Slings and Arrows

I quite enjoyed watching 'Slings and Arrows' on TMN this past season, and must say - it was a delight to finally see something strikingly original and drop down funny on the telly. It was well received, by the audiences who knew of its existence, but lacked any sort of advertisement and flare that HBO shows get. It's been too long since something like this has been tried, and it sure as hell stacks up to the HBO shows any day. Paul Gross has finally shown he as as good an actor as he is a looker. The characters are thoughtfully developed and the plot line is kept alive by the fast-moving pace of this Stratford-like festival. A perfect score all the way.

This series is not only great fun to watch, but is also extremely poignant and insightful. The antics offered by the characters keep things moving quickly and maintain the entertainment, but every now and again, they slip a subversive bit of social commentary into the mix as well.

When Irwin's corporate shark quips at one point that she's always had an idea to do a musical about John Lennon's life, saying that it would have everything the modern production needs to succeed (sex, drama and familiar music) it's hard for the "Mama Mia!" marquee to not flash in the mind's eye. When Burns' young stud pronounces that he loves "serious theatre" while holding an inflatable doll in the shape of the man from Munch's "The Scream", the fundamental paradox in presenting the arts in our times hits you in the face: in order to produce, you need to sell, but it's hard to sell without selling out.

The contrast between approaches to Shakespeare used by Gross' reluctant, haunted (literally!) Artistic Director and McKellar's over the top Art-Nouveaux Director (a send up of Robert LePage, I'm sure) is fantastic, and illustrates that Shakespeare can be both artistic AND accessible. The snippets shown of the final mounted production of Hamlet are brilliant, and Gross' speeches about the meaning of the various passages in the play should be cribbed by all high school students studying it.

One hopes that Showcase, Bravo or HBO will pick this up, and even better, that a DVD release is forthcoming. Or better yet - a second series?

I found this terrific series by accident on The Sundance Channel. I watched the first few minutes, was completely sucked in and then ecstatic when I discovered it was an actual series and there were more episodes than the one I had just watched! For those of you out there who loved Paul Gross in the Tales of the City mini-series you must watch this show!! He is wonderfully lost and adorably manic as Geoffrey Tennant returning to a world he thought he had come to hate, but in essence loves so much he can't live without it. But he is not the only gem on this show. All the characters, although they seem like clichés at first, are in truth, impeccably written and wonderfully acted. Shakespeare lovers, or just theater lovers in general will drown in happiness when watching this look behind the curtain.

Intelligent, witty, insightful writing that each and every actor clearly loves having the chance to deliver. Fully-rounded, complex characters, examined with insight and empathy. A deep love and rich understanding of life in the theater, with all its excitement and pitfalls. Perfectly paced, with a pleasing balance between comedy and drama. It's so rare to see a work that treats its subject, characters, actors, and audience with so much respect. Very few shows have made me care so much about how everything would turn out, or left me so satisfied at the final fade-out. This is one I look forward to seeing again and again.

I don't have much to say about this series other than it is one of the best television series of all time! Anyone who has the slightest appreciation for Shakespeare or the theatre in general will get instantly hooked on this series, each season having one of Shakespeare's major tragedies at it's focus. Paul Gross proves himself to be one of the most underrated actors working to day as the brilliant Geoffrey Tennant, and his real life wife Martha Burns is wonderful as star actress Ellen Fanshaw. Stephen Ouimette Steals every scene he's in as the ghost of former Artistic Director Oliver Wells, and in season one there's excellent work from Luke Kirby and a pre-Notebook Rachel McAdams. If you haven't seen this series yet, go buy the DVD immediately!