Red Dust - Die Wahrheit führt in die Freiheit

In South Africa the Truth & Reconciliation Commission hear the confessions of those in the former power who took part in crimes, torture and violations of human rights. Those that confess are granted immunity and it is only those that try to conceal their involvement who are open for prosecution. When former police officer Hendricks confesses to the torture of Alex Mpondo, it starts a chain of events. Mpondo pans to contest the amnesty of Hendricks despite his hazy recollection and wants to know what became of fellow activist Steve Sizela, who was arrested at the same time and never seen again. South African born lawyer Sarah Barcant returns at the request of her father to represent Mpondo and try to uncover the truth behind the story.

Forgiveness and healing are two words that are easy to say but very difficult to do. It is near impossible for me to understand what the village councils held in Rwanda must be like, where those that massacred others must confess all to gain amnesty; likewise I cannot comprehend the challenges that all involved with the TRC in South Africa have faced – to have people admit to so much but get off with nothing, as it were. This film doesn't really manage to get close to examining that pain because instead it goes for more of a courtroom drama approach that uses the TRC as its frame rather than being the focus. In doing this it still manages to be interesting, even though the serious tone and real setting means it ploughs a pretty straight furrow and cannot indulge in the genre histrionics that it occasionally suggests it wants to do.

As a bit of basic insight into the Truth & Reconciliation Commission, the film is still interesting and will probably move those that are somewhat unaware of the situation. However for me it would have been much more interesting to allow a debate to rage, for the sheer complexities of the situation to be aired but, by going for a mystery approach it becomes morally quite clean-cut and not as reality has shown it often can be – only towards the end does it take the time for a bit of thought, which is fine but I would have liked it to have been part of the film rather than an epilogue. The cast would probably have taken to this challenge as well because, although they are quite good, nobody really sets the world on fire. Swank deserves credit for doing the film but she is not that good and seems to have been added to provide a bankable star to drive the courtroom action. Ejiofor is better because he has more complexity to him, although I would have liked him to share more scenes with Bartlett, who is also strong in a difficult role. Roberts is poor because the film uses him as a nice clear baddie for the audience to hate. The direction is mostly good, setting up interesting shots here and there – but the film is mostly helped by the good use of locations, which are convincing and set the sense of place very well.

Overall this is a good film but not as moving or as thought-provoking as it could have been. By leading with a straight thriller type plot, the debate and the insight is left to the minority of moments and, although interesting is not all that I had hoped for. The cast are good and the Western cast deserve credit for taking on a worthy subject. This deserves a bigger audience than it is have received and is worth watching if you get the chance.

Red dust is both well acted and well made but what the movie is about i think will bore many viewers as it did to me. There was a film that was out earlier called "in my Country" with Sam Jackson and it was not that well received and both films were about nearly the same exact thing, I do think Red dust was better because of the more interesting performances especially by future Oscar winner Chiwton Ejofor but the plot is just to lacking, it starts off pretty strong but then the film hits the viewers with countless un-interesting court room sessions, this could have been a great film if the writing was not so lacking. But see if for the performances.

Dear sarahmumoftwo,

This is the final quote you wanted to know and you are Most Welcome:

«Having looked the beast in the eye, having asked and received forgiveness... let us shut the door on the past, not to forget it, but allow us not to imprison us.» Archbishop Tutu.

I agree with you we should all live and let live and always «do onto others as you would have them do unto you». This last quote is commonly referred to as the "Golden Rule." "So in everything, do to others what you would have them do to you".

Another Great concept of Love and Respect is brilliantly portrayed in John Lennon's Wonderful song entitled «Imagine». I strongly advice you to listen to it on YouTube or Google it. Here follows the complete lyrics to the aforementioned song:

«Imagine there's no heaven It's easy if you try No hell below us Above us, only sky Imagine all the people Livin' for today Ah Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion, too Imagine all the people Livin' life in peace You You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will be as one Imagine no possessions I wonder if you can No need for greed or hunger A brotherhood of man Imagine all the people Sharing all the world You You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will live as one».

Songwriter: John Winston Lennon.

Not knowing a great deal about the Truth and Reconciliation commission, I can only look at this as a piece of entertainment. I started watching it too late in the evening (recorded from BBC2 earlier this year) but once I'd started I had to watch to the end.

The down-side is that it's effectively a courtroom drama - never my favourite genre - but it's stunningly photographed (largely in super-saturated ochres) and well acted. Like a good novel, I couldn't put it down. All the way through, I wished I was watching it in a cinema to do the music and photography justice. What happened to its release in theatres? I'm an admirer of Chiwetel Ejiofor since I saw him in Dirty Pretty Things, and Hilary Swank looks terrific in this - very female and sexy for a change (possibly out of place, but she adds to the visual attractiveness of the film).

This picture deserves a wider audience than it seems to be getting.

I was unsure of this movie before renting and did so on the assurance that Hilary Swank has always given excellent performances in her movies. She seems to rely on restraint to gain the emotional impact that she does. And she didn't prove me wrong in this movie.

However the movie also had fantastic performances from all other members of the cast both speaking and non-speaking. I have to single out Jamie Bartlett and Chiwetel Ejiofor - the two main protagonists - for their outstanding acting abilities and portrayal of true human feelings and failings. The whole movie ran almost like a documentary.

I must applaud Tom Hooper as the director and Avril Beukes as the editor for keeping a multiple layered story being revealed smoothly whilst keeping dialogue and action moving along in an understandable fashion. The opening sequence of the South African landscape was striking and I had to push the pause button to savour the photography.

Why can't a movie like this ever get nominated for an International award. It seems to me to hit the high-rating button on all counts. It was not just a film it was a true experience of life in a country coming out of apartheid. A life of poverty was all around but it celebrated the dignity of the human spirit.