IMDb-BEWERTUNG
7,8/10
4737
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDocumentary detailing the origins and history of surf culture.Documentary detailing the origins and history of surf culture.Documentary detailing the origins and history of surf culture.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Laird Hamilton
- Self
- (as Laird John Hamilton)
Pat Curren
- Self
- (as Pat Curran)
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I was able to attend Riding Giants @ Sundance Film Festival (it was this year's opening film) and can only say it is a must see movie - there is a magic in this extraordinary surfing documentary that fires up your heart & soul; dreams & spirit. Give thanks to the genius of Stacey Peralta (Dogtown & Z-boys) and his uncanny ability to brilliantly capture the life & death drama that is part of big wave riding. I especially enjoyed the shots at Half Moon Bay and the notoriouus surf area, Mavericks, discovered by local big wave surfing legend Jeff Clark. Of course there is so much more, but I loved the movie and the audience seemed to approve as well, giving it a 3 minute standing ovation.
There have been a few decent feature films about surfing ('Big Wednesday', 'Endless Summer' and its sequel) and quite a few clunkers ('Blue Crush,' 'Point Break') that are still respectable for strong surfing footage and homages to the cult within the culture. But I've yet to see a film that surpasses the scope of 'Riding Giants,' which simultaneously traces the history of big wave riding from its Polynesian origins to its high-tech present, provides the audience with some of the most breathtaking footage recorded on film (much of it archival), and opens a window into the peculiar allure of high risk activities to men and women of a certain mindset, as well as into the evolution of surfing's own unique subculture of big wave riders.
The narrative revolves around three legends of big wave riding: Greg Noll, who pioneered the swells of the North Shore of Oahu and Waimea Bay, Jeff Clark, who discovered the Northern California break known as Mavericks and ushered Californian surfing into big wave territory, and Laird Hamilton, the undisputed ubermensch of the sport from the turn of the century to the present. Noll and Clark are framed reverently by director Stacy Peralta, but Hamilton is the star of the show, and rightly so: he is an all but perfect athlete, combining superior physical conditioning with an understanding of physics and wave behavior earned from a lifetime surfing the big breaks of the surf capital of the world, the Hawaiian islands. Because of his high-profile marriage to model/pro-volleyball star Gabrielle Reese and his magazine cover-friendly looks, Laird Hamilton has been a little overexposed in the media of late, but, matter of factly, the guy more than lives up to the hype, and he doesn't seem to be motivated by anything other than his love of surfing. Hamilton is all the more appealing for his apparent humility--he repeatedly insists that his acclaim also belongs to his teammates/companions, who tow him by jet-ski into waves no mortal could catch with the traditional 'paddle-in' method and then sweep in to pick him up before he gets caught in the wave wash of the next big one--embodying the free-spirited, 'because it's there' attitude shared by most elite high-risk athletes and the true ethos of hardcore surfers, who live for the ride and see the trappings of the culture (parties, chicks, sponsorship, etc.) as incidental if not entirely unimportant.
Certainly the most appealing aspect of the film is its portrayal of old school, hardcore surf culture, which has always been about the fraternal bond that crops up between people who share a common passion and are willing to devote everything to its pursuit. Peralta and co-writer Sam George manage to persuasively present the nearly monastic social order of the first surf devotees, contradicting the traditional 'beach bum' image associated with surfing in popular culture. If you happen to be someone who thinks of high-risk sporting activities as venues for purposeless thrill-seeking, 'Riding Giants' may give you the necessary insight into at least one extreme sport that, at its highest level, transforms mere mortals into epic heroes.
The narrative revolves around three legends of big wave riding: Greg Noll, who pioneered the swells of the North Shore of Oahu and Waimea Bay, Jeff Clark, who discovered the Northern California break known as Mavericks and ushered Californian surfing into big wave territory, and Laird Hamilton, the undisputed ubermensch of the sport from the turn of the century to the present. Noll and Clark are framed reverently by director Stacy Peralta, but Hamilton is the star of the show, and rightly so: he is an all but perfect athlete, combining superior physical conditioning with an understanding of physics and wave behavior earned from a lifetime surfing the big breaks of the surf capital of the world, the Hawaiian islands. Because of his high-profile marriage to model/pro-volleyball star Gabrielle Reese and his magazine cover-friendly looks, Laird Hamilton has been a little overexposed in the media of late, but, matter of factly, the guy more than lives up to the hype, and he doesn't seem to be motivated by anything other than his love of surfing. Hamilton is all the more appealing for his apparent humility--he repeatedly insists that his acclaim also belongs to his teammates/companions, who tow him by jet-ski into waves no mortal could catch with the traditional 'paddle-in' method and then sweep in to pick him up before he gets caught in the wave wash of the next big one--embodying the free-spirited, 'because it's there' attitude shared by most elite high-risk athletes and the true ethos of hardcore surfers, who live for the ride and see the trappings of the culture (parties, chicks, sponsorship, etc.) as incidental if not entirely unimportant.
Certainly the most appealing aspect of the film is its portrayal of old school, hardcore surf culture, which has always been about the fraternal bond that crops up between people who share a common passion and are willing to devote everything to its pursuit. Peralta and co-writer Sam George manage to persuasively present the nearly monastic social order of the first surf devotees, contradicting the traditional 'beach bum' image associated with surfing in popular culture. If you happen to be someone who thinks of high-risk sporting activities as venues for purposeless thrill-seeking, 'Riding Giants' may give you the necessary insight into at least one extreme sport that, at its highest level, transforms mere mortals into epic heroes.
I've never touched a surfboard in my life. But I did grow up swimming competitively and am a certified scuba diver, so I have a understanding of and respect for the ocean's power and allure. That's how a Kansas guy ended up seeing the surfing documentary "Riding Giants" in the middle of November. (Why exactly a Kansas theater was one of the five screens it was on this week is an entirely different question that I can't answer.)
The title "Riding Giants" has a two-pronged meaning, referring to both the act of harnessing huge waves and the larger than life people who are obsessed with doing just that. Featuring mood-setting music ranging from ukuleles to modern California rock, this 105-minute documentary serves as a history of the sport, shaming tripe like "Gidget" and even making "Endless Summer" look like something straight out of the kiddie pool.
"Riding Giants" opens with a brief, animated, two-minute look at the first 1000 years of surfing, which ends about 1950, when the first big-name surfers began to work their magic. Using remarkable half-century old footage, the doc then follows their path to Hawaii, where surfing became not just a hobby, but a culture that was far more than the onslaught of bad surfing movies in the '50s and '60s led many to believe. The big wave surfers gradually progressed to bigger and better waves around the Hawaiian coast, where most of the surfing community was concentrated until the discovery of The Mavericks, a dangerous but glorious surfing mecca in Northern California. Eventually that locale triggered surfing's stateside explosion in popularity. But one man from Hawaii, Laird Hamilton, has sent the sport as mainstream as possible in recent years. Using teams and jet skis, Hamilton's vision and drive radically changed the mindset of what was possible as surfing entered the 21st century.
That is the documentary in a nutshell, and although it may not seem all that interesting, the suitable laid-back intensity of "Riding Giants" will engross anyone who has much interest in any aspect of surfing, whether it be the water, the culture, or the sport. Writer/director/narrator Stacey Peralta ("Dogtown and Z-Boys") knows something about counterculture himself, having been among the first professional skateboarders, so he does not tell the story in the condescending tones sometimes used in describing surfing. He instead treats his subjects much like NFL Films treats the National Football League. The athlete are borderline deities, and the tone is frequently reverential. He is aided in this tone by the interviewees, who run the gamut of surfing history from the original Hawaiian crew to the Northern California ground breakers to the current crop of competitive surfers. Virtually every relevant person mentioned is interviewed, which lends credence, particularly since many viewers will have little idea who most of the people are beforehand.
Set up like a traditional documentary, Peralta's film lets the surfers themselves tell most of the stories, and he narrates when necessary to provide pertinent details. But the personalities and passion of the interviewees are what drive the picture. These guys are wired differently than most of us; there's no question about that. Their slightly irreverent but still respectful tone lets them get away with comparing the discovery of Hawaii's North Shore to Columbus stumbling upon America. An exaggeration? Of course, but the genuine emotion in their voices and faces make the words fully believable, much like a football player comparing his sport to a war.
Perfectly complementing the almost mythic personalities are the ridiculously massive and powerful waves themselves. From the surprisingly good old-school 8mm footage shot from the shore to the digital in-your-face shots from a jet ski, the photography in Riding Giants is nothing short of stunning. The waves are simply huge, and even though you may have seen quality shots in "Blue Crush", you haven't seen them on this grand and wild a scale. I guarantee your jaw will drop multiple times.
The fact that the history of the sport can be encapsulated in less than two hours gives the film a complete and satisfying feel, as opposed to something like Baseball, for which even ten hours was not enough. Those who don't have an interest in any aspect of surfing won't care for it, but even if you can't relate to the surfing directly, you will walk out of "Riding Giants" with a greater appreciation for the sport and a better understanding of what drives those who do it.
Bottom Line: "Riding Giants" effectively and absorbingly encapsulates surfing culture and history. 8 of 10.
The title "Riding Giants" has a two-pronged meaning, referring to both the act of harnessing huge waves and the larger than life people who are obsessed with doing just that. Featuring mood-setting music ranging from ukuleles to modern California rock, this 105-minute documentary serves as a history of the sport, shaming tripe like "Gidget" and even making "Endless Summer" look like something straight out of the kiddie pool.
"Riding Giants" opens with a brief, animated, two-minute look at the first 1000 years of surfing, which ends about 1950, when the first big-name surfers began to work their magic. Using remarkable half-century old footage, the doc then follows their path to Hawaii, where surfing became not just a hobby, but a culture that was far more than the onslaught of bad surfing movies in the '50s and '60s led many to believe. The big wave surfers gradually progressed to bigger and better waves around the Hawaiian coast, where most of the surfing community was concentrated until the discovery of The Mavericks, a dangerous but glorious surfing mecca in Northern California. Eventually that locale triggered surfing's stateside explosion in popularity. But one man from Hawaii, Laird Hamilton, has sent the sport as mainstream as possible in recent years. Using teams and jet skis, Hamilton's vision and drive radically changed the mindset of what was possible as surfing entered the 21st century.
That is the documentary in a nutshell, and although it may not seem all that interesting, the suitable laid-back intensity of "Riding Giants" will engross anyone who has much interest in any aspect of surfing, whether it be the water, the culture, or the sport. Writer/director/narrator Stacey Peralta ("Dogtown and Z-Boys") knows something about counterculture himself, having been among the first professional skateboarders, so he does not tell the story in the condescending tones sometimes used in describing surfing. He instead treats his subjects much like NFL Films treats the National Football League. The athlete are borderline deities, and the tone is frequently reverential. He is aided in this tone by the interviewees, who run the gamut of surfing history from the original Hawaiian crew to the Northern California ground breakers to the current crop of competitive surfers. Virtually every relevant person mentioned is interviewed, which lends credence, particularly since many viewers will have little idea who most of the people are beforehand.
Set up like a traditional documentary, Peralta's film lets the surfers themselves tell most of the stories, and he narrates when necessary to provide pertinent details. But the personalities and passion of the interviewees are what drive the picture. These guys are wired differently than most of us; there's no question about that. Their slightly irreverent but still respectful tone lets them get away with comparing the discovery of Hawaii's North Shore to Columbus stumbling upon America. An exaggeration? Of course, but the genuine emotion in their voices and faces make the words fully believable, much like a football player comparing his sport to a war.
Perfectly complementing the almost mythic personalities are the ridiculously massive and powerful waves themselves. From the surprisingly good old-school 8mm footage shot from the shore to the digital in-your-face shots from a jet ski, the photography in Riding Giants is nothing short of stunning. The waves are simply huge, and even though you may have seen quality shots in "Blue Crush", you haven't seen them on this grand and wild a scale. I guarantee your jaw will drop multiple times.
The fact that the history of the sport can be encapsulated in less than two hours gives the film a complete and satisfying feel, as opposed to something like Baseball, for which even ten hours was not enough. Those who don't have an interest in any aspect of surfing won't care for it, but even if you can't relate to the surfing directly, you will walk out of "Riding Giants" with a greater appreciation for the sport and a better understanding of what drives those who do it.
Bottom Line: "Riding Giants" effectively and absorbingly encapsulates surfing culture and history. 8 of 10.
10RNMorton
There's been a spate of recent surfing movies that I seem to haphazardly run across without advance warning. I caught this treasure on digital cable this week and what a pleasant surprise it was! The focus is on the pioneers of big wave surfing from the 60's Greg Noll to our current Laird Hamilton, from Waimea Bay to Mavericks to Jaws. Hell, I could watch a movie just about Laird Hamilton - one of this generation's great athletes - so the rest is just gravy. There's loads of good surfing mixed in with interviews of past and present surfing stars, in pleasant, relaxed and unpretentious fashion. Of all the surfing movies I've seen this tells the big-wave story the best, and I think it's my favorite. Fantastic musical score. Enjoy!
Riding Giants is an incredible documentary detailing the history and stories of three influential big-wave surfers, Gregg Noll, Jeff Clark, and Laird Hamilton. Stacy Peralta did an amazing job taking on the role of director and should be congratulated for doing such a brilliant job. The structure of the film is edited brilliantly and works perfectly with the narration, interviews, animation and surfing footage. The music soundtrack just adds to the overall satisfaction of watching this film, making Riding Giants brilliant viewing. Personal highlights include any of Greg Noll's comments, what with his straight-to-the-point frankness, Laird Hamilton's footage at Teahupoo, and the out-takes at the end of the movie. But really this entire film is one big, recommended highlight that comes highly recommended if you have the opportunity to see. It's a shame it isn't more well known, but it is a gem deserving of attention. 10/10
Wusstest du schon
- WissenswertesSean Penn was asked to narrate this film, but couldn't do it because he was recovering from having bronchitis.
- Crazy CreditsVarious additional, cut scenes are shown during the credits.
- VerbindungenFeatured in WatchMojo: Top 10 Extreme Sports Movies (2016)
- SoundtracksMesse Solonelle: Sanctus
Performed by The Orpheus Chamber Ensemble
Courtesy of Bis Records AB, Sweden
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Верхом на великанах
- Drehorte
- Half Moon Bay, Kalifornien, USA(Mavericks)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.276.368 $
- Eröffnungswochenende in den USA und in Kanada
- 134.400 $
- 11. Juli 2004
- Weltweiter Bruttoertrag
- 3.216.111 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
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