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Tokyo Godfathers

Originaltitel: Tôkyô goddofâzâzu
  • 2003
  • 12
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
7,8/10
51.464
IHRE BEWERTUNG
Tokyo Godfathers (2003)
Trailer [English SUB] ansehen
trailer wiedergeben0:58
5 Videos
99+ Fotos
Adult AnimationAnimeHand-Drawn AnimationHoliday AnimationAdventureAnimationComedyDrama

Am Weihnachtsabend finden drei in den Straßen Tokios lebende Obdachlose ein neugeborenes Baby im Müll und machen sich auf die Suche nach seinen Eltern.Am Weihnachtsabend finden drei in den Straßen Tokios lebende Obdachlose ein neugeborenes Baby im Müll und machen sich auf die Suche nach seinen Eltern.Am Weihnachtsabend finden drei in den Straßen Tokios lebende Obdachlose ein neugeborenes Baby im Müll und machen sich auf die Suche nach seinen Eltern.

  • Regie
    • Shôgo Furuya
    • Satoshi Kon
  • Drehbuch
    • Satoshi Kon
    • Keiko Nobumoto
  • Hauptbesetzung
    • Tôru Emori
    • Yoshiaki Umegaki
    • Aya Okamoto
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    51.464
    IHRE BEWERTUNG
    • Regie
      • Shôgo Furuya
      • Satoshi Kon
    • Drehbuch
      • Satoshi Kon
      • Keiko Nobumoto
    • Hauptbesetzung
      • Tôru Emori
      • Yoshiaki Umegaki
      • Aya Okamoto
    • 102Benutzerrezensionen
    • 110Kritische Rezensionen
    • 75Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 8 Gewinne & 1 Nominierung insgesamt

    Videos5

    Trailer [English SUB]
    Trailer 0:58
    Trailer [English SUB]
    Tokyo Godfathers
    Trailer 1:14
    Tokyo Godfathers
    Tokyo Godfathers
    Trailer 1:14
    Tokyo Godfathers
    Tokyo Godfathers
    Trailer 1:37
    Tokyo Godfathers
    Tokyo Godfathers
    Trailer 1:37
    Tokyo Godfathers
    6 Holiday Hits From Across the Globe
    Clip 2:01
    6 Holiday Hits From Across the Globe

    Fotos140

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    Topbesetzung60

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    Tôru Emori
    • Gin
    • (Synchronisation)
    Yoshiaki Umegaki
    • Hana
    • (Synchronisation)
    Aya Okamoto
    • Miyuki
    • (Synchronisation)
    Shôzô Îzuka
    • Ôta
    • (Synchronisation)
    Seizô Katô
    • Kâ-san
    • (Synchronisation)
    Hiroya Ishimaru
    Hiroya Ishimaru
    • Yasuo
    • (Synchronisation)
    Ryûji Saikachi
    • Rô-jin
    • (Synchronisation)
    Yûsaku Yara
    Yûsaku Yara
    • Miyuki no chichi
    • (Synchronisation)
    Kyôko Terase
    • Sachiko
    • (Synchronisation)
    Mamiko Noto
    • Gin no musume
    • (Synchronisation)
    Akio Ôtsuka
    Akio Ôtsuka
    • Isha
    • (Synchronisation)
    Rikiya Koyama
    Rikiya Koyama
    • Shinrô
    • (Synchronisation)
    Satomi Kôrogi
    Satomi Kôrogi
    • Kiyoko (Ôta's daughter)
    • (Synchronisation)
    Hidenari Ugaki
      Mitsuru Ogata
        Eriko Kawasaki
          Chiyako Shibahara
            Akiko Takeguchi
              • Regie
                • Shôgo Furuya
                • Satoshi Kon
              • Drehbuch
                • Satoshi Kon
                • Keiko Nobumoto
              • Komplette Besetzung und alle Crew-Mitglieder
              • Produktion, Einspielergebnisse & mehr bei IMDbPro

              Benutzerrezensionen102

              7,851.4K
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              Empfohlene Bewertungen

              9itamarscomix

              Sensitive and beautiful

              Having suffered through the painfully pretentious and shallow, pseudo-Lynchian mess of Perfect Blue, I was understandably skeptical about watching another film by Satoshi Kon (I have not yet seen Millennium Actress, but am now quite intrigued to do so). Tokyo Godfathers (a title which at first struck me as belonging most probably to a pseudo-psychological mafia thriller) was not only a pleasant surprise; it was the best anime feature I've seen in many years, probably since Ghost in the Shell, excluding anything by Hayao Miyazaki. Like the classic Grave of the Fireflies, Tokyo Godfathers struck me as unusual in the fact that it draws much from European cinema – English, Irish, German or Italian – while most commercial anime features try to mimic American film-making. But while Grave of the Fireflies was painfully sad and bleak, Tokyo Godfathers is irresistibly charming, and manages to be funny and incredibly touching at once like few anime films – few animated films, at that – ever achieve.

              Tokyo Godfathers is remarkably non-violent, as pacifistic perhaps as Miyazaki's films. You won't find any grand futuristic structures or fantastical creatures here; in fact, the animation may seem crude at first. But the characters are where the film really hits its mark. Kon triumphs, like in his excellent series Paranoia Agent, by not succumbing to the accepted prototypes and standards of how characters should look in an anime film; the lead characters in the film are all gorgeously ugly, in a way that even Miyazaki had not yet dared to do. Even the child character, Miyuki, is chubby, and not cute and beautiful in the way little girls 'should' be, by the unwritten laws of anime. Thus, Kon's characters are believable and true to life; they are three anti-heroes, outcasts from society, each running away from their pasts. Especially charming is Hana (AKA 'Uncle Bag'), the golden-hearted transvestite, who supplies much of the film's comic relief but also some of its most touching moments.

              Tokyo Godfathers – despite some far-fetched but amusing plot twists and coincidences – is at its core a very simple story, a beautiful little story about family, love and friendship. Few anime films are so unpretending; and thus, few anime films manage to be so strong. Watch Tokyo Godfathers; you'll laugh, you'll cry. And believe you me, ten minutes into it you'll forget it was ever animated.
              8CelluloidRehab

              XMas

              This is a Christmas story told from a different perspective, that is strangely familiar. The story revolves around 3 homeless people (a middle aged man name Gin, a homosexual cross-dresser name Hana, and a teenage girl named Miyuki) who discover a newborn baby in the garbage. The events follow the three as they decided what to do with the baby, trying to find the parents, dealing with their own pasts,etc (Christmas seems to be an introspective time - along with all holidays). After the first 30 minutes of the movie, everything becomes strangely predictable yet still moving and meaningful. The movie is laced with "coincidences" and tons of Christmas references. It touches on numerous subjects including family, guilt, redemption,etc. Satoshi Kon delivers another beautiful looking movie with a humanistic storyline. And in true Satoshi Kon fashion adds a touch of the bizarre to shake up the traditional story. This movie will be added to my Christmas holiday viewing list, which gets me into the XMAS spirit.

              -Celluloid Rehab
              10jwolff-1

              A visually stunning third film, worthy of the director

              No spoilers - you just have to see it. Satoshi Kon continues his directorial success with Tokyo Godfathers. Like Perfect Blue and Millennium actress, TG wows the watcher immediately with the attention to detail. The scenes are exquisitely painted - when it is snowing you can almost smell it and feel the stillness. And the characters expressions convey emotions expertly by subtlety or caricature as occasion demands. Leave behind your Hollywood ideas of what a movie or worse, a cartoon should be. And then go see his previous two films as well. Satoshi Kon's films are true works of art.
              culturedogs

              Thwarted families, homelessness in Tokyo and strange twists of fate...

              Director Satoshi Kon has concocted a little wonder of an animated film, a character based ensemble action comedy about thwarted families, homelessness in Tokyo and strange twists of fate. A loose knit trio of homeless companions (an alcoholic ex-bike rider, a teenage fugitive runaway and a castoff drag queen) find a baby on top of a trash heap at Christmas, and find themselves caring for the child while hunting down her parents. Warm, funny and as action-packed as many an anime (with hilarious action set pieces), this one's a charmer. Sure, it's always possible to do these kind of things in live action (more or less) but thank God we have a filmmaker of Kon's vision applying his ample animation skills to stories like this. It ain't all cardfighters, bounty hunters and grim vampire killers. Sometimes, it's people, too. (not that there are anything wrong with cardfighters, bounty hunters and grim vampire killers... well, o.k., maybe cardfighters)
              9danfeit

              Unconventional Fun

              I was able to see "Tôkyô Godfathers" at its premiere in New York. Sadly, the film was not added to the IMDb until months later, so I've had to sit on my comments for some time.

              I'm a big fan of director Satoshi Kon. Both of his previous films feature stories and issues not normally seen in animated films. "Godfathers" continues this happy trend and goes even further by covering subjects not normally associated with Japan, period. Homelessness, immigrants, and homosexuality all play key elements in this tale.

              Perhaps the biggest difference here is the comedy, something Kon's previous films did not approach. "Perfect Blue" was a dark thriller and "Sennen Joyû" was more of a tearjerker. "Godfathers" is played for laughs, which for me weakened the movie a little bit. Some of the more outrageous moments made the other theatergoers crack up, but I felt it was a little too silly at times.

              While I would describe "Tôkyô Godfathers" as the weakest of Kon's three films to date, that's hardly a knock since his first two are among my favorites. "Godfathers" was just missing something, but I still openly recommend it to anyone, regardless of your disposition towards anime.

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              Handlung

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              • Wissenswertes
                The number "12-25" (the date of Christmas) appears throughout the film: the number on the key ring, the cab fare (12,250 yen), a stopped alarm clock, the address in the newspaper ad, the cab license plate.
              • Zitate

                Hana: I am a mistake made by God. In my heart, I am a woman.

                Gin: Women can have children.

                Hana: What if a miracle like the Virgin Mary getting pregnant... was to happen to a homo?

                [to soup kitchen server]

                Hana: Better give me a little extra. I'm eating for two.

              • Crazy Credits
                The opening credits appear on billboards, store signs, truck lettering, etc.
              • Alternative Versionen
                There was another English dub of the film aired on Animax in Southeast Asia, in which generic baby sounds were used for Kiyoko.
              • Verbindungen
                Featured in Troldspejlet: Folge #31.16 (2004)
              • Soundtracks
                Climb Ev'ry Mountain
                Lyrics by Oscar Hammerstein II

                Music by Richard Rodgers

                ©1959 Williamson Music Co.

                Licensed by EMI Music Publishing Japan Ltd.

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              Details

              Ändern
              • Erscheinungsdatum
                • 17. November 2005 (Deutschland)
              • Herkunftsland
                • Japan
              • Offizielle Standorte
                • Mad House Ltd. / Sony Pictures Online (Japan)
                • Sony (United States)
              • Sprachen
                • Japanisch
                • Spanisch
                • Englisch
              • Auch bekannt als
                • Héroes al rescate
              • Produktionsfirmen
                • Dentsu
                • Genco
                • Madhouse
              • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

              Box Office

              Ändern
              • Bruttoertrag in den USA und Kanada
                • 367.131 $
              • Eröffnungswochenende in den USA und in Kanada
                • 29.259 $
                • 18. Jan. 2004
              • Weltweiter Bruttoertrag
                • 605.610 $
              Weitere Informationen zur Box Office finden Sie auf IMDbPro.

              Technische Daten

              Ändern
              • Laufzeit
                1 Stunde 32 Minuten
              • Farbe
                • Color
              • Sound-Mix
                • Dolby Digital
              • Seitenverhältnis
                • 1.85 : 1

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