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Blue Gender

  • Fernsehserie
  • 1999–2000
  • TV-MA
  • 23 Min.
IMDb-BEWERTUNG
7,1/10
1420
IHRE BEWERTUNG
Eric Vale, Houko Kuwashima, Laura Bailey, and Kenji Nojima in Blue Gender (1999)
Trailer for Blue Gender: The Complete Series
trailer wiedergeben1:10
10 Videos
45 Fotos
Animation für ErwachseneMechaPsychologischer HorrorÜberlebenAbenteuerAktionDramaEntsetzenFantasieScience-Fiction

Bei Yuji Kaido wurde eine schwere Krankheit diagnostiziert, und da es keine Heilung für die unbekannte Krankheit gab, wurde er kryogenisch eingefroren.Bei Yuji Kaido wurde eine schwere Krankheit diagnostiziert, und da es keine Heilung für die unbekannte Krankheit gab, wurde er kryogenisch eingefroren.Bei Yuji Kaido wurde eine schwere Krankheit diagnostiziert, und da es keine Heilung für die unbekannte Krankheit gab, wurde er kryogenisch eingefroren.

  • Stoffentwicklung
    • Ryôsuke Takahashi
  • Hauptbesetzung
    • Laura Bailey
    • Eric Vale
    • Houko Kuwashima
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    1420
    IHRE BEWERTUNG
    • Stoffentwicklung
      • Ryôsuke Takahashi
    • Hauptbesetzung
      • Laura Bailey
      • Eric Vale
      • Houko Kuwashima
    • 15Benutzerrezensionen
    • 4Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Episoden26

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    Videos10

    Blue Gender: The Complete Series
    Trailer 1:10
    Blue Gender: The Complete Series
    Blue Gender
    Trailer 1:08
    Blue Gender
    Blue Gender
    Trailer 1:08
    Blue Gender
    Blue Gender
    Trailer 0:35
    Blue Gender
    Blue Gender: Vol. 5
    Trailer 0:44
    Blue Gender: Vol. 5
    Blue Gender: Vol. 4
    Trailer 0:44
    Blue Gender: Vol. 4
    Blue Gender: Vol. 3
    Trailer 0:44
    Blue Gender: Vol. 3

    Fotos45

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    Topbesetzung69

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    Laura Bailey
    Laura Bailey
    • Marlene Angel
    • 1999–2000
    Eric Vale
    Eric Vale
    • Yuji Kaido
    • 1999–2000
    Houko Kuwashima
    Houko Kuwashima
    • Marlene Angel
    • 1999–2000
    Kenji Nojima
    • Yuji Kaido
    • 1999–2000
    Tomohisa Asô
    • Medical Doctor
    • 1999–2000
    Kyle Hebert
    Kyle Hebert
    • Seno Miyagi…
    • 1999–2000
    Meredith McCoy
    Meredith McCoy
    • Su…
    • 1999–2000
    John Burgmeier
    John Burgmeier
    • Joey Heald…
    • 1999–2000
    Christopher Sabat
    Christopher Sabat
    • Additional Voices…
    • 1999–2000
    Sean Schemmel
    Sean Schemmel
    • Rick
    • 2000
    Jerry Jewell
    Jerry Jewell
    • Tony Frost
    • 2000
    Bradford Jackson
    Bradford Jackson
    • Additional Voices…
    • 1999–2000
    Carol Hope
    • Brenda…
    • 1999–2000
    Lisa Ortiz
    Lisa Ortiz
    • Alicia Whistle
    • 2000
    Chris Cason
    Chris Cason
    • Additional Voices…
    • 1999–2000
    Kent Williams
    Kent Williams
    • Additional Voices…
    • 1999–2000
    Dameon Clarke
    Dameon Clarke
    • Dice Quaid…
    • 1999–2000
    Sonny Strait
    Sonny Strait
    • Additional Voices…
    • 1999–2000
    • Stoffentwicklung
      • Ryôsuke Takahashi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen15

    7,11.4K
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    Empfohlene Bewertungen

    8james-obeirne

    Emotionally Driven Cartoon

    I'm not really a big anime guy; in fact, the genre as a whole sort of repulses me. Blue Gender really only piqued my interest because it was on Adult Swim's lineup around two, three years ago (back when AS was worth watching) and I caught a couple episodes. I'm a total sucker for post-apocalyptic scenarios, and giant, mutilating bugs never hurt anything, so I recently got hold of the series in complete. 36 hours later, I'd watched the series from beginning to end; not so much because it was gripping (that's only partially true), but more because I'm a maniac.

    Blue Gender is driven not by the prototypical giant robot action Japan is (in)famous for, nor the horrendous monsters, nor even, for that matter, the dialog. The viewer is compelled through Blue Gender by the characters and their subsequent emotional arrangements, more specifically the leads, Yugi and Marlene. It's basically an epic, sci-fi soap opera with heavy metal and big bugs.

    Marlene is the ideal woman. (Yeah yeah, she's a cartoon, "ew gross", get over it: that's not the point. The point is the idea being conveyed by whatever layered ink it travels through:) Marlene portrays the aesthetic of an ideal woman: strong, self-sufficient, but irrevocably feminine. I'd argue that she's more of a focal point for the viewer than Yugi, but Yugi is also a necessary component.

    Yugi is a bumbling, sometimes whiny character that often accomplishes incredible things. This the viewer can appreciate and identify with; his relationship with Marlene, because of the viewer's identification with him, is the key in the ignition for this work. The audience is propelled through the series hoping intensely he'll get himself together and snag this pristine idol of a woman.

    The interactions that follow the setup between these two are worth the 500-whatever minutes of moderate quality animation and dialog.

    The other characters, for the most part, are semi-interesting. Some, however, are notable (eg, Dice). The atmosphere and setting are kind of cool; the creators do a pretty good job of portraying an insect infested planet Earth, but again, this is mostly beside the point.

    In this ultimately lonely life, people often underwhelm us. I'm constantly disappointed by the trite selection of people placed before me. Fiction provides a remedy to this, allowing us to construct a composite ideal of characters we'd like to know within the stage of our minds. After all, the only difference between memory and reality is the level of detail.

    Anyways, philosophic drooling out of the way, I'm glad to say that this series instilled in me memories of a character I appreciate, and I'd endure double the length of these episodes, spotty details and all, just to glean what I have.

    On an end, this series has softened my harsh glare towards cartoons. While I doubt I'll be browsing the Anime section anytime soon, I'm a bit more open to taking animation for the ideas it's portraying as opposed to the raw, intrinsic value of the animation itself.

    Oh, also, keep a keen eye out for the hilarious Engrish used in the animated computer interfaces... "Meesuement Impossibility!".
    6cyguration

    Incongruity Of Continuity Is The Biggest Drawback

    I'm not a big anime fan, and I only put this on my watchlist because YouTube randomly recommended me a video list of gritty/gory anime featuring mechs, and this was on it. So it seemed like it was worth checking out.

    The first two or three episodes were really good, and set the tone of how dreadful the world is within this anime series, but the entire middle section of the series has way too many filler episodes. Even then, I could have tolerated that had the continuity of the series been much better.

    In some episodes vehicles and mechs were heavily damaged, but in the next episode (or even later in the same episode) the vehicles and mechs were restored. Later in the series they were better about the continuity, but early on there were a ton of issues like this, which made it hard to get immersed in the series, since moments that should have and could have had more impact were lessened due to immersion-breaking incongruities.

    A good example is that characters seem to have infinite amounts of ammo just until the story doesn't need them to have infinite amounts of ammo. Mechs are highly capable just until they're not, and they become cannon fodder for the bugs.

    I didn't have any problems with the over-arching story and what the series was trying to get across (even though it was wrong in its assessment of what's happening on the planet). But the continuity didn't improve until the second half of the series.

    I think from episode 14 or 15 onward things really ramped up and improved greatly. Also there's a much stronger focus on the consistency of the characters, battle damage, and the war effort. So it made it feel much more grounded in its depiction of the world and battles.

    Characters regularly repairing their mechs, and the damage they encounter makes more sense later in the series, which, again, makes the story flow and action scenes mean a lot more.

    For this reason it's a difficult series to judge. A lot of the filler episodes are insufferable and mostly pointless, and some episodes seem to be filled with the two leads constantly just yelling out each other's names (especially on the space station).

    But the back-half of the series really picks it up and is quite impressive. You can tell a large portion of the budget was put into the first half of the final episode with the big battle scene, which was really well done. And again, there was consistency with the way the battle played out. It's just a shame that there were so many wasteful episodes getting to that point, as well as a lot of ridiculous plot contrivances for certain characters as well. I think if the first half flowed better and they weren't so quick to kill off certain characters within the first handful of episodes, it could have been a much better series.

    Still, the premise is awesome. The first two episodes are intense, and the back-half of the series really improves the flow and storytelling pacing. It's just a shame that there is a lot of filler getting to that point.
    7Aaron1375

    Insects of the giant type have taken over the world!

    This anime was rather good, it really pulled you in the first few episodes, however at a point it loses some of its steam and is just not the series I was expecting it to be. Basically, the story starts off great as this dude with some mysterious illness is put into cold storage so that one day he can perhaps be revived when a cure is found. He is awakened, but not to a bunch of doctors saying "We did it!". No, instead he is awakened in a nightmare as the earth has been overrun with giant insect creatures, his only chance of survival a mysterious girl using some type of robot vehicle to fight off the many different creatures now seemingly intent on killing people. This part of the story is great, seems they have some plans on using the dude to stop the creatures, his illness being the key. A lot of people are now living in space and this is where the girl must get the boy so they can begin setting a plan of attack against the bugs in motion. It is a really good series up to the point you sort of find out what the people with this illness are needed for and you ask yourself "what"? I just never got what was so special about them, seems like they really had no special ability to me. The series once it reaches the go back to earth phase kind of loses its luster that it built up in the very exciting escorting kid back to the spaceship part of the show. I also never saw the last episode of this series so while I saw all the others I still feel incomplete when discussing this start with a bang series. Just needed work on the second half of the show.
    9PeterGriffinLives

    Wake Up: It's the End of the World

    Yuji Kaido is an average guy with a problem: he's sick, and there's no cure. Doctors simply don't know enough to fix the problem, but they can offer Yuji an amazing opportunity. After reluctantly agreeing, Yuji is cryogenically frozen until a cure for his condition is discovered. But things are very different when he wakes. Tokyo (the entire Earth, for that matter) is in ruins, consumed by merciless, insect-like predators known as the Blue. Pursued by the massive arthropods, Yuji is rescued by icy professional soldier Marlene Angel, a member of a military team assigned to recover "sleepers" like Yuji and transport them back to the orbital space station where humanity has taken refuge. As the Blue hunt them at every turn and team members start to die, Yuji and Marlene will have to rely on each other to survive and to escape from the planet.

    This is an exceedingly well-made show. The Blue are interestingly designed and frighteningly portrayed, the characters are likable (well, the good guys are), and the storyline never bores the viewer. The general film "rules" about who can and cannot die (children are safe, noncombatants are safe, etc.) are not rigidly followed here, and the series is all the more suspenseful for it.

    There are a few issues, like a small amount of nudity that can jar you if you're not expecting it, and an environmental plot element that can feel somewhat preachy at times. However, these aren't enough to justify taking away any more than one star.

    Blue Gender has a dark tone and its fair share of violence, and is not for everyone. However, if you enjoy the genre, this is a visually and, I kid you not, emotionally appealing series that can be horrifying, exciting, and even touching.
    Here_psycho_311

    Blue is Good

    Yuji Kaido is a normal 20 something with the rest of his life ahead of him but after coming down with a serious and strange sickness he decides to go into suspended animation until a cure is found. Finaly in the year 2031 22 years after going to sleep he awakins to a nightmarish world no one could of expected. Upon his awaking he is saved by a group of futuristic military squad know as the Sleeper Recvoery Team, equiped with the heavest of weapons and lead by the cold yet beatuful Marlene Angel. Realizing the team is his only hope of survival and discovering now that the world is overrun by large bug-like creatures only known as the Blue. Yuji must now find his own destiny and ends up on a path that may not only save or destroy himself but the hope of mandkind. Without knowing who to trust on the real Earth or Second Earth(A Space station filled with survivors) Yuji turns to the only person who may be able to save him Marlene. A very good show if you've seen Starship Troopers and liked it then check this out. The best episode in the season is Episode 15 Calm. In the episode you really get the feeling of sparks between Yuji and Marlene. Check it out.

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    • Wissenswertes
      A 'Blue Gender' manga was published by Kadokawa Shoten and was released in Japan on March 9th 2000.
    • Crazy Credits
      The title card is written in scribbled letters.
    • Alternative Versionen
      For the Adult Swim airing, nudity and blood was edited.
    • Verbindungen
      Featured in Blue Gender (1999)
    • Soundtracks
      Set Me Free
      Performed by Carol Hope

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    Details

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    • Erscheinungsdatum
      • 7. Oktober 1999 (Japan)
    • Herkunftsland
      • Japan
    • Sprachen
      • Japanisch
      • Englisch
    • Auch bekannt als
      • Блакитна раса
    • Produktionsfirmen
      • Anime International Company (AIC)
      • Toshiba EMI
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    Technische Daten

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    • Laufzeit
      23 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.33 : 1

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    Eric Vale, Houko Kuwashima, Laura Bailey, and Kenji Nojima in Blue Gender (1999)
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