Stauffenberg

The assassination attempt on Hitler in July, 1944 is one of the most important events in modern German history. It has been reconstructed dozens of times - none have really been successful. "Es Geschah am 20. Juli" and "Der 20. Juli", both in 1955, were the first early attempts of "Vergangenheitsbewaeltigung" in Germany, both were made for the cinema screen, both with well-known actors of the time that were old enough to experience the event.

Several re-filmings (To name two more successful ones: Operation Walküre, The Plot to Kill Hitler) were less successful. Filming in color was not enough to make a good story out of a weak one.

"Stauffenberg", on German TV was a much advertised and, rumor has it, expensive event. The cast filled with actors the audience is used to seeing on TV, not one a really good one.

The plot is ok, but runs through the timeline very quickly, starting in 1933 and running to the Summer of 1944 in about 3-4 minutes, without delivering any input. Too little emphasis is placed on the historical context to show the drama of the situation, and if the attempt was to portray the characters decently, not enough is done here. Without historical knowledge of the time, it is hard to follow the characters, their roles and positions.

Hitler and Goebbels (portrayed by Udo Schenk and Olli Dittrich) both look like they have just climbed out of their tombs. The attempt to make them look really evil, fails. In his short appearance, Olli Dittrich makes of Goebbels an insecure, hysterical zombie - it made me laugh.

A few moments of the film did keep me on edge, although I knew the outcome, especially shortly before the execution of Stauffenberg and the other "enemies of the state" - a plus.

Yet: I am still waiting for THE excellent portrayal of the event.

OPERATION VALKYRIE (originally titled STAUFFENBERG for its 2004 television release in Germany) is a condensed, powerful, and realistic telling of the attempted assassination of Adolf Hitler by his own military supporters on 20 July 1944. Unfortunately now in the shadow of the highly touted VALKYRIE released this past year as the Hollywood version of the incident OPERATION VALKYRIE is getting little attention from viewers. Now that it is available on DVD perhaps it will gain the importance it deserves.

For one aspect, the film is written, filmed and acted by Germans and the result is a different kind of felling than the later VALKYRIE: the tenor of the film suggests a growing lack of hope and a recognition of the insanity of Hitler by the a larger portion of the German populace than we have been lead to believe. It bears more a sense of reality than of a thriller movie.

Sebastian Koch is wholly credible as Oberst Claus Graf Schenk v. Stauffenberg - a devoted military man under the spell of Hitler's influence in the early years of the rise of the Third Reich who gradually pays attention to the rumors and reports of Hitler's aloof response to his murders of thousands of people. In a particularly touching scene a Polish Jew named Polja (Katharina Rivilis) recounts the horrors that the war has imposed on her family and her descent into insanity from Hitler's plan and execution of that plan for the genocide of the Jews. Stauffenberg is so deeply touched by this crowning encounter that he requests immediate transfer to the African Front and it is there that he is nearly killed in action, losing a hand and an eye. From the moment he awakens in a Munich hospital he begins his plan to exterminate Hitler (an impressive mute role by Udo Schenk), a plan that ultimately fails and results in Stauffenberg's assassination - a film clip of which opens the film before the credits.

The cast is excellent and the pacing and forward momentum of the story as written and directed by Jo Baier makes for a film that strikes the viewer in bullets aimed for the mind and heart. If too much of the peripheral activity of the times around the 1944 event is edited, remember that the film was originally a made of television experience to be viewed by the German populace and accepting part of the history depicted is still tainted by the horror of the Hitler guidance of Germany. Well worth watching. Grady Harp

This made-for-TV film has a decent cast and is well executed (mind the pun) with excellent costumes and backdrops. But the movie feels terribly rushed and missing back stories and character development. But the greatest crime is the awful voice actors used for the overdub. They either sound like cartoon Germans or far eastern and certainly anything but convincing WWII German accents. I suspect the DVD has the option for original German soundtrack and subtitles in the language of your choice. I would like to watch this again one day but only with the original actors voices and English subtitles.

In 1944, a group of high command officers plot an attempt against Hitler, and one of the leaders of the conspiracy, Stauffenberg (Sebastian Koch), goes to a meeting with the Fuhrer in charge of exploding the place. However, Hitler survives and the officers are executed.

"Stauffenberg" is another great example of the powerful German cinema. Based on a true event, with remarkable performances, tight direction and excellent reconstitution of a dark period of the contemporary Germany history, it is highly recommended – indeed a must-see film - for fans of war movies. My vote is seven.

Title (Brazil): "Operação Valkiria" ("Valkyrie Operation")

It is important to bear in mind, that this German version of the Stauffenberg attempt to save Germany was made four years before the great American film with Tom Cruise. They complement each other. The German version is more concise and precise, more approaching a documentary telling the facts with efficient exactness, while the Hollywood version is more dramatic, has a more elaborate dramaturgy, is more efficiently made and is humanly more interesting, so both versions are vital. Sebastian Koch is a little too good-looking to be quite convincing as the scarred and crippled veteran of many battles and hardships, while Tom Cruise made one of his most convincing performances in all his vulnerability. Nothing bad can be said about either of the versions, it's an important chapter in modern German history, as an evidence of the fact that the national resistance against Hitler was only the greater and more bitter for being constantly suppressed, as there were any number of attempts against his life, of which at least one statistically ought to have been successful, but the bitter tragedy was that they all failed, and especially the greatest and final one, which was the most urgent one, because of unpredictable human factors.