Graveyard Alive

"Patsy Powers" (Anne Day-Jones) is a young but lonely nurse working at a hospital who is called upon to assist in a special case involving a patient with an axe buried into his head. The operation appears to be a success and as he is recovering he and Patsy begin to have feelings for one another. However, when they try to get intimate the patient bites Patsy--which results in her slowly becoming a zombie. Meanwhile, as this transformation is going on Patsy loses her shy inhibitions and begins to attract the other male doctors and staff who happen to work with her. Anyway, so much for the plot. As far as the movie itself is concerned I will just say that it definitely had some weaknesses. For example, if this ultra low-budget film was intended to be a comedy then it failed miserably as the humor just wasn't that sharp. Likewise, if the movie was meant to be a horror film then it wasn't very effective at that either. On the other hand, the director (Elza Kephart) was quite imaginative and used a number of tricks and gimmicks to keep this film somewhat interesting. But it just wasn't enough. Accordingly, I rate this film as below average.

This is a great low budget indie movie! Shot way before the walking dead and zombies were trendy... watch it :if you like black and white movies and hospital dramas or just if you like cheese low budget horror! I especially likes the different camera angles and the fact that it was all shot in black and white. It's really high contrast and it has that old school acting style about it!

It was shot in Montreal and other parts and the acting is surprisingly good for a Canadian film. This movie is well directed and produced and really shows the quality of the Montreal talent (when it's so hard for local English film makers to get any funding in Stupid Quebec...

By the title alone I knew I had to go see it. It played here in Winnipeg at NSI film exchange March 2004.

Basically very well done film especially because it was shot with the intent for it to be silent than all the sound and dialog was added well after the fact in post. This is amazing as I only noticed one or two places where the dialog seemed to be out of sync slightly. it has an interesting acting style throughout due to the fact it was suppose to be silent, a lot of physical expression of emotions and words. It is shot well on black and white, the B$W really builds into the character of the film.

Overall I would definitely recommend it. I can't wait to purchase a copy.

This was one strange movie. It was in black and white, which is OK, but it really felt like a silent film from the 20s. There was very little dialog, and they could have skipped that entirely.

Nurse Patsy (Anne Day-Jones) is a wallflower that is in love with Dr. Dox (Karl Gerhardt), who just happened to be the guy who took her to the prom in high school. He lost his geekiness, but she stayed the same until she was bit by an infected woodsman.

She turns into a hottie that must eat flesh to stay beautiful. This is where the film gets really funny.

The fiancé of Dr. Dox, Nurse Goodie (Samantha Slan) is the only one who suspects the truth and ends up in a sanatorium after trying to expose Nurse Patsy.

The ending was hilarious.

The only reason this is being given a two is because I have to give credit to the dream sequences - they were actually quite stylish and had a pretty convincing horror tone to them.

Otherwise, if it was supposed to be silent, they should've kept it silent as the post-production ADR was REALLY distracting throughout the film, which also made the over-acting look absolutely ridiculous. Not looking to blame the actors, they were only doing what they were directed to do.

The movie was pretty painful to watch overall and although I kept hoping it would get better, it only got worse. I was so paralyzed by how horrible the film was that I couldn't even reach for the remote to turn it off.

It makes you wonder how movies like this EVER make it past a high school project, as that's what it felt like. There are so many brilliant independent movies out there that never make it and it's so painfully disappointing that something like this ends up representing Canadian film...unbelievable.