Eine Schlacht im Himmel

This not an easy picture. It requires Patience and commitment. It's a poetic movie about the urban heaven. About real people. About love and about madness. Reygadas is truly an author. He turns a conventional history in to a great ride through emotions, feelings and in to the overwhelming city of Mexico. Either you love it or hate it, no one comes out of the theater without a comment or a reaction. The movie has the power to move you in a positive or in a negative way. And i guess that something to be thankful about. Mexican films, in recent years, are mostly easy going urban comedies. This totally different. A prove that we can make different stories that reflect the sometimes surreal life of our country. This is one of them. With no professional actors, the movie feels honest and. The cast it's in a very natural level. The Sex scenes are not as important as they seem. Sex is finally a part o who we are, and we are use to see great bodies making love on the screen. It's not easy to see real people doing it, because we may see ourselves in them. And when someone throws your reality at your face, you can hate it. But Batalla En el Cielo does that and even more: Takes that reality to another lever and turns it in to poetry. And that it's just fantastic.

It can be said with certainty that all students of cinema would be completely mesmerized by camera angles used in 'Battle in Heaven'. Watching its deft camera work, one can easily say that the film's DOP Diego Martínez Vignatti has been given complete freedom to capture all kinds of emotions from characters' faces as well as from items surrounding them. One important scene shows two actors busily copulating with excitement. It is interesting to observe how the next scene quietly takes viewers out from the bedroom's window to a neighboring area where a television antenna is being installed. This is one positive point about this film's technical prowess. One problem area concerns sex scenes which are not easy to watch. This has nothing to do with prudish attitudes but there is blatant de- glamorization of sex. In mainstream media, sex is glamorized to such an extent that viewers are foolishly led to believe that it looks good only when beautiful, handsome and smart people are engaged in sexual activities. This is one reason why there are not many viewers who would appreciate watching how fat as well as ugly people copulate ? As far as narration is concerned, it is unfortunate that characters have not been developed to a large extent. This might be viewed as a major disappointment by viewers as characters' motivations are not clear. Director Carlos Reygadas works hard to reveal the behavioral traits of people especially in depicting how do people behave especially outside the comfort of their homes. This is one reason why the rich versus poor angle is explored but at a superficial level. As a last work, in spite of its inherent weak points, Battle in heaven can still be considered an average viewing experience as it says a lot by using limited amount of words.

For two thirds of this film I was spellbound and then it suddenly span away from me. Listening to the director speaking afterwards, I think I know what went wrong and I shall have to view again some time to find out. It is all very watchable but slightly confusing towards the end, which is a shame and may be my fault, that of the director or even of Mexico itself. Whilst I have never been to the country it did seem that part of the lifeblood of this movie was the tangled city of contradictions itself. Even though not perfect in my eyes there was enough to show that this is a director of keen and original talent who will produce much more. His liking to work with non actors is welcome and his treatment of actual graphic sex is stunning. Very affecting, bitter sweet movie.

This is an art film, or at least what the average movie goer will view as an art film. By that, I mean you're going to have to dig really deep to find a plot that you can follow. The scenes are too obviously artistic...a tear drop, a blank stare, holding of hands.

The movie is about a man who is struggling with the guilt of having kidnapped a child who died. I'm not worried about giving away any spoilers because I'm not sure there are any to give away. The movie is a sequence of scenes that make you wonder why they are in the film, and frustratingly so because you really never find out.

American audiences especially will be shocked by the sex scenes. I'm not saying that's good or bad. We just rarely see a penis in a movie, aside from porn, let alone an erect one, let alone someone interacting with one.

The reason I gave this move a 5 is based entirely on its style. The characters often stare at each other with blank faces but they are consistently unemotional. The characters look like real people plucked right off a Mexico City street. The sounds in the film are interesting and graphic, sometimes noisy. But it works to keep you in the film. The filming in Mexico City creates an interesting backdrop. You're just dying for a story to be drawn from it but it never emerges, at least not a good one.

This film is about a man and wife, who kidnapped a friend's baby for ransom. However, the baby died, and they have to live with the consequences.

The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.

There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.