this anime does require a calm attitude and patience to let it all sink in and notice many subtle clues about the characters. So if you've read this far, stop wasting time and go watch it.. in fact I think I'll go see it again (#3rd time).
If you like this anime... go see "Jacob's Ladder".
Sick of stereotypical anime? No need for big robots, big chests, lots of yelling and immature humor? Check out Haibane Renmei. In my opinion, it's in a class by itself.
HR begins with a young girl 'hatching' from a cocoon, unable to remember her name, her life, or anything else. She is greeted by 5 other females (looking to be between 10 and 25) who have wings and a halo. She is given a name, based on her dream in the cocoon (Rakka, which means "falling), as are the others. Soon she grows wings and is given a halo as well. The winged creatures are called "Haibane."
The first 5 or so episodes are intentionally slow going, as we are given a view of Rakka's adjustment to life as a Haibane. However, as slow going as they are, the episodes are very engaging. By episode 6, Rakka suffers a major loss, as she spends the rest of the series dealing with the loss and trying to answer the question: What are the Haibane?
This series was created by the same person who created Serial Experiments: Lain. Rakka even looks a little like Lain. However, HR is a bit more straight-forward than Lain. It is an especally quiet series, the use of classical and baroque music add to the feel of the show. We're told a little about the Haibane, the rules they must follow, and the world they live in.
The animation is intentionally not very flashy, however it is detailed and quite immaculate. We get the feeling that the Haibane live in a quaint little town which hasn't changed much over the years. The show is much the same in its feel of timelessness. It could take place now, 100 years ago, or even 100 years from now.
In short, this is a show to show off to non-anime fans who have stereotyped all of it as either Pokemon or porn. Hopefully, this is the beginning of a trend...
HR begins with a young girl 'hatching' from a cocoon, unable to remember her name, her life, or anything else. She is greeted by 5 other females (looking to be between 10 and 25) who have wings and a halo. She is given a name, based on her dream in the cocoon (Rakka, which means "falling), as are the others. Soon she grows wings and is given a halo as well. The winged creatures are called "Haibane."
The first 5 or so episodes are intentionally slow going, as we are given a view of Rakka's adjustment to life as a Haibane. However, as slow going as they are, the episodes are very engaging. By episode 6, Rakka suffers a major loss, as she spends the rest of the series dealing with the loss and trying to answer the question: What are the Haibane?
This series was created by the same person who created Serial Experiments: Lain. Rakka even looks a little like Lain. However, HR is a bit more straight-forward than Lain. It is an especally quiet series, the use of classical and baroque music add to the feel of the show. We're told a little about the Haibane, the rules they must follow, and the world they live in.
The animation is intentionally not very flashy, however it is detailed and quite immaculate. We get the feeling that the Haibane live in a quaint little town which hasn't changed much over the years. The show is much the same in its feel of timelessness. It could take place now, 100 years ago, or even 100 years from now.
In short, this is a show to show off to non-anime fans who have stereotyped all of it as either Pokemon or porn. Hopefully, this is the beginning of a trend...
Haibane Renmei is one of the most beautiful, original and meaningful animes. A young girl is born from a cocoon in an old building inhabited by Haibane, angel-like beings, without knowing anything about the world she has just entered and about her past. Very soon she learns that she is a Haibane herself, makes new friends and starts to explore the surroundings. She also gets a name: Rakka. In the first episodes we follow her as she gets to know the other Haibane and some nice people in a nearby town.
It all looks quite peaceful, relaxing and a bit childish but as Rakka learns more about herself we begin to understand there are quite a few similarities between our life and that of the Haibane and a significantly darker and deeper tone kicks in. The whole series begins to reveal itself as a metaphor without losing in the process a driving force that has nothing to do with sterile intellectual analogies. The creator, Abe Yoshitoshi, has a message to tell but he does it with such artistic talent, emotional intensity and subtlety that you can fall in love with the series even if you notice its flaws. Haibane Renmei is for the child in every one of us who is still charmed by a wonderful Christmas tree even if he has reasons to believe there is no Santa.
It all looks quite peaceful, relaxing and a bit childish but as Rakka learns more about herself we begin to understand there are quite a few similarities between our life and that of the Haibane and a significantly darker and deeper tone kicks in. The whole series begins to reveal itself as a metaphor without losing in the process a driving force that has nothing to do with sterile intellectual analogies. The creator, Abe Yoshitoshi, has a message to tell but he does it with such artistic talent, emotional intensity and subtlety that you can fall in love with the series even if you notice its flaws. Haibane Renmei is for the child in every one of us who is still charmed by a wonderful Christmas tree even if he has reasons to believe there is no Santa.
The best-kept secret in the world of Japanese animation is Tomokazu Tokoro's Haibane Renmei, a thought provoking and very moving 13-part 2002 TV series that is part fantasy, part coming-of-age story, and part religious allegory. Haibane is a creation of Yoshitoshi ABe who designed the characters for Serial Experiments Lain and inspired the science fiction series NieA_7. The story is very simple, yet it is full of understated poetry and rich meaning that can be enjoyed by people of all ages (but may be too dark for children under the age of ten).
The story is inspired by Haruki Murakami's novel Hard-Boiled Wonderland and the End of the World in which a man suddenly appears without memory of a previous life in a strange village surrounded by a high wall and ends up working in the library, replacing another who simply disappears. Set in a village called Glie, angel-like people with wings and halos called Haibane or "charcoal feathers" live alongside humans in the town, also surrounded by impenetrable walls. The laws are made by a council called the Haibane Renmie who decreed that the Haibane cannot own anything new, cannot go outside the wall and are forbidden to even touch it. Only the Toga, mysterious masked men who provide for and protect the Haibane, can leave the town.
The Haibane live in an abandoned building called Old Home and have no memory of a previous life, only a vague recollection of a dream they had inside the cocoon in which they were hatched fully-grown. Others live in the Waste Factory and are said to be "rowdy". Every so often, without warning, one of the Haibane disappears beyond the wall to an uncertain destination. This is the "day of flight" that is the fate of all Haibane except those that are "sin-bound" and must remain in darkness. As the series begins, a girl dreams of falling and, when she emerges from her giant cocoon, is named "Rakka" for falling. The early episodes deal with Rakka's arrival and adjustment to life as a Haibane.
Rakka's best friend is Reki who takes care of the younger children and is very protective of Rakka, caring for her when her wings emerge. Reki's name means "stones" because in her dream she was walking on a path of stones. Rakka goes with each of the Haibane to their jobs to see where she would best fit in. Other characters include Nemu who works at the library, Kuu, a boyish-looking girl who is the youngest of the group, Kana, also a tomboy, and Hikari who works at a bakery. Halfway through the series, Rakka must deal with an unexpected loss of a member of the group who has taken flight. Rakka's wings begin to turn black and both she and Reki are haunted by incomplete memories of their cocoon dreams and recollections of committing harm to others.
As the plot slowly unravels, both Reki and Rakka must overcome their feelings of inadequacy before they can move on and the atmosphere often becomes heavy and foreboding. Timeless questions are raised and left for us to ponder, yet the story has the simplicity of a children's book with a sense of mystery and awe about our place in the universe. Is this an allegory of our own after-life or is it about our waking life where no one knows for certain where they have come from and where they are going? Although the story line about sin and salvation strike a more conventional note, to the credit of the authors, they have emphasized personal responsibility and the need for us to take charge of our own lives. Haibane Renmie has just the right combination of magic and realism, and the visuals are beautiful to experience. With a lovely musical score, characters you can identify with, and a story that builds to a moving conclusion, Haibane Renmie is the best animated film I have seen.
The story is inspired by Haruki Murakami's novel Hard-Boiled Wonderland and the End of the World in which a man suddenly appears without memory of a previous life in a strange village surrounded by a high wall and ends up working in the library, replacing another who simply disappears. Set in a village called Glie, angel-like people with wings and halos called Haibane or "charcoal feathers" live alongside humans in the town, also surrounded by impenetrable walls. The laws are made by a council called the Haibane Renmie who decreed that the Haibane cannot own anything new, cannot go outside the wall and are forbidden to even touch it. Only the Toga, mysterious masked men who provide for and protect the Haibane, can leave the town.
The Haibane live in an abandoned building called Old Home and have no memory of a previous life, only a vague recollection of a dream they had inside the cocoon in which they were hatched fully-grown. Others live in the Waste Factory and are said to be "rowdy". Every so often, without warning, one of the Haibane disappears beyond the wall to an uncertain destination. This is the "day of flight" that is the fate of all Haibane except those that are "sin-bound" and must remain in darkness. As the series begins, a girl dreams of falling and, when she emerges from her giant cocoon, is named "Rakka" for falling. The early episodes deal with Rakka's arrival and adjustment to life as a Haibane.
Rakka's best friend is Reki who takes care of the younger children and is very protective of Rakka, caring for her when her wings emerge. Reki's name means "stones" because in her dream she was walking on a path of stones. Rakka goes with each of the Haibane to their jobs to see where she would best fit in. Other characters include Nemu who works at the library, Kuu, a boyish-looking girl who is the youngest of the group, Kana, also a tomboy, and Hikari who works at a bakery. Halfway through the series, Rakka must deal with an unexpected loss of a member of the group who has taken flight. Rakka's wings begin to turn black and both she and Reki are haunted by incomplete memories of their cocoon dreams and recollections of committing harm to others.
As the plot slowly unravels, both Reki and Rakka must overcome their feelings of inadequacy before they can move on and the atmosphere often becomes heavy and foreboding. Timeless questions are raised and left for us to ponder, yet the story has the simplicity of a children's book with a sense of mystery and awe about our place in the universe. Is this an allegory of our own after-life or is it about our waking life where no one knows for certain where they have come from and where they are going? Although the story line about sin and salvation strike a more conventional note, to the credit of the authors, they have emphasized personal responsibility and the need for us to take charge of our own lives. Haibane Renmie has just the right combination of magic and realism, and the visuals are beautiful to experience. With a lovely musical score, characters you can identify with, and a story that builds to a moving conclusion, Haibane Renmie is the best animated film I have seen.
10novaj5
While skimming through the series again, I just realized what makes Haibane Renmei such a great work.
Haibane Renmei doesn't tell you the answer. It lets you question, ponder and contemplate about it.
"Starting an important question in life and letting it maintain in you."
... that is why Haibane Renmei is a great work. There is no meaning nor need for an answer. The answer would only become a mere piece of knowledge if you simply tell someone. It is something you should go through all the experiences and realize for yourself. Having the question and keeping it will be the starting point which evokes you to find the 'real' answer.
* p.s. * There is a type of a question -somewhat a strange oxymoron-isque question- Buddhists throw at someone when the question of 'truth' is sought after. The way to go through this question is just to keep questioning it in the head ALL the time, even when you're asleep. Suddenly, all the dots will be connected and the answer will just pop up in the blink of an eye, like 'ah, that's so obvious...!' The basis theory behind it is on the assumption that you already know everything, it's just that you haven't 'realized' it yet. Haibane Renmei makes you do that.
Haibane Renmei doesn't tell you the answer. It lets you question, ponder and contemplate about it.
"Starting an important question in life and letting it maintain in you."
... that is why Haibane Renmei is a great work. There is no meaning nor need for an answer. The answer would only become a mere piece of knowledge if you simply tell someone. It is something you should go through all the experiences and realize for yourself. Having the question and keeping it will be the starting point which evokes you to find the 'real' answer.
* p.s. * There is a type of a question -somewhat a strange oxymoron-isque question- Buddhists throw at someone when the question of 'truth' is sought after. The way to go through this question is just to keep questioning it in the head ALL the time, even when you're asleep. Suddenly, all the dots will be connected and the answer will just pop up in the blink of an eye, like 'ah, that's so obvious...!' The basis theory behind it is on the assumption that you already know everything, it's just that you haven't 'realized' it yet. Haibane Renmei makes you do that.
Wusstest du schon
- WissenswertesThe series is based on a six-volume doujinshi series by Yoshitoshi Abe which was never officially published.
- Zitate
Kuu: Inside my mind, there's a beautiful cup. A very beautiful, clear cup. And tiny drops kept falling into it, 'drip, drip, drip', slowly but steadily, everyday. And today, I felt the cup had finally become completely full.
Rakka: Kuu...
Kuu: And that's because you gave me some of those drops. Rakka, thank you.
- VerbindungenFeatured in AMV Hell 3: The Motion Picture (2005)
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By what name was Haibane Renmei (2002) officially released in Canada in English?
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