Ein Workaholic-Architekt findet eine universelle Fernbedienung, die es ihm erlaubt, zu verschiedenen Teilen seines Lebens vor- und zurückzuspulen. Komplikationen treten auf, als die Fernbedi... Alles lesenEin Workaholic-Architekt findet eine universelle Fernbedienung, die es ihm erlaubt, zu verschiedenen Teilen seines Lebens vor- und zurückzuspulen. Komplikationen treten auf, als die Fernbedienung anfängt, seine Entscheidungen zu übersteuern.Ein Workaholic-Architekt findet eine universelle Fernbedienung, die es ihm erlaubt, zu verschiedenen Teilen seines Lebens vor- und zurückzuspulen. Komplikationen treten auf, als die Fernbedienung anfängt, seine Entscheidungen zu übersteuern.
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- Für 1 Oscar nominiert
- 3 Gewinne & 12 Nominierungen insgesamt
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For a basic plot summary, "Click" sees Michael Newman (Sandler) struggling to find time for his family while wearing himself out for his never-impressed boss. On a routine trip to find a universal TV remote, Michael runs into a crazy scientist (played by Christopher Walken) who gives him a "universal remote", alright...one that can control his entire life! Hilarity, emotions, & hijinks ensue.
Besides the novel concept, this movie outshines other Sandler flicks due to its heart. While shaping up (in the early goings) to be a hijinks comedy, somewhere along the way a heavy dose of emotion is thrown into the proceedings. By the end of the film, the viewer will actually care about the main characters and want to see their resolutions.
Granted, "Click" does still contain some of the typical Sandler low-brow humor, but it isn't too over-the-top or suffocating. Far outweighing that aspect is the above-average acting from pretty much the entire cast, which produces a real connection between characters and audience.
Overall, "Click" is a fun little movie (though not for the younger kiddies) that may (at least in a small way) change your perception of Mr. Sandler. This isn't his goofy "Waterboy" or farcical "Billy Madison". Instead, director Frank Coraci crafts an actual storyline filled with character development and fun concepts.
Overall, I was surprised that I did like this film as much as I did. It was far deeper and less dopey than films like BILLY MADISON and HAPPY GILMORE and seemed like an attempt by the rapidly aging Sandler to make a more adult film. While there are still lots of crude jokes that fell flat for me (such as the dog and the stuffed animal), there was still plenty to like and a depth that surprised me. Also, while there were some comedic moments, after a while it became obvious that this was really a comedy-drama--with the second half of the film being very serious and even touching.
So here we seem to have an Adam Sandler movie that might just appeal to kids AND parents--one that everyone can get something out of and enjoy. I am happy I saw this one and wouldn't mind seeing more films like it.
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- WissenswertesThe coin trick that Henry Winkler does in the movie is something the actor does in real life. During public appearances, Winkler will often do the trick for children.
- PatzerDuring the camping flashback scene, the O'Doyle boy tells everyone to come to the motor home to watch "Three's Company." The flashback scene was supposed to occur in 1976. The first episode of "Three's Company" didn't air until March of 1977.
- Zitate
Donna Newman: Will you still love me in the morning?
Michael Newman: Forever and ever, babe
- Crazy CreditsThis movie is dedicated to my mom and dad, and to all our parents who never thought twice about putting their family first. And to my wife and daughter, thanks for making it so easy for me to do the same.
- VerbindungenFeatured in Friday Night with Jonathan Ross: Folge #11.4 (2006)
- SoundtracksMagic
Written by Ric Ocasek
Performed by The Cars
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Click: Perdiendo el control
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 82.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 137.355.633 $
- Eröffnungswochenende in den USA und in Kanada
- 40.011.365 $
- 25. Juni 2006
- Weltweiter Bruttoertrag
- 240.685.326 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1