IMDb-BEWERTUNG
6,5/10
3774
IHRE BEWERTUNG
Ein heruntergekommener Schullehrer erhält die Berufung, die lebensechte Personifizierung eines alten Fernseh-Superhelden, Zebraman, zu werden.Ein heruntergekommener Schullehrer erhält die Berufung, die lebensechte Personifizierung eines alten Fernseh-Superhelden, Zebraman, zu werden.Ein heruntergekommener Schullehrer erhält die Berufung, die lebensechte Personifizierung eines alten Fernseh-Superhelden, Zebraman, zu werden.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Atsurô Watabe
- Oikawa at the Defence Agency
- (as Atsuro Watabe)
G.K. Bowes
- TV Announcer
- (English version)
- (Synchronisation)
- (as Gina Bowes)
Empfohlene Bewertungen
After Shinichi Ichikawa (Show Aikawa), a nebbish schoolteacher with a cheating wife and resentful kids fashions a cheap-looking replica of the costume of 'Zebraman', his favorite childhood super-hero, he discovers the black-and-white outfit actual gives him superpowers, which become useful when he is forced to battle some gooey, green nose-goblin aliens who are taking over people's minds for nefarious purposes. The story makes little sense (note: I have not read the antecedent manga) but Aikawa's character is likable, the 'action sequences' are fun, there are some comical scenes (I particularly liked the victim of Zebraman's deadly back-kick) and the film has a goofy low-budget appeal (especially for viewers who pick up on the meta-humour and the tokusatsu in-jokes).
Takashi Miike is a very, very difficult director to label. Some of his films have been incredibly violent and gory (such as ICHI THE KILLER and AUDITION)--so much so that I could never recommend them. Some of his films have been strange and highly enjoyable comedies (especially HAPPINESS OF THE KATAKURIS). In recent years, his films have even tended towards being children's movies (such as his Ultraman series on TV and THE GREAT YOKAI WAR). Because of this wide, wide range of films, I was apprehensive to watch ZEBRAMAN, as I had no idea what type of Miike film it would be. Fortunately, it was a blend of both his weird quirky films AND his excellent family-friendly films.
Here in ZEBRAMAN, you have the story of a very nerdy elementary school teacher who secretly longs to be his TV hero, Zebraman. It seems that in the 70s, Zebraman was a very short-lived show and the guy has loved it ever since. This isn't so odd, but the fact that he's made a Zebraman costume and imagines himself to be this great superhero is!! What makes it even weirder is where it all goes next--into a strange and surreal direction that I just didn't anticipate. Rest assured, the direction is very odd and it involves this nerd having to save the planet from evil aliens!!!
The film is all in good fun and does it all tongue in cheek--never taking itself too seriously. Excellent direction and a nice story make this a winner--even if there are a few lulls here and there before the crazy and very exciting conclusion.
Here in ZEBRAMAN, you have the story of a very nerdy elementary school teacher who secretly longs to be his TV hero, Zebraman. It seems that in the 70s, Zebraman was a very short-lived show and the guy has loved it ever since. This isn't so odd, but the fact that he's made a Zebraman costume and imagines himself to be this great superhero is!! What makes it even weirder is where it all goes next--into a strange and surreal direction that I just didn't anticipate. Rest assured, the direction is very odd and it involves this nerd having to save the planet from evil aliens!!!
The film is all in good fun and does it all tongue in cheek--never taking itself too seriously. Excellent direction and a nice story make this a winner--even if there are a few lulls here and there before the crazy and very exciting conclusion.
I saw Zebraman for the first, but surely NOT the last time today. I had read that it was a "spoof of the super hero genre", but I strongly disagree; Zebraman IS a true superhero, and this film is not a spoof of any kind. Sure, there is very mild slapstick, but it works perfectly well. The heart of the film is tender and hopeful, and at the end I was left in that rare state in which I could deny no possibilities. I was laughing and crying at once, knowing no boundary between the two. I love this film. The message is a simple one, but given the age in which we live, vitally important: BELIEVE IN YOURSELF. I will offer no details regarding the plot or the technical innovation of the work; I only hope that this wonderful film will be seen by all, with a truly open heart. Thank you Takashi Miike...
Being a pushover as a teacher and family man, the true humble, mild-mannered identity of our hero tries to escape everyday life by dressing up as Zebraman, a superhero from a TV series that was canceled after only a few episodes. But escaping into his fantasy world in a self-made zebra-suit is the only thing keeping him going. But when he discovers that the Zebraman show was a prophecy of a true alien invasion, disguised as the show's hero he is the only person who can stop it.
Miike always chooses material not only with an unusual premise but with over-the-top details that are slowly, gradually revealed to us. Aside from the way in which its plot unfolds, the film's real charm is in what decides to show us about superheroes, why we identify with them on such a whimsical level and how the ridiculous mentality of a superhero could be formed in a man's solitude. The movie is not serious though. It has Miike's sometime stoic feel, but what we are shown is often hilarious, like the non-sequitary title shot of a fat woman in a beauty parlor who is passed by a sauntering zebra, or Radioactive Ranger, a perfect rendition of a TV show not unlike Power Rangers and its various, progressively obscuring incarnations, or countless others.
Even if Miike's more studious sense of pace is a hindrance to the potential impact of the film, leaving it without a tone and thus making the memory of the movie pretty fuzzy over time, it reflects very benevolently vivid childhood memories controlled by our superheroes. Where the film's spirit hits the nail on the head is in its blurring of zeal and absurdity. The film knows escapism because it's acuity in what it evokes really allows you to escape back into that unadorned young spirit. And what's the point of escapism if you're not truly escaping?
Miike always chooses material not only with an unusual premise but with over-the-top details that are slowly, gradually revealed to us. Aside from the way in which its plot unfolds, the film's real charm is in what decides to show us about superheroes, why we identify with them on such a whimsical level and how the ridiculous mentality of a superhero could be formed in a man's solitude. The movie is not serious though. It has Miike's sometime stoic feel, but what we are shown is often hilarious, like the non-sequitary title shot of a fat woman in a beauty parlor who is passed by a sauntering zebra, or Radioactive Ranger, a perfect rendition of a TV show not unlike Power Rangers and its various, progressively obscuring incarnations, or countless others.
Even if Miike's more studious sense of pace is a hindrance to the potential impact of the film, leaving it without a tone and thus making the memory of the movie pretty fuzzy over time, it reflects very benevolently vivid childhood memories controlled by our superheroes. Where the film's spirit hits the nail on the head is in its blurring of zeal and absurdity. The film knows escapism because it's acuity in what it evokes really allows you to escape back into that unadorned young spirit. And what's the point of escapism if you're not truly escaping?
Great for the first hour and 20, but needed some serious editing.
A normal family man and school teacher, who is despised by his family, enjoys one thing in his free time. Putting on his specially made Zebraman suit, to celebrate the brief canceled TV-show of the same name he watched as a child. When not being insulted by students, strangers, family, and friends, our hero likes to wear the suit in his bedroom alone and practice his super movies, which is all oddly endearing and funny enough, until townspeople begin showing signs of possession by a mysterious, possibly alien force. Stranger still, it all already happened in the Zebraman TV show, in the 70's. Our school teacher finds himself putting on the suit and attempting to fight crime, failing in spectacular comic fashion at first, before going into "Kung Fu Hustle" overdrive.
The aliens themselves resemble Flubber, except when their possessing innocent people and forcing them to commit crimes for some reason. What begins as a dark comedy about hero-worship, becomes a feel-good over the top find the hero within action comedy.
The problem is it's just too long, it's charming and unique, but the charm just doesn't hold past an hour and a half. One of Miikes more accessible movies, but still chalk full of the absurd images and surreal humor fans have come to expect. Good watching for Miike fans, and those interested in the lighter side of super-heroes and nostalgia, others stay away. Recommend | add comment
A normal family man and school teacher, who is despised by his family, enjoys one thing in his free time. Putting on his specially made Zebraman suit, to celebrate the brief canceled TV-show of the same name he watched as a child. When not being insulted by students, strangers, family, and friends, our hero likes to wear the suit in his bedroom alone and practice his super movies, which is all oddly endearing and funny enough, until townspeople begin showing signs of possession by a mysterious, possibly alien force. Stranger still, it all already happened in the Zebraman TV show, in the 70's. Our school teacher finds himself putting on the suit and attempting to fight crime, failing in spectacular comic fashion at first, before going into "Kung Fu Hustle" overdrive.
The aliens themselves resemble Flubber, except when their possessing innocent people and forcing them to commit crimes for some reason. What begins as a dark comedy about hero-worship, becomes a feel-good over the top find the hero within action comedy.
The problem is it's just too long, it's charming and unique, but the charm just doesn't hold past an hour and a half. One of Miikes more accessible movies, but still chalk full of the absurd images and surreal humor fans have come to expect. Good watching for Miike fans, and those interested in the lighter side of super-heroes and nostalgia, others stay away. Recommend | add comment
Wusstest du schon
- WissenswertesDuring the introductory section of the film, Shinichi Ichikawa/Zebraman, is watching a parody of Super Sentai/Power Rangers where the hero fights Sadako Yamamura from "The Ring". Ironically, this seems to predict the plot of the 2007 film, "Kamen Rider: The Next", which features a Sadako-like antagonist and a plot similar to "The Ring".
- PatzerAt the end of the movie, the Colonel (the military officer in charge of the task force that is investigating the alien invasion through out the movie) refers to President Bush in his phone call when the movie takes place in 2010 (two years after Bush's last term in office).
- Zitate
Shin'ichi Ichikawa: Striping evil!
- VerbindungenFeatured in Horror's Greatest: Japanese Horror (2024)
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Details
Box Office
- Weltweiter Bruttoertrag
- 3.070.596 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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