Ein Witwer ist fest entschlossen, ein Geheimnis von möglicherweise großer Sprengkraft zu lüften, in dem es um den Mord an seiner Frau, große Geschäfte und Firmenbestechung geht.Ein Witwer ist fest entschlossen, ein Geheimnis von möglicherweise großer Sprengkraft zu lüften, in dem es um den Mord an seiner Frau, große Geschäfte und Firmenbestechung geht.Ein Witwer ist fest entschlossen, ein Geheimnis von möglicherweise großer Sprengkraft zu lüften, in dem es um den Mord an seiner Frau, große Geschäfte und Firmenbestechung geht.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 35 Gewinne & 70 Nominierungen insgesamt
Hubert Koundé
- Dr. Arnold Bluhm
- (as Hubert Kounde)
Empfohlene Bewertungen
I walked away from The Constant Gardener wondering how drug companies actually bench test their drugs. (The current Vioxx settlement certainly inspired cynicism) This is a thriller for the thinking crowd with sufficient chase scenes and action sequences to justify the genre. It's paced slower then the average Grisham or Ludlum (Jason Bourne) movies I've come to love. But if you're interested in the stark realities of how medicines are tested in third world nations without having to endure negative consequences, this is a film you will want to see. It purports to reveal real-world events from Africa.
Pharmaceutical company corporate greed and compromised government ethics set the mood as Ralph Fiennes and Rachel Weisz (on separate courses) do what they can to reveal the corruption spinning all around them. Fiennes is a British diplomat who understands what it takes to succeed in a compromising diplomatic position. Weisz refuses to give in. She's on a mission to reveal the truth - taking the political activist route - from the moment they meet. Fiennes is a love interest to the luscious Weisz, someone who offers an opportunity to cut the red tape and speed the truth about the mischief to which the drug company(s) are up to in Africa.
It's a brilliant movie showcasing how third world countries are (or can be) exploited. It deals with how a major pharmaceutical firm conducts harmful tests on ignorant, unsuspecting Kenyans. We see the other side of Africa the side unseen in the enticing Kenyan safari tourist posters.
This is a thriller that thrills both the mind as well as the spirit. It left me wondering, "how close to the truth did they actually come?"
Pharmaceutical company corporate greed and compromised government ethics set the mood as Ralph Fiennes and Rachel Weisz (on separate courses) do what they can to reveal the corruption spinning all around them. Fiennes is a British diplomat who understands what it takes to succeed in a compromising diplomatic position. Weisz refuses to give in. She's on a mission to reveal the truth - taking the political activist route - from the moment they meet. Fiennes is a love interest to the luscious Weisz, someone who offers an opportunity to cut the red tape and speed the truth about the mischief to which the drug company(s) are up to in Africa.
It's a brilliant movie showcasing how third world countries are (or can be) exploited. It deals with how a major pharmaceutical firm conducts harmful tests on ignorant, unsuspecting Kenyans. We see the other side of Africa the side unseen in the enticing Kenyan safari tourist posters.
This is a thriller that thrills both the mind as well as the spirit. It left me wondering, "how close to the truth did they actually come?"
This is a rare gem in today's gravel pit of features. Rachel Weisz is truly transcendent. She is just so immensely real and powerful and alive! Fienne's role as that of a somewhat distant man is the perfect complement to this.
Visually, this is one of the finest films I've seen in years; the editing is brilliant and the cinematography is beautiful; the DP gives us subtle stylistic cues and approaches which highlight the many different worlds we encounter, from the abject poverty of Africa to the interior of a private London club.
See this film...and see what a movie can really be.
Visually, this is one of the finest films I've seen in years; the editing is brilliant and the cinematography is beautiful; the DP gives us subtle stylistic cues and approaches which highlight the many different worlds we encounter, from the abject poverty of Africa to the interior of a private London club.
See this film...and see what a movie can really be.
There are some flaws in the story, however that is not my main concern with this film. While some people might enjoy the type of cinematography this film had, for me I felt like it ruined the entire film. This type of random cinematography cheapened the film in my opinion, and I also did not like the color palette they put it with either. As stories about corruption are very important I think that this was such a shame, because the film simply lost me because of this and I felt disconnected the message it wanted me to come across. However I do like the theme of the film, and I certainly think more films should be made about corruption and the less fortunate, just not in this way.
The movie's frustrating because it gives you a problem in this world to be angry about, depressing because that problem probably won't be solved anytime too soon. It becomes even more depressing because it puts more than one face on the problem and allows us to see the issue through someone who experienced it firsthand.
It doesn't matter if that person is fictional or not. Ralph Fiennes makes him real, and Meirelles surrounds him with what looks and feels like the real world. Ralph Fiennes plays Justin Quayle, a British diplomat married to Tessa (Rachel Weisz, in a heartbreaking performance just as noteworthy as Fiennes's). Justin has a job to do in Africa, and Tessa makes him take her with him, despite his misgivings. They end up entangled in a pharmaceutical battle that has taken lives before and, before the movie is over, will take many more.
The subject matter here begs to be heard, and Meirelles has provided it with a compelling venue. He films with a style that constantly keeps us engaged. It's hard to find fault with this movie. I didn't find myself wholeheartedly loving it either, but I admire it for its courage and emotional truth. The Constant Gardener grips you from the start in the lives of these two people and never lets you go, not even when the movie is over. It's hard to forget this story. I wouldn't want to.
It doesn't matter if that person is fictional or not. Ralph Fiennes makes him real, and Meirelles surrounds him with what looks and feels like the real world. Ralph Fiennes plays Justin Quayle, a British diplomat married to Tessa (Rachel Weisz, in a heartbreaking performance just as noteworthy as Fiennes's). Justin has a job to do in Africa, and Tessa makes him take her with him, despite his misgivings. They end up entangled in a pharmaceutical battle that has taken lives before and, before the movie is over, will take many more.
The subject matter here begs to be heard, and Meirelles has provided it with a compelling venue. He films with a style that constantly keeps us engaged. It's hard to find fault with this movie. I didn't find myself wholeheartedly loving it either, but I admire it for its courage and emotional truth. The Constant Gardener grips you from the start in the lives of these two people and never lets you go, not even when the movie is over. It's hard to forget this story. I wouldn't want to.
Really good and interesting. Had a good plot in it, but I wish Rachel had more screen time in the movie :( she was very beautiful and I liked her character a-lot!
Wusstest du schon
- WissenswertesWhen Tessa walks through the slum, numerous children ask her "How are you?" and she responds "I'm fine, how are you?" That scene was unscripted. The children are actual children who live in Kibera, not extras.
- PatzerWhen Quayle shows the fake ID to the German police officer in Berlin, it is a Dutch passport. However, when he pockets the document again, it is shown to have a blue cover. Dutch passports have a red cover.
- Zitate
Tessa Quayle: I thought you spies knew everything.
Tim Donohue: Only God knows everything. He works for Mossad.
- Crazy CreditsEND CREDITS DISCLAIMER: Nobody in this story, and no outfit or corporation, thank God, is based upon an actual person or outfit in the real world. But I can tell you this; as my journey through the pharmaceutical jungle progressed, I came to realize that, by comparison with the reality, my story was as tame as a holiday postcard. --John Le Carré
- VerbindungenFeatured in At the Movies: Folge #2.41 (2005)
- SoundtracksDicholo
(2005)
Written and Performed by Ayub Ogada
Mixed by Ben Findlay
Published by Womad Music Ltd.
(p) 2005 Real World Records Ltd. / Virgin Records Ltd.
Ayub Ogada appears courtesy of Real World Records Ltd.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- El jardinero fiel
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 33.579.797 $
- Eröffnungswochenende in den USA und in Kanada
- 8.577.000 $
- 4. Sept. 2005
- Weltweiter Bruttoertrag
- 82.468.097 $
- Laufzeit
- 2 Std. 9 Min.(129 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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